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Killian Whump

@killian-whump / killian-whump.tumblr.com

a blog mostly about Colin O'Donoghue and Whump
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I feel like I’ve been remiss by not informing you all of the Halloween debacle the Hooks caused in the character coven.

They all decided to masquerade as each other for Halloween, and since they all look exactly the fucking same, it went off brilliantly and no one could tell who any of the bastards were for a week, because like any good joke, they didn’t let the end of the actual holiday stop their fun.

Storybrooke Hook refused to partake, as he said it seemed daft and he has a baby to care for and no time for such silliness - which of course meant he was the only Hook that people weren’t fooled by all week.

Peter Sheerin: I know that’s you, Old Hook, ya bastard!

Storybrooke Hook: No, mate. I’m me: Storybrooke Hook.

Peter Sheerin: Likely story, Navy Killian! You walk like there’s a hanger up yer bum!

Storybrooke Hook: I... what? I do not!

*Kid Killian walks by dressed as Storybrooke Hook*

Peter Sheerin: See, now that’s Storybrooke Hook.

Storybrooke Hook: He’s only four feet tall!!!

Storybrooke Hook now rates Halloween somewhere just under “screaming infant at 2am” on the list of things that are unbearable.

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Anonymous asked:

No one talks about how Jen didn't even answer him

I’ll be honest here, because it’s what I do. I mostly don’t care.

I was actually surprised his Happy Birthday was as friendly as it was, since the last two years or so, it’s been about as frigid as the arctic in winter. (And for what it’s worth, I don’t think that had anything to do with his feelings for her, but more to do with the fandom demanding it out of him.)

As for no response... Two things. A quick glance at her Twitter tells me she didn’t respond to anyone personally - just with a blanket post thanking everybody. So it’s not like she stiffed him or anything :P

And secondly, the people most invested in his birthday greetings (those demanding it in the first place and those critiquing its relative length and girth (haha - see what I did there??)) are... of a certain segment of the fandom, shall we say. And it simply isn’t in that segment’s interests to bring any kind of attention to the fact that she didn’t respond.

...which is why, I’m guessing, you brought it up in the first place. And I hate to disappoint you, but I don’t think my blog has a big readership in that segment of the fandom, as I'm pretty vocal about being on the good ship Holin and having little patience for RPF fantasy ships. I mean, they can do them all they want, but they sure as hell ain’t doing it over here.

So... The short answer is: Nobody around here gives a shit.

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Anonymous asked:

Peter didn't deserve to die... or did he?(whatstillremains)

Oh, gosh. My crazy ass son T_T

Okay, so look... I really want to, like, re-write this movie into a fanfic where Peter’s maybe not quite so fucked up and maybe is redeemable and he finds true love and gets free of the commune and finds happiness in the post-apocalyptic nightmarescape of the world they live in...

But @hollyethecurious is kinda already doing that XD

Now, I’ll be honest: I don’t really believe that anything Peter did (especially considering his obviously diminished capacity for judging what’s right and wrong - I mean, I think ANY jury would probably let him off with an insanity defense) actually deserved death as a punishment.

But really, it’s not about whether he deserved to die. Anna HAD to kill him at that moment. Not only was he attacking her and forcing her to defend herself, but the man had zero marbles left and could not be reasoned with. I mean, there were Berserkers all around. They needed to be escaping from danger - NOT playing hide the sausage in the middle of an open field in order to repopulate a new community while the flames are still raging in the old one. Peter, at the end there, literally lost the entire fucking plot and was operating on half a cylinder and an old gum wrapper. If Anna hadn’t killed him, he would’ve absolutely gotten HER killed (if not killed her himself) with his unhinged antics.

And as far as storytelling goes... He also had to die. Unfortunately, he was too damaged by his upbringing and the world he’d been living in for the last 20 years to be able to find any kind of satisfactory ending without the promise of shitloads of professional help - something that he’s simply not going to get in the middle of a post-apocalyptic wasteland of sheer lunacy. I mean, is one of the Berserkers going to throw an arm around him and say, “Don’t worry. We’ll get him the counseling he needs.”? No. If he’d lived, he would’ve merely tried to start a new commune elsewhere and either gotten himself killed in the effort... or been successful and ultimately fucked up even more people the same ways he was fucked up. No thank you.

