Queen Bee’s Damnation Arc
I’ve never seen the Miraculous Ladybug fandom quite this agitated before, and that’s saying something ‘cause I’ve been active in this fandom for over six years at this point and I’ve seen all sorts of controversies. But the Chloé discourse goes above and beyond: anti-Chloé folks are attacking pro-Chloé folks, pro-Chloé folks are attacking the show’s creators…it’s a mess.
So I’m gonna make a post breaking down Chloé’s character arc! That couldn’t possibly go wrong, right?
A couple notes here before I get started. I’m a screenwriter, and that’s the perspective I’m approaching this from. I’m not going to take a stance on what Chloé’s arc should be—I’m just breaking down what it currently is. And my goal here is to debunk the misconception that Chloé’s character development was erased at the end of season 3.
SPOILERS are present, up through Penalteam.
Here’s what’s happened so far in Chloé’s arc.
- In Season 1, we learned Chloé’s status quo. She’s a jerk to basically everyone, she pushes around her father ANDRÉ to get her way, and she treats SABRINA like a servant. But at the same time, she admires LADYBUG and wants to be a hero like her, and she’s also friends with ADRIEN. So from her perspective, she has four potential allies at this point.
- In Despair Bear, Chloé is challenged by ADRIEN, who suggests that if she keeps treating people terribly, he’ll have to stop being her friend. Chloé clearly doesn’t want to lose Adrien, so she actually makes an effort, even though she backslides at the end of the episode.
- In Style Queen, we meet Chloé’s mother AUDREY, a fifth potential ally for Chloé. AUDREY mistreats both Chloé and ANDRÉ, and here the reason Chloé treats people horribly is because of an attempt to get into AUDREY’s good graces.
- In Queen Wasp, Chloé gets a Miraculous, and she unsurprisingly abuses its power for her personal benefit, which HAWKMOTH capitalizes on. She’s taken down by LADYBUG, who takes back the Miraculous, showing Chloé that she can’t be a hero if she only uses her powers for personal gain.
- In Malediktator, Queen Bee is given a second chance by LADYBUG, and this time she doesn’t exclusively serve her own interest—her selfish instincts are outweighed by her desire to be a hero.
- In Miraculer, we see that Queen Bee is quite competent as a hero, almost winning a one-on-one fight with Mayura. Despite this, LADYBUG says she can’t ever give Chloé’s Miraculous back to her, because HAWKMOTH knows her identity. Chloé doesn’t believe this; she’s confident LADYBUG will give her the Miraculous again.
- In Hearthunter, Chloé is manipulated by HAWKMOTH into losing that confidence, and she starts to see LADYBUG as keeping her away from her goal of being a hero. From this point onwards, HAWKMOTH is considered her ally, and LADYBUG isn’t.
- In Sole Crusher, Chloé thinks her goal of being a hero is now out of reach, and so her selfish instincts are no longer being overpowered, and she’s once again being horrible to people. With help from Zoé, ANDRÉ stops letting Chloé push him around as much as she used to.
- In Queen Banana, Chloé gets in a fight with ADRIEN and cuts him off, bringing her down to one fewer ally—now, her only allies are SABRINA, AUDREY, and SHADOWMOTH. Additionally, because Vesperia now wields the Bee Miraculous, Chloé’s even further from her goal of being a hero. Now, she doesn’t just have to be a better person—she has to be better than Vesperia.
- In Optigami, Chloé laughs at a joke made at AUDREY’s expense, and AUDREY cuts her off, once again bringing her down to one fewer ally.
- In Penalteam, Chloé cuts off both of her remaining allies—namely, SHADOWMOTH and SABRINA. For a few moments, she has no allies left, until LILA decides to start taking advantage of that, asserting herself as the one person Chloé can still potentially trust.
Let’s break that down.
I’ve capitalized specific names in the synopsis because Chloé’s arc is defined by her allies. In season 1, she has four allies—André, Sabrina, Ladybug, and Adrien. Season 2 adds Audrey, and at the end of season 3 she switches out Ladybug for Hawkmoth. Then in season 4, she loses each of her allies one by one—first André, then Adrien, then Audrey, then Shadowmoth, and finally Sabrina.
So even from this alone, we can see that Chloé hasn’t reverted to her status quo of season 1. In season 1, she was comfortable, and in season 4, she’s spiraling, cutting ties left and right, and digging herself deeper and deeper into a hole. This is a very different status quo, because it’s not stable. Things can change dramatically at any moment, and almost certainly will.
And most importantly…Chloé’s character development as Queen Bee hasn’t been undone. Even when she was a hero, she still had her selfish and hostile instincts—she was just suppressing them in order to achieve her goal of being a hero. Once that goal seemed out of reach, she had no reason to suppress those instincts anymore. But that doesn’t mean those behaviors went away and came back—they were always there; she was just able to temporarily hold them down.
So why was Chloé written this way?
There’s one thing that I never see people recognizing in the Chloé discourse—Chloé’s character arc isn’t over. There are more seasons of the show planned, and those seasons will definitely have Chloé in them. Thomas Astruc’s goal in writing Chloé was never to write the specific section of her arc that we’ve seen so far—it was to write her entire arc. Obviously, I can’t know what that arc is going to end up being, but there are some things we can more clearly understand.
When figuring out a character’s role in a plot, there are three essential elements to consider—a goal is what a character wants, motivations are why they want it, and methods are how they go about trying to achieve it. Let’s break this down for Chloé:
- Goal: Chloé wants to be popular, specifically by being a hero.
- Motivations: Chloé grew up in an environment where her mother abused both her and her father, and she never learned how to be a good person, so she has very few allies. She sees how much people look up to Ladybug, and she wants that for herself.
- Methods: Chloé’s willing to suppress her toxic instincts if it gets her towards her goal, but she never actually tries to unlearn those instincts.
Chloé’s methods of suppressing her toxic instincts weren’t sufficient to achieve her goal of being a hero, and so she abandoned those methods in favor of the new method of siding with Hawkmoth. When that didn’t work out either, she abandoned that approach and currently sees her goal as unachievable.
Of course, it’s clear what she actually does have to do in order to achieve her goal—she has to put in the effort to actually learn how to not be a terrible person. And there’s a clear metric for that: she has to give Ladybug a reason to give the Miraculous to her rather than to Vesperia. Until Chloé unlearns her toxic attitudes, Ladybug will always choose Vesperia over Queen Bee—and that’s where Vesperia fits into Chloé’s arc, and I suspect this is why Vesperia was added to the story in the first place.
There’s no way to know whether Chloé ever actually will manage to get to that point; there are lots of directions her arc can take from here. But this is what her arc’s about—when someone doesn’t know how to care about other people, it’s impossible for them to be a hero. That’s the moral, and that’s why she was written this way.