The Stars.

thinking about what zuko means to azula and weeping. he's a traitor but he's your brother. he held you when you were born. he's banished for being too weak to hurt your father and you learn to hate his goodness. he is somewhere in the world carrying your eyes. he misses your absent mother more than he loves you but that is the price you pay for being the one who stayed. he never grants you this same kindness. you are faster and deadlier and better but it doesn't change the fact that your brave big brother used to tell you stories of dragons every time it stormed because you were so afraid of the thunder. he is the only one who understands what it means to bear the brunt of your bloody inheritance. he crumbled under the weight of it, but you stayed. you always stay. he is half of you. you hate being betrayed.

you don't love him. he's your big brother. who could you possibly love more?

Do you ever think about how 1 of the 1st waterbending moves that Katara learns, that she doesn’t come up with herself, is the water whip that she learns from that waterbending scroll, which also happens to be 1 of the final moves that she uses against Azula, using that move to manoeuvre Azula into a place more favourable for Katara??

Do you ever think about how in that same episode that Katara learns that, Sokka tries to steer a boat, and laments how he doesn’t know how, because that boat wasn’t made by The Southern Water Tribe, and then, later, steers an entire Fire Nation war balloon with precision and intent, and knows how to destroy them effectively and efficiently, while also being a co-inventor of the inspiration invention of those Fire Nation war balloons??

Do you ever think about how, when face-to-face with The Avatar in the Avatar State, after repeatedly threatening to imminently kill that Avatar like the other Air Nomads, Ozai’s 1st move is to firebend directly towards Aang’s left side of his face, the exact same spot that Zuko has his scar on??

Do you ever think about how Zuko was challenged to his 1st Angi Kai due to his desire to protect people being unnecessarily put in harms way, and his final Angi Kai was ended due to the same reason??

god i love fallible characters, but specifically zuko in the catacombs. choosing his sister over his uncle just to get to sleep in his childhood bed again. earning katara's kindness and empathy and stripping it all away in minutes because he ached for the familiar. fighting on the wrong side of history just to see his father smile with pride. knowing he could have done the right thing, but what is being good when you could be terrible but loved.

as a lifelong ATLA fan who narrowly had ATLA dethroned as my top show by The Dragon Prince steadily over the past 5 years, the similarities between the two have very little to do with the surface level parallels that get regularly drawn between them.

Like ATLA, TDP has Books for seasons and chapters for episodes, but unlike ATLA, which only touched on storytelling sparingly as a theme, TDP is obsessed with interrogating storytelling and history and the presence of unreliable, biased narrators throughout many of its episodes (most notably 2x05, 2x06, 3x06, 4x04, and 4x07 among them). Half of what you learn in the 1x01 intro ends up being a lie once you reach S3, with more being steadily deciphered.

Yes, TDP has different magics with people living under those umbrella terms... for the elves. Humans are coming culturally at things from a completely different angle, and the elves' connection to their primal sources are discussed philosophically in detail, informing their practices and their culture first hand, including the way they chafe against humans, who are arcanum-less. Many animals in the world are also connected to magic, which influences both their design and which ones get hunted for humans' more 'clever' solution in dark magic, including each other.

The core issue of the Puppetmaster, down to being a coercive magic formed by someone deeply resentful of their imprisonment? Said puppetmaster is the main endgame antagonist of the entire show with all of S4 onwards being exploring the ethics of controlling people against their will in various methods, and the entire show itself being a thematic battleground of fate (imprisonment) vs free will for virtually every single character.

Where ATLA mostly concerns itself timeline wise with ending the war, very little thought is shown by any of the characters as to what they'll do after the war. This isn't a problem (as it reflects the sheer domineering scope of the conflict) but even Zuko being firelord is only ever really addressed with 2.5 episodes left till the finale. TDP, meanwhile, ends its 'war' in s3 and s4 opens up with dealing with the old wounds festering between people with centuries of history, the struggles that come when people aren't able to let go and believe they're safe or mourn in a healthy manner, and the religious/cultural clashes that may occur when trying to integrate different groups of people.

TDP also has an evil father with a devoted daughter and a brother who eventually defects, but it explores the reality of an abusive parent who loves/will sacrifice for you and your right to leave regardless, even if that means leaving the sibling you truly deeply love and who loves you in turn. Which means that when you and your sibling are on opposite sides of a deep ideological conflict, it actually really fucking hurts bc we've seen first hand just how much they love each other and also how and why everything fell apart not in spite of that love necessarily, but also because of it.