Oh, d'arvit

Ritsu left the room, and his hand lingered on the open edge of the door. He pushed it, until it hit the wall and displayed Mob’s dark and empty room to the world. So that it would not be shut away, so that it would not fade from sight like a shut door might. Ritsu let it live and breathe with the rest of the house, even if it was him alone who had to pass it each day.

Ritsu steadied his feet.

All the while, Teru’s expression never changed. It was caught frozen beneath the flickering lamplight.

That careful character of Teru’s was not returning.

Young Arataka Reigen is a promising competitive figure skater, but he has one flaw : his skating style is not Beautiful. Reigen debuts in a time where judges critique routines mostly on technique, and how elegant it is. He does not take this criticism well, often getting into tiffs with coaches about what should be ‘the focus’ of his performances. Cue Misty’s idea of him pushing too hard, trying too much, which results in an accident which breaks his leg and his career early.

Fast forward: Reigen coaches an up-and-coming figure skater Shigeo Kageyama. Times have changed, and judges are more receptive to emotionally driven skating in a modern audience. Plot twist : Reigen’s still teaching Mob how to deal with his emotions in this au, this time via finding Mob’s own style of skating. Reigen’s crazy-out-there-what-the-fuck-are-you-doing skate style helps Mob open up and experiment with his own.

The man turned and offered a small smile, like Shishou never did. 

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