kingthorin reblogged
Source: it-started-to-rain
kingthorin reblogged
Tom Hardy on his glorious Myspace photos, particularly this gold.
Tom Hardy is a fucking icon like this is such a cool message that he’s not even intentionally trying to spread. He’s just like, “I look good in that photo, I feel good in that photo, whats wrong with that?”.
kingthorin reblogged
Source: pinterest.nz
kingthorin reblogged
Hi can I please look at (and like) probably-gay silent film actress Maude Fealy for the rest of my life 😍
god i'm so sad.
tumblr. WHAT THE FUCC
apparently tumblr is dying?
so if you are a mutual, please feel free to follow me on instagram and twitter at emmzlyyy
please message me with your old tumblr handle so i know who you are.
if you wanna friend each other on facebook, i can do that too
kingthorin reblogged
wave studies
kingthorin reblogged
theglowpt2-deactivated20200101
straight men trying to make Serious war dramas and accidentally making incredibly tender homoerotic cinema is the funniest thing
In his essay, “Masculinity as Spectacle,” Steve Neale seeks to extend Laura Mulvey’s work on the male gaze and to challenge her assertion that the male or male-identified spectator can never look upon the male body as an erotic object. To challenge Mulvey’s assertion, Neale identifies the mechanisms mainstream Hollywood cinema uses to represent the male body as erotic. One way of doing this, Neale argues, is by making the male body the target of violence. In the war film, a soldier can hold his buddy – as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh – as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege – as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover – as long as he is riddled with bullets. Violence makes the homoeroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.
kingthorin reblogged
at first i was like “why did they make those things in his head weird growths and not hair??” but then i looked it up on the Pokemon Wiki and
It was never hair and Mr. Mime has always been terrifying
That’s the only part of that entry you found terrifying?
photoshop-and-chocolate
HUH????
smallmetal
kingthorin reblogged
favorite damn trope in the history of ever:
monsters, or characters who view themselves as monsters, being touched and/or treated gently for the first time in their life.
just
kingthorin reblogged
77chen-deactivated20190518
Spent the last few weeks of school rewatching Spirited Away, Howl’s Moving Castle, HTTYD2, and BH6 and sobbing
kingthorin reblogged
I almost failed my fucking physics test because I had this stuck in my head
kingthorin reblogged
so im trying to decipher this chart on wikipedia that has common vampire weaknesses in it and
a ‘green/yes’ is a weakness, a ‘red/no’ is something that isnt a weakness, and a ‘?’ is something that has never been addressed but fucking riddle me this
in what lore are vampires weak to getting soggy in milk
thecalerianking
i scrolled over to check to see what this could possibly be and
places a hand on me cheek
glitter6ug
happy halloween month time for my favourite post of all time
kingthorin reblogged
Terry Tempest Williams from When Women Were Birds
Source: anamorphosis-and-isolate
kingthorin reblogged
“The Bloofer Lady” by Abigail Larson Instagram | Twitter www.abigaillarson.com
Week two of the 2018 Month of Fear challenge: “Beauty” Continuing my “Dracula” series, with the theme this week being “beauty” I thought of the children near Whitby telling local police they had been lured away by “a bloofer lady” (”bloofer” being a child’s pronunciation of “beautiful”) only to be discovered in the morning bearing two small, bleeding wounds on their necks…
kingthorin reblogged
Details: The Dying Gladiator, 1799, by Pierre Julien.