@kenkamishiro / kenkamishiro.tumblr.com
Choujin X vol. 3 extras. These are all the pages unfortunately, but Ishida got his playlist for vol. 3 like usual. I created a doc with the translated titles and links to the songs here.
I guess it’s a sign I should get back to the vol. 1 extras then...
Translated from Ishida’s twitter (X):
I went to the Ishida Sui exhibition since today was the last day. It's been a long time since I've thought back to those days.
To my days of serialization.
I wrote in the afterword of the final volume about how difficult of a time I had, But well, although that must have been true...
As I gazed upon the countless number of illustrations on display, a thought suddenly crossed my mind. "Oh, I was having fun back then."
#FukuokaAsianArtMuseum
I've stated before how "I've always thought about quitting," but I don't think there's ever been a time where I've thought, "I don't want to draw."
It's a subtle difference in nuance, but it makes me wonder.
Perhaps it wasn't the act of drawing manga that I hated, but rather being a mangaka that I detested.
I believed that the quintessential mangaka I created in my mind was someone who has to constantly work as a mangaka all the time or do stuff they don't really like as an adult, and so I did things that didn't suit myself at all.
That might have been what I had a hard time struggling with.
But I'm certain that drawing (...usually I'd dismiss my own art) was able to provide comfort to me at the time.
When I entered the admission area and saw the montage video, I felt overwhelmed, engrossed by the sight of my own art play across the screen. The vividly-coloured art that took painstaking effort for me to paint.
It made me think that at the time I was painting it, I must have been having fun.
This is really embarrassing for me to admit, but back when the exhibition was being planned,
I was so overwhelmed by the colossal amount of work I had to do, and coupled with the fact that I wasn't able to have an objective view of Tokyo Ghoul at the time, I was so lost in thought during the meetings that I felt very bad for the organizers involved in the project.
Once I've composed myself enough, I'd like to apologize to them for being so rude. Thank you so much for organizing this wonderful exhibition.
Fun fact, I was planning to do fan translations for Choujin X with a scan group until it could get a simulpub release, though I didn’t expect it to get one from the very first chapter lol. I’m happy though since it means everyone can read it right away and it doesn’t mess up my schedule.
So instead I’ll be making comparison notes between the EN and JP text to supplement the official translation. I’m not doing this because the official TL is bad (I actually think it’s pretty solid and I hope it will maintain this quality) but because it’s inevitable for something to be lost in translation, and it’s nice to have that additional context for theory crafting and whatnot.
If you want to read it on Twitter instead, the original thread is here, but this is the proofread and way more detailed version 😄
This interview was posted exclusively in the Nintendo Switch News section for Jack Jeanne’s release. Highly recommend reading it, as there’s new content regarding the production for JJ!
The second Famitsu interview was with Towada Shin, who also oversaw the script writing for Jack Jeanne. This will be a summary of points to save time. Enjoy!
Script Supervisor
Novelization writer, script writer. Debut novel was “Love Typhoon” under a different name, Towada Shin [眞 versus the current シン]. In charge of the script for this game.
I chatted with someone who attended the Ishida Sui exhibition, and I learned a lot of interesting stuff, especially regarding the 124 Q&As! She doesn’t remember everything, but I noted the new information down.
Q: Other characters in the story blush when they smile, but why is it that for Juuzou that portrayal doesn’t exist?
A: Juuzou doesn’t know how to smile in a way that makes his cheeks blush.
Q: How did you decide the names of the ghoul characters?
A: I decided based on whether the name sounds like it would fit the character, and for the 1st part of their name, by shiritori. (Ayato→Touka→Kaneki)
Q: How did you choose your pen name Ishida Sui?
A: I like watermelon, and 1 part I took from my real name.
Q: When drawing characters, where do you start from? [I think I already posted this before, but I’ll include it just in case.]
A: I start from the upper left part of the head.
From the Q&A, it was also revealed that Towada Shin (the writer of the TG LNs and co-writer for Jack Jeanne) is siblings with Ishida???? Towada is the older sister and Ishida is the younger brother. I had to double check to make sure, and I found someone who went to the exhibition who confirmed it (X).
Ishida also mentioned that he thinks he resembles Kaneki.
Regarding the original TG manuscript, it was about Kaneki and the ghoul investigator Shinohara (so I was right about that one scene giving me Shinohara vibes!).
And to end on a bright note:
Q: I feel I will never encounter a work as wonderful as Tokyo Ghoul again. Do you have any goals going on forward as a mangaka?
