HEY TV WRITERS! WRITE A PROCEDURAL SPEC!
A TV Writing Spew from my Twitter:
Hey, TV writers & hopefuls… Given this advice a few times recently, so I’ll give it to you all. If you want to work on a network procedural type drama, you’ve got to WRITE a network procedural type sample. This is a MUST.
Network procedurals are particular beasts. They are surprising difficult to write and have very strict formal structures. They’re the Elizabethan sonnet of TV writing.
They’re not everyone’s bag, and that’s okay. But for those who aspire to work on one, you have to show you can write inside that structure, understand it, and execute it well. For that, there’s just no substitute for a sample in the same tradition.
I used to wonder why I never got meetings on network shows. Why when I co-developed DRESDEN FILES they felt Hans and I needed help from a network mystery pro to break our mystery stories.
Afterall, I wrote “In the Hands of the Prophets” and “Field of Fire.” “Zero Gee,” the feature I sold, was “And Then There Were None” in space. I knew how to do mysteries! Michael Piller taught me! But they’d never read anything I’d written that PROVED it. 6/?
Until one day, quite by accident, I got an idea for a fun twisty network procedural. Kind of like BLACKLIST before that was a thing. I specced it out. That sample opened doors I never knew had been closed to me.
A company optioned it. Suddenly I was getting meetings at networks and their PODs. That sample got me THE GATES, my first network credit. Because even though THE GATES was a supernatural soap, the network saw it as a mystery and wanted someone who could write those beats.
Ditto for ALPHAS, although that was a friendly meeting because of Ira. Still my procedural sample convinced Syfy, the network that thought I needed help breaking mysteries, to approve me for that gig. Because guess what? They saw ALPHAS as a procedural.
Then that same sample landed me ELEMENTARY. And PRODIGAL SON. It never got made, but that one procedural sample has gotten me a DECADE of work that add up to around 150 episodes of employment. Do the math.
Anyway I’m up for a procedural show right now and yep, same sample, so I’ve been asking around to see if some people I know might also be up for it and they’re mostly not. Because they don’t have the right spec.
And I can’t submit them. Because they don’t have the right spec.
So… if you enjoy mysteries, if you think you’d have fun on a LAW AND ORDER or an NCIS or a show like ELEMENTARY… write a procedural sample. Do it now. You won’t regret it.
And by the way the same is true for medical shows and law shows. To get those jobs, you have to prove you can DO those jobs.