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#redemption – @kittennightfarts on Tumblr

Kitten Night Farts

@kittennightfarts / kittennightfarts.tumblr.com

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I know a lot of people were like “Ted Lasso is all about second chances! … except for Rupert, fuck that guy”. And that’s funny as a joke, but one of the things I adored about this season is that Rupert DID get a second chance. And he fucking blew it.

Rebecca calls him out on being a shitty husband and father, and tells him to do better. She calls him out for using football as the means to an end and reminds him of how he once loved it just for the sport. And what two things bring about Rupert’s downfall in the finale? The fact that he kept sleeping with his employees and the fact that he tried to get his manager to play dirty in order to win a match. Rebecca offered him second chances - not with her, but to become a better person, and it was his explicit rejection of those chances that sealed his fate.

Ted Lasso has never been subtle about the message that anyone can change and anyone can use a second chance. Rupert isn’t an exception to that, he’s an example of what happens when you don’t take that second chance.

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Winning the villain over to your side is a power fantasy.

Like, a really big one, too.

Social emphasis has it that men should value strength, aggression, and violence, and women should value kindness, empathy, and community. But really, anyone who has learned to prefer social success to might/aggression is going to favour a strategy where you can make your enemies into allies of some kind, over one where you just kill them. As a display of dominance, killing is overly simplistic. And it’s also hard to ignore the reality that luck usually has more to do with most fights than actual strength.

So, many people vastly prefer stories where the villains don’t die, but instead, get won over by the hero. It’s also a much more prevalent power fantasy among women than it is among men, because women are often taught that violence on our parts is inherently distasteful and ignoble. If you can’t defeat your enemies by putting a bullet in their heads, then what could be more satisfying than convincing that enemy to come and fight other people on your behalf instead?

This is a major component to why villains end up as popular shipping material. I honestly don’t think it’s the ‘bad boy’ impulse, or some branch of misogyny, or at least, not in a majority of cases. It’s a total and sincere power fantasy. Someone going ‘all I care about is myself and all I want to do is DESTROY THE WORLD MWAHAHAHA’ meeting you and then being like ‘oh no wait I also want to please you and spend time with you and I want that so much that I will now give up those other things’ implies an intoxicating level of charisma.

Of course, like most power fantasies, it pays to tread carefully with it. Because real life rarely accommodates such things, and as with some muscle-bound hero easily lifting a house over his head, being able to take a wholly selfish being and convert them into a devoted companion is… unlikely to happen outside of fiction. For a lot of reasons.

However, I bring it up because I am C O N S T A N T L Y seeing the compulsion to ship characters with villains misattributed to A) agreeing with the villains, B) some form of self-hatred, C) a noble impulse towards compassion and understanding, or D) sheer stupidity, and really… it’s just another power fantasy. Wonder Woman punches a tank. Tony Stark buys an entire island. Storm calls down a lightning strike. Batman outwits all his clever foes. And some seemingly random, ordinary human woman convinces Lex Luthor to chill out and stop trying to kill Superman. It’s all power, displayed in fantastical proportions.

(Which isn’t to say that you have to like it or think that every such relationship is good and healthy, gods no, but once you realize that everyone’s just pretending to be the Superman of relationships, it’s easier to just go ‘oh that’s what you’re after’ and… y’know… fret less.)

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Look at this

LOOK

I’ve never made this connection before…at the beginning of DH Hermione tells Ron and Harry how a wizard who’d split his soul could heal himself, save himself…remorse oh, harry

Harry James you precious baby

I’ve read this second bit before, the whole try for some remorse thing, and thought it was just a Harry stabbing in the dark, but nO

It was so calculated

He remembered that conversation

Hermione’s research

actual, possible redemption for Voldemort

he kept that hope, however slim, that Voldemort could be saved

before they cast their final curses, after all that happened, Harry was actually trying to get Voldemort to mend himself back together

Harry james potter you compassionate jerk trying to save your mortal enemy before he utterly and finally destroys himself

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We think of men as antiheroes, as capable of occupying an intense and fascinating moral grey area; of being able to fall, and rise, and fall again, but still be worthy of love on some fundamental level, because if it was the world and its failings that broke them, then we surely must owe them some sympathy. But women aren’t allowed to be broken by the world; or if we are, it’s the breaking that makes us villains. Wronged women turn into avenging furies, inhuman and monstrous: once we cross to the dark side, we become adversaries to be defeated, not lost souls in need of mending. Which is what happens, when you let benevolent sexism invest you in the idea that women are humanity’s moral guardians and men its native renegades: because if female goodness is only ever an inherent quality – something we’re born both with and to be – then once lost, it must necessarily be lost forever, a severed limb we can’t regrow. Whereas male goodness, by virtue of being an acquired quality – something bestowed through the kindness of women, earned through right action or learned through struggle – can just as necessarily be gained and lost multiple times without being tarnished, like a jewel we might pawn in hardship, and later reclaim.

Look at your stories - don’t just count who gets to be the hero and the villain (what kind of hero? what kind of villain?); count who gets the redemption arcs.

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