A: To create a work that will overturn your feelings of never encountering a wonderful work like Tokyo Ghoul again.
The Jack Jeanne staff (Ishida Sui, Towada Shin, Kosemura Akira, Seishiro) were interviewed by Famitsu, a Japanese gaming magazine for Jack Jeanne’s release. Someone was kind enough to let me read it, so I’ll be translating the 4 interviews. The interview with Ishida I’ll do a full TL, and the other three I may do more of a summary since I’ve been busy lately.
Super Ishida Sui is now Ishida Sui the NEET (his words, not mine).
Btw TLs might come out later than usual for the next couple months since I’m busy with clinicals and I’m more or less exhausted most days of the week. Bear with me 🙏
I'm more or less unemployed now. If I'm not pressed for time, I end up lazing around like I've been doing so far.
I'm thinking of playing something with my friends. I'm also considering fun stuff I can do with everyone. And I'm kinda interested in streaming my drawings. Everyone's on YouTube these days, ya know.
Anyways, let me think over it more.
Oh yeah, a bunch of characters' birthdays have passed by. Thanks so much...
I've received them all!!
Commenter:
Please, I want to see you play Painting Forest with Hanae-kun (lol).
Ishida:
Painting Forest? Does a forest like that even exist? I'll check it out.
[T/N: Commenter is referring to Animal Crossing (literally Animal Forest in Japanese). Hanae Natsuki has an ACNH playthrough on his YT channel, and a good chunk of his island and the group games he plays with other streamers features Ishida’s paintings of Hanae lol. I honestly recommend watching it, a good chunk of his streams are subbed in English so it’s accessible, plus it’s hella entertaining.]
I’m always asleep whenever he tweets...boo for time differences 😭 Included some relevant comment chains, the commenter is in italic font while Ishida’s responses are regular font.
I want to confirm the inevitability of me creating a story about comparing self against the world.
I want to properly prepare for it if I do so again. And if I'm making preparations, I want to undertake the research necessary.
I've already accepted the current circumstances, and will make assumptions for it until next time.
I think I've said it before, but I wonder if the world will gradually adapt to this situation and be able to create new jobs and services and such.
I pondered over it yesterday while I was watching Mikasano's YouTube stream yesterday.
I wouldn't exactly call it progress, but I've thought about the title of the manga, the general setting, the pattern of combinations for a few characters (for instance, boss and subordinate, partners, 3-person party, 4-person party...), and an overarching structure of about 15 volumes worth.
This is what’s on my mind.
As for how I'm doing, I've been quietly working on my part for JJ.
It's on display somewhere* if you want to see what it looks like so far...
[T/N: I’m assuming he means the Jack Jeanne gallery here.]
Comment chain #1 (X):
I personally thought you'd try not to get too involved with the world [events]... But I'd love to see a story about "self versus the world!" Please take care not to get too consumed by it 🙏🥺
So that's what you're thinking...! Whenever I create something I'm constantly thinking about the world [events], it's just I usually don't get anxious about it...
I'm sure you watch the news, but I just thought you had no interest in it since I never saw any reactions to world events...that's what I thought.
Comment chain #2 with Mikasano Chuuji, the scriptwriter for the TG anime. Actually, I don’t wanna do the entire conversation since it’s too long but I’ll include this bit from Ishida (X):
At the same time, I came up with all sorts of wild ideas, like an ultra social distance theatre that can be enjoyed with a telescope and earphones, or livestream improv channels.
Comment chain #3 (X):
Can you give even just a single letter of the title lool
“X”
[T/N: So that’s why his side account is sotonamix lol]
TK did an interview about his new album “Sainou”, and a couple questions were related to the song collab he did with Ishida (see here for more info), so I decided to translate those parts. Original article can be found here.
＊＊＊
Regarding the lyrics of "Sainou ~Sui Side~", how did you interact with the lyricist Ishida Sui? Some parts seem like they can extend to Tokyo Ghoul's world view, but did you have any discussions with him about that?
I originally wrote the lyrics for Tokyo Ghoul and handed it over to Sui-san, telling him, "Please rewrite it as you see fit." And so he wrote the lyrics with the image of Sigure*. It wasn't like I made a request to him, but more like we were sending love letters to each other (laughs).
T/N: He mentioned 時雨 (shigure) which means “late autumn rainfall”, but after listening to the song I think TK actually meant that Ishida wrote the lyrics based on Ling Tosite Sigure’s (凛として時雨) style.
