That’s one fine looking ass
yall here sleeping on urie’s lover here looking as if he’s right about to teach uriboy how a dog should behave for his master
Matsuri is happy for being able to touch Urie, cute
I’m proud of him (’:
I want an omake of Scarecrow either tripping or holding the wrong page so instead of "Lend me your strength Urie" it says something totally ridiculous and Urie is like "wtf" lmao
say no more
I drew all my underrated faves 🙏
re:quest [tension] - chapter 4
I don’t even know how it took me this long to do chapter 4 (please don’t ask). Unfortunately the last chapter will definitely take a while since I’ll be starting school soon, but I’ll definitely finish it at some point.
For those who haven’t read “tension”, the short story about the CCG art festival, you can read chapter 1 here. Enjoy!
(Thank you @tokyo-ghoul-out-of-context for proofreading.)
“Huh?” Koori-senpai, what are you doing?”
When Hairu had showed up to work at the S1 squad’s task room, she had found Ui cutting up photographs with a pair of scissors. “Do you have a grudge against those people in the photos or something?”
“Of course not.” Ui said, glaring at his hand. Hairu shrugged and sat down in her seat to escape from his line of sight.
When Ui finished cutting up the photo he had been holding, he began to clean up. Hairu rose from her chair and looked at him again. “Are you making a scrapbook then?”
It’s Probably Matsuri
Marude has no previous connection to Urie, and thematically it makes little sense for Akira to be relevant at the moment. There is however, one last person relevant to this scene that was left out of the proceedings.
The person who left behind the evidence that allowed Urie to sniff out Furuta, was Matsuri himself. Matsuri was also present at the Marude/Washuu scene which this scene is obviously paralleling, if not directly in the room at the time. This time Matsuri being the one to shoot the Washuu chairman in the head, rather than simply being the person to stumble in upon it afterwards makes an interesting parallel for a reversal of situations.
Also, Matsuri is the only one who has decent reason to have been following Urie around in what was otherwise supposed to be a secret meeting kept under wraps between him and Kuroiwa. After the death of the Washuu, Matsuri’s attention and priorities focused only to Urie.
The use of a sniper bullet as well, rather than direct interference fits Matsuri’s style. It’s been shown that even when cornered in a fight he wasn’t really able to produce a kagune despite being a full blooded ghoul. It is even possible that the mainline Washuu do not have this trait.
Matsuri has always been the type to only sit back entirely from the battlefield and watch. When he gets directly involved he loses himself in it. He’s a better strategist than a direct fighter, which fits with the position of a sniper.
Also there is this, still unused piece of calendar art. One which depicts Matsuri and Urie as opposites facing off. With Urie as Dracula and Matsuri as Van Helsing. This parallel however is one yet to be truly fulfilled with Matsuri’s sudden dropping out of the plot.
@tgcalendar2016 [x]
However if Matsuri were to reappear here in order to save Urie, it might make a few things about his character arc click into place. Number one is that Urie has always slowly been transforming himself into a full ghoul by pushing his own frame to the limit. It’s been a bit odd that Urie somehow shifted immediately back to normal after his frame out when Dr. Shiba warned him there was no going back from that point.
Unless of course, Urie was eating RC Cells prepared for him by Doctor Shiba the same way Sasaki is theorized to have been. This would explain Urie’s sudden unfathomable power increase to take down an SSS ranked Kakuja when he could barely handle himself against Donato last time around.
The point is of course that if Urie was saved by Matsuri here, he wouldn’t really be as saved. It’s more of a case of out of the frying pan and into the fire There’s a reason that Kuroiwa was killed, despite Urie’s sudden last minute revelation.
It’s because Urie’s revelation was not enough. The mindset that he can hold everything on his shoulders is exactly what led to his last framing out. Saiko even said so directly that it was a quality shared between him and Sassan. The same central issue that has yet to be resolved. The only thing Urie has diagnosed is it’s cause, and thus he’s doomed to watch helplessly as another person dies in front of him again that he could not stop.
Matsuri saving him really would only prolong that pain. An escaped Urie would no longer have contact with the CCG, and likely not even have the CCG’s RC cell formula to keep him fed. His only ally at that point then would be somebody he hated, and a full natural born ghoul.
Urie’s arc has always been about him slowly becoming a ghoul, the thing he thought he hated and blamed. It makes sense for his consequence now to be to lose his position and safety net within the CCG and become a fully branded ghoul cast out and forced to survive on his own.
Part 4 of TG:re vol 10 omake. The word Matsuri uses for rendezvous is 「夜這い」(yobai; link to wiki), which implies he went to propose (consensual) sex to Urie.