So... He had to die. He didn’t deserve to die (he didn’t deserve anything that happened that brought him to the sad point he ended up at), but he had to die. I really don’t think the movie could’ve ended any other way without rewriting the whole thing to make Peter a little less damaged and the point of the film Peter’s redemption instead of a showcase of how monstrous some people can become when unchecked by the better parts of our species. The whole point of the film, for me, is how Zach and Judith were monsters who, left unchecked, created a monster in Peter that could not be controlled. Or redeemed. But the Berserkers were no better, really - left to their own devices, they became just as monstrous and just as unhinged, just in an altogether different way.

If anything, this movie is a love letter to Social Services. Jesus. Evidently, it’s not the zombies and the pestilence we have to worry about in the endtimes. It’s the lack of CPS coming in and yoinking children away from people like Judith and Zach and, you know, having a sane central populace capable of pointing at literally every single character in this entire film and saying, ”Y’all, THAT is a crazy person and someone should probably do something about what's going on around here.”

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O’Donoweek Day 4 Giveaway

Our Day 4 giveaway of O’Donoweek (Wednesday 6th March 2019) is an 8x10 signed by Colin!

Kindly donated to us by Creation Entertainment, the 8x10 is of Colin as Captain Killian ‘Hook’ Jones in season 5 of Once Upon A Time. It was signed in person by Colin at the Official Once Upon A Time Convention Chicago IL, 9th-11th June 2017.

To enter the giveaway, simply like and reblog this post before 12pm PST today (6th March)! There is no purchase necessary to take part in the O’Donoweek giveaways and prizes will be shipped worldwide.

This giveaway can also be entered through Twitter.

The winner will be drawn via randomizer and announced at 12:30pm PST today.

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if my tumblr gets deleted you can also follow me on my other forms of social media:

- digging a grave and whispering my name to the worms

- finding a bear in the forest and challenging it to a game of chess

- launching yourself into the stratosphere and vividly hallucinating my content

- the helpless feeling in your chest when you think of death

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Anonymous asked:

Sorry, it's just that you said that there was only one Henry Mills, which is supported by what Henry himself said, in the show, but Wish Henry exists so an alternate version of Henry does exist.

No, I get it totally... haha, this show has kinda shot itself in the foot, continuity-wise with a lot of this season and the whole Wish Realm, haven’t they?

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I hate when men smirk and gloat and say shit like “Women are attracted to powerful men,” like that negates any feminist impulse, like they think that at the heart of all women is this little, mincing girl that wants to be dominated.

I just roll my eyes because, dude. If you ever read the second half of any fucking harlequin novel ever, and saw how the hero always ends up blubbering on his knees and saying shit like “I can’t live without you! You unman me!” you’d realize that being attracted to powerful men is just the first part of a two-step plan.

The second step is to completely fucking annihilate him.

Apparently this is the most important thing I’ll ever say.

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msfehrwight

*clears throat* Allow me to quote Jayne Ann Krentz: “In the romance novels … the woman always wins. With courage, intelligence, and gentleness she brings the most dangerous creature on earth, the human male, to his knees. More than that, she forces him to acknowledge her power as a woman.” (“Introduction” from Dangerous Men and Adventurous Women: Romance Writers on the Appeal of Romance.) The romance hero may start as a total alphahole, but by the end of the novel, as stated above, HE HAS TO CHANGE. He needs to become respectful and treat the heroine as an equal partner, otherwise it won’t work. This is why Elizabeth Bennet refuses Mr Darcy the first time but accepts him later. This is what so many people miss. I thank you from the bottom of my heart for this post.

On the off chance you missed this @thebibliosphere Also definitely developing a respect for romance novels I didn’t have before

Not a chance in hell of me missing this, I love when @msfehrwight et al talk romance, it makes me fist punch the air every time I see it.

Okay, but...

“Being attracted to powerful men is just the first part of a two-step plan.

The second step is to completely fucking annihilate him.”

I FEEL SO ATTACKED RIGHT NOW.

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Images of Colin from “The Dream of a Summer Day (2005)

These images are from various places around the internet, including (but not limited to) the websites and/or social media accounts of Liam Halligan, Maria Tecce, Conan Sweeny, and the Irish Theatre Archive. Social Media accounts are not linked to in respect to the privacy of the individuals. Minimal editing done to preserve authenticity. Part 1 is here.

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