I told this Joke to my extremely religious father and his first reply was “funny but don’t tell it to your mother”

APPROPRIATE!!

TODAY IS THE ONLY DAY YOU CAN REBLOG THIS AND IT’LL MAKE SENSE

He is risen!!

Happy Easter!

He is risen!!

The Carpenter’s Son

A father shows his child all he does;

He shows him of himself because he loves.

A son does what he sees his father doing;

From him he learns the secret of renewing.

Apprentices himself to carpentry

Begins to breathe new life into spent trees.

Lifts the wood, takes nails into his hands,

Receives the sharpened blade, and understands

The shape of things to come:

He will build and furnish out a home.

So in due time the child is fully man,

Prepared to carry out the master plan.

He lifts the wood, takes nails into his hands,

Receives the blade, a bower builds for you.

A sacrifice required—oh, so be it!

Look, Father, do you not see it?

I am making something, all things, new!

he is risen!!

He is risen indeed!!!

Happy Easter! Christ is risen! Rejoice in His love today!

What! A llama?! He’s supposed to be dead!!

Ohoho as a matter of fact….

Sound - A Triduum Story

Malchus can feel the heavy gazes of the others. He ignores them. His own eyes are pinned to the door they guard, listening to the drip of water condensing and dropping onto the floor. There is no rain, but the air is damp, as if the heavens are drawing out the wet stores of the earth in preparation for a storm. 

Customarily, the chill would make him wish for his bed. He’d grumble with his fellows about the weather, about the work, peppering complaints with a few stout curses. But there is no discussion tonight. Malchus sits hunched forward, forearms braced on his thighs, and he waits.

What are they waiting for?

Cold fingers touch the lobe of his left ear. He turns to see Jesse, who’d touched him, withdrawing, fingers curling into his palm. The apology is gruff. “Just wanted to see.”

That’s a lie, thinks Malchus, turning back to the door. They’ve already seen tonight. What’s left is to believe.

Malchus doesn’t ask permission before he rises, taking the flask which hangs on a wall hook, and the keys there beside it. The eyes of the others follow. He unlocks the door and slips in, shutting it behind, and then pauses, palm flat on the wood. He takes a breath. 

Drip.

Drip.

The Nazarene’s hands are chained so that he must stand. His head bows, forehead resting against the bruised back of his right hand. He lifts himself when Malchus enters. His lips, which had been moving silently, still.

Malchus holds out the flask. Then, as an embarrassing afterthought—the man is in chains—he uncorks it. 

“It’s just water,” he assures when the man doesn’t move to drink. He tips the flask close enough to meet the cracked lips. The Nazarene swallows twice and then pulls back, chains jingling. His face is wet. Tears, Malchus thinks, until he hears the drip of water dropping onto the man’s head. It slides down his temple and dirty cheek, carving a clean track through the crust. Malchus re-corks the flask.

It’s not quite fear that he feels. He had felt fear on his knees in Gethsemane, blood down his neck and a howl on his tongue. The world was silent, then, and shrieking, dizzy with pain and the terror of new loss. When strong hands cupped his face, he clung to them. He grabbed hold of words he could not hear but lips he could see moving, breath he could feel on his face, brown eyes he could see.

And then, he could hear. 

It was as if he’d never before heard sound, not true sound, but only echos, half-formed, half-heard, until that very moment when he heard truly. Each noise was crisp and new. Around him were the night birds stirring in the trees, the puffed breath of the disciples, the crackle of licking flame, the creak of leather belts. He heard them all, and he hasn’t stopped hearing since. Creation is vibrating, uncountable voices overlapping in the same tremulous song. Even the breeze seems to have a voice, and the water running on stone. Even his own heartbeat. They cry out when the rest of the world is silent.

“What did you do to me?” Malchus asks, voice barely above a whisper, for everything is new and he cannot make sense of it. 

The Nazarene’s smile isn’t mocking. It’s as quiet as his voice, and it crinkles the corner of his good eye. “I know how long you’ve waited to hear.”

They’ve never met, of course. Of course not. This man doesn’t know him. How could he? Malchus has taken great pains to hide his gradual loss of sound. Each year, the muffle covers his ears a little more, stealing his senses, deadening the world to him. If he misses a call, he plays it off. If he cannot hear his wife calling, he feigns captivation by his task. He does it well, he thinks, well enough. Perhaps his wife suspects. But only he knows, only he and his God. And this backwater Nazarene with an accent pulled from Galilee’s fishing waters—because Malchus can hear the accent now—cannot know Malchus. How could he? No, he does not.

But he knows. 

Malchus is sure, standing before this man who made him more than whole, that he is known. Known, and known truly. And here stands Malchus, his jailer. His enemy.

“How could you know?” he asks, eyes searching the Nazarene’s. The water drips, drips. A rat scritches at a bit of stone. “I can’t do anything for your case. They’re bringing you to Pilate.” His grip tightens on the flask—his only offering—and the stale water it holds. The words pour out of him. “I’m a guard. They told us to go, so we went. I had no stake in it, see? See, we were told to go. I was told to go. I never intended—”

“Malchus,” the man says softly, almost fondly, as if he is interrupting a brother and not one walking him to his death. “Will you pray with me?”

The request startles Malchus out of his own thoughts. He pauses, wary of some trick. Without meaning to, his hand rises to touch the warm outer shell of his ear, tracing the connecting point between the cartilage and his skull. There’s not even a seam to show where it had been severed.

Mouth dry, Malchus finally nods, and the Nazarene closes his good eye. The water slides again down his temples. His words fill the damp space, and Malchus recognizes them at once, joining the recitation:

“Naked I came from my mother’s womb,

and naked shall I return.

The Lord gave—”

The man breathes in, and Malchus breathes with him.

“—and the Lord has taken away;”

Their breath stirs the stale air of the room. All has finally gone quiet. The Nazarene opens his eye and tips his head to look up, past the stone roof, past the courtyard and the trembling earth, to the heavens, spread out over them like a tent. The water no longer falls. The rat is silent. 

“Blessed be the name of the Lord,” he says.

I attended a The Oh Hellos ( @theohfficialhellos )  concert this past Friday, which happened to coincide with Good Friday.  One of there songs, Caesar, describes Christ’s Passion, so I had to make a comic and give it to them (I was able to give it to their merch guy, I hope the rest of band saw it!)

On an aside, that night, the concert, was particularly healing for me, as I’ve been going through some dark valleys lately.  Sometimes Gods love appears in the form of a banjo ya know?

Eugene Fitzherbert. Will Turner. Killian Jones.

Besides being three of my all time favorite fictional characters, (or maybe this is why they're three of my all time favorite characters) what do these men have in common?

Resurrection.

(Spoilers for Tangled, Pirates of the Caribbean, and Once Upon a Time under the cut)