Matsuri destroying his clothes is such a blatant metaphor of how he breaks his cages when thinking about Urie, though. He no longer is restrained by him being married, a Washuu, a Ghoul, a CCG member, etc; he feels he can be who he wants to be. Also, I just thought of that scene where Yoshitoki FORCES him to climb the mountain, and the other one where he tries to FORCE him to do things. Freedom is a big deal for Matsuri. After being betrayed by V, he has nothing to lose, and can finally be free.
This is a really good point, Anon. A lot about Matsuri needs to be viewed within the context of Japanese society, and the expectations that are laid out.
From birth, he has been expected to uphold a number of roles and strictly confined. He even admits to Urie that he is unhappy, and lacks freedom as a member of the Washuu clan. Matsuri admits that he was happier living in Germany, where he had more freedom. This makes sense both in terms of not being right there under his family’s thumb…..and the very big differences between Western and Eastern culture.
Japanese society places a strong value on harmony and group obedience. Individuals are expected to surrender their personal desires or ambitions, and carry out whatever duties they have to their family and society. You are born to go to school, get good grades, get a good job, and/or marry well and raise a family. You are expected to not complain, to avoid bothering others, and to know your place.
It can be a very rigid society, especially from the perception of a Western audience.
Beyond that, Matsuri is a gay man in such a rigid position. In Japanese society, LGBT people are often viewed as being “selfish” because they are putting their personal desires ahead of what society expects from them. If Matsuri follows his heart, he would not marry a woman and sire children as is expected of him. He would not uphold the duties of his position, and go against society and its order.
So his entire life is about being forced into things by his family. He is bound by the expectations of Japanese Society for a first-born male. He is bound by the expectations of his family, Ghouls posing as prominent humans. He is bound by the expectations of an Heir, responsible for marrying well and fathering children. He is bound by the expectations of the CCG, to be a flawless and steady leader.
Everything is a lie for him. His entire life has been about being trapped by those expectations. Society, his father, his grandfather, his clan, the CCG, and his wife all demanding he do, say, or be something he doesn’t want to.
Like Rize, Arima, and Furuta…….he is someone being forced to occupy a role in spite of what he wants for himself. And Ishida is kind of defying society once again, in showing the negative.
So, yeah. Matsuri bursting free of his suit while musing on his love and fighting his own kin kind of…..really cements him trying to escape everything that has trapped him his entire life.
So about the whole Matsuri thing, apparently there’s some fun Lost in Translation.
Ishida, throwing in fucking MEMES.
MORE ON THIS, this time from MS’s translator.
Yeah, it’s a fucking MEME joke.
do you think Ishida is misrepresenting the LGBTQ+ community ? esp with Matsuri and that all of them end up being fucked up and this is like saying this community is?
I think this is a very sensitive issue and that people should be really careful when they discuss it.
I am not exactly fond of how Matsuri was represented and was reduced to a comic relief, but I always waited for an explanation for this, through some sort of Matsuri characterization. Sadly, it does sound that people in the fandom are associating the odd behavior Matsuri portrayed with him being queer. I am not sure if I should link the two. I’d rather not, though.
Before going as far as judging Ishida’s portrayal of LGBTQ+, it is worth noting the following:
- All of Ishida’s characters are fucked up, be it members of the LGBTQ+ community or not.
- Japan’s opinions about LGBTQ+ are quiet different than those held by the Western civilization. Even LGBTQ+ advocates and members in Japan have different ideals and perceptions of the movement. Their discourse is quiet different than the one you would typically see from the Western society. I personally don’t count myself as an expert on the issue since I only did a humble reading of their literature on the issue (which was translated and many things can be lost in translation), so I am in no point of giving more insight on the issue, except by reminding you it is worth remembering that we belong to a different culture and we can’t really judge this issue from their perspective.
- I don’t quiet think that Ishida-sensei is criticizing the LGBTQ+ community through his representation. I don’t think there is a valid proof of this.
It is true that there is so much debate about this issue, be it with Mutsuki, or with Matsuri… or even Nico… and maybe perhaps with other characters that are not yet revealed to hold such an orientation. I do think that Ishida is only scratching the surface with his LGBTQ+ portrayal, but I am not sure if he really needs to dwell deeper on this in this manga. I don’t see a point. I am already satisfied with him showing that they are not bystanders and that they are members of this society and have feelings and motives.
I can’t quiet answer your question to satisfaction, but I would not relate what the characters are doing with their sexual orientation/gender identity. I personally wished to know more about Matsuri’s desires and why he is driven by these motives and why he acts that way. I definitely wanted a better representation, especially when people are linking his queer nature to his actions. However, I wouldn’t go as far as making the statements you did in your question.
Ch. 116: A Dream from Somewhen
Meanwhile…
Matsuri: I want a haircut that Urie would like Ishida: Say no more