The word "Sainou" is also the title of the album, and the collection of songs in the album is linked to the idea of "multicoloured/diverse talents", but was it deliberately given that title based on the overall picture? Or did it just happen to be a title suitable for the album? I'd also like to know more about the subtitle "Sui Side."
The title can also mean "I have no talent within myself." Of course, that's not something for anyone to decide, but there's something that emerges from the fact that there's someone there who can guide you to an answer that's attractive to you, and this album is like a collection of that. As for "Sui Side", the aim is for people to enjoy the contrast between it and the "TK Side", which will be released later in the future. It's rare to have two sets of lyrics for the same song, and even if a second set exists, it's unlikely for it to be ever released. But strangely enough it feels like a continuation of the story.
I’ve been gone for a while because I’ve been so busy with school and with everything’s that happening worldwide, but I’m almost done my semester! I’m not sure if Ishida has free time because he’s done his work for JJ, or because of COVID-19 emergency declaration in Japan a few hours ago, but I’m happy to see him back for more content :)
First tweet (X):
I'll have free time in a little while, so I'm thinking of making a new personal manga during April.
Planning to do it over here. @sotonamix
See you later then...
Second tweet (on his new side account) (X):
hope you like it
Third tweet (X):
(※btw I haven't drawn anything yet)
...I was thinking, showing people the process as I'm making it and such.
#DesigningTheMainCharacter
Seventh tweet (X)
I drew a bit as a breather.
Ability-wise, I'd like either a duo or trio.
If I go with the duo, I want to add a girl or a senpai (superior) character.
Final tweet (QRTing his 3rd tweet) (X):
This is the kind of content.
I didn’t think I’d ever finish this with my onslaught of classes including pharmacology, but I somehow managed! 6k word count, the longest TL I’ve done to date besides Parvati’s interlude for FGO. Lots of insight into Jack Jeanne’s production and what Ishida’s been up to for the past year. It was tough to translate because it was so long, but I had a lot of fun.
Let me know if there are any mistakes, I’m sure there’s a whole bunch. Have fun reading!
The new JJ information on Onyx came out while I was holed up with work...! I'm glad the cast members could also respond to it 💮
I also got to choose the voices of the minor characters after listening to them, so I believe they're perfect for their roles. (By the way, Ishiya Haruki who is playing Nagayama also played Kuroiwa Takeomi in TG...)
I want to draw everyone in Onyx when I've got spare time from work... I'll draw them if I have time...
Also, I was in Tokyo very recently to listen to the post-recordings of the main characters for the first time. Everyone was very cute. They were all amazing.
Kishio Daisuke, who plays Neji, left saying, "I'm so happy..." So cute~
Recently I've been sooooo busy working around 40 hours a day,
So the things that I usually make and post will be handled by 🥦 staff on the JJ account. Please take a look if you're interested.
For the time being, I'll deliver power from deep underground and make art materials, special illustrations, written excerpts and the like.
A translation megathread of the zakki:re Q&A contest letters Ishida sent back to winning contestants!
As far as I know there were 100 winners, though I only have around 40 in this post. There were more on Twitter, but some opted not to release them publicly on Twitter for personal reasons (such as if they asked personal questions). Some didn’t reveal their question, or all of Ishida’s replies, but I’ve tried my best to guess at their meaning if possible.
The ones I’ll post here are from Twitter, specifically if they came with pictures of Ishida’s art or handwritten replies. I’ll also mention some context if I felt that the conversation/topic between the OPs and Ishida was interesting.
If you see one that I missed, please let me know and I’ll update this post.
Enjoy!
The second installment of Ishida’s adventures to Tokyo. I highly recommend reading this, the story is a hoot especially if you’ve my preview quote on my twitter! Also a great reminder that adults are just grown up children :)
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Translated from Ishida’s twitter (X):
I don’t really have any good experiences when it comes to planes.
On a brighter note, Ishida visited Hanae Natsuki (X) and imitated Hanae’s famous habit of being a cat b0t (unrelated to Ishida, but there’s a funny story about how it’s come to inconvenience Hanae when it comes to Kimetsu no Yaiba’s twitter account lol, you can learn more here) and posting photos of his cats every day and going “Good morning”.
He also posted a photo of his morning reading (X). The book on the right (”Nothing Happens In My Life” by Iwai Yuuki) was interesting because there weren’t a lot of incidents, while the book on the left (”A History of England: Understanding It In 2 Hours) had many more incidents.
