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@joyseuphoria

Lover, Rebel, Divergent, Vagabond
Jily
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Prompt#19 “glasses”

HUGE thanks to @practicecourts for being the best enabler ever 🥰

“Wait, there’s a butterfly on your nose.”

“You think I CAN’T SEE THAT?” He shouts, still laying down, trying to neither touch it nor do something about it other than flail his hands.

“It’s a big black beetle, you fool,” Sirius, his so called best mate coolly says from where he’s seated on the grass.

“James, wear your glasses, for god’s sake.” His other best mate, whom he had thought was the good one, responds without even looking up from his book.

“I’m wearing my contacts, you oaf!”

“I think you got the wrong prescription then, mate.”

James grunts in response.

“It’s a butterfly, don’t worry. It’ll go away.” Lily brings up her index finger and James can only watch entranced, as the butterfly (yes, it is a butterfly, thank you very much, Sirius) hops over to her hand.

He swears he’s never seen a more beautiful sight.

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reblogged

Hagrid x professor McGonagall TRUE????? DAWWWW THEY'RE CUTE

@joyseuphoria remember when we read hp <33333333333

ive read the series thrice ish times, youll get over it hun

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joyseuphoria

HAHAHAAA TRUE

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And, we love

A Cowboy like me meets Getaway car meets Ocean’s 8 jily au.
I really have no idea how to describe it otherwise. Sorry.
Thank you so much @magic-girl-in-a-muggle-world for the beta! 😘😘😘😘😘 You’re one of the bests!

She screwed up.

Royally screwed up.

Well, that’s probably an understatement.

But, she is hell bent on getting through with this without getting caught.

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Let your heart beat

Chapter 2 - Izmir

The first official day of the cruise.
Destination one- Izmir

HUGE thanks to @startanewdream for the beta!

“I’m James Potter!” He says, cheerfully. Didn’t she just defeat him? Shouldn’t he be crying?

She narrows her eyes at him. Is he trying to be her friend, like his dad suggested? “So?”

“Just thought you should know if we’re going to be friends.”

“We’re not friends!” Lily crosses her arms.

“Ha! You wish!” He repeats her words back at her. And she hates that.

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Written for @efkgirldetective ‘s Summer of Jily prompt#10 and 7

I have no idea how I wrote and what I wrote in this. Some of this is like weeks old and not edited but, my sleep deprived brain thought that it’d be good to post now!
Happy birthday, @blitheringmcgonagall (it’s still your bday in a few countries) I love you, and you’re FABULOUS

He was going to ask Lily out.

He was just going to do it. No more procrastinations, no more last minute bailing, he was going to ask her out.

Read on ao3

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perhapsarat

I wish I knew the exact time and date that harry told snape ‘there’s no need to call me sir professor’ so that I could take a moment of silence to remember the moment each year

Judging from the context of the chapter…

We know that it’s September 2nd. I’d put it between 9:00 AM and 11:00 AM. (They have breakfast and then a free period. They have Snape’s class before their break, which was before their lunch.)

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yaneela

But in the UK first period typically only starts at 9 AM. So free period from around 9-10 AM and Snapes class from 10-11 AM I’d say.

Okay so 10am-11am every September 2nd is now an hour dedicated to remembering the most glorious piece of dialogue ever spoken by a fictional character

ok this just appeared on my blog with ample time for you all to prepare because apparently I stumbled across it months ago, and scheduled it to post on september first. executive function TRIUMPH!!!!!!!

Worth noting that tomorrow is the 20th anniversary of the greatest burn in history

it’s that time again lads

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Harry And Personal Conflict: A Meta On Evolving Dynamic With Ron and Hermione

One of my last metas on Harry was how his abuse at the Dursleys informed who he is as a person and a lot of his main personality traits. This time, I want to explore Harry's relationship with conflict, mostly in regard to his best friends - Ron and Hermione.

First things first, because of his abusive upbringing where he is constantly in conflict with his caregivers, conflict is seen as Bad Thing when we first meet him as a 11 year old. And it informs how he reacts to both Ron and Hermione at first. He instantly relates to Ron because Ron is an underdog - a boy who feels neglected and passed over in his large and boisterous family. Harry shares his own experience of neglect with Ron and they both bond instantly.

His initial impression of Hermione is that she has a "bossy sort of voice" . The bossiness is an important characterstic to his impression of her - she reminds him of an authority figure and he does not particularly take to her as easily as he does Ron. Before the troll incident, he is frequently annoyed by her interventions because "he can't believe anyone would be so interfering". It's her vulnerability and the fact that she may be in danger that makes Harry, and by extension Ron, go after her. And she pays it back in full with a demonstration of loyalty to them in front of people she wants to impress: teachers. This sets the tone of his friendship with Ron and Hermione.

There is sense of easiness to his friendship with Ron, especially in earlier books that he doesn't quite share with Hermione. This is a bit gendered as well, of course. His relationship with Hermione evolves as Ron's own equation with two of them changes, more specifically Ron's cognisance of his romantic feelings for Hermione. So how does this inform his relationship with personal conflict?

Let's look at it Book wise.

Book 1-4: Since Harry tends to see All Conflict As Bad, when Hermione becomes his friend, he tends to ignore traits of her that he particularly doesn't take to. Specifically her argumentativeness - which he usually leaves Ron to deal with. For example, look at when Hermione drags him off to the kitchens in GOF. When he realises what this is about, he nudges Ron, and Ron does the protesting: "Hermione, you are trying to rope us into that spew stuff again!".

Often, you can say he is amused by Ron's more ..let's say colourful.. reactions to Hermione being overbearing. So when Ron and him are not speaking and Hermione gets a Quidditch term wrong, it causes him "a pang to imagine Ron's expression of he could have heard Hermione talking about Wonky Faints". It's that deeply ingrained into the dynamic.

While Ron acts buffer and protects Harry from stepping into a potential conflict ("skip the lecture", "don't nag" he tells her), Harry's world view remains quite the same. Part of Harry's growing up is integrating conflicting points of view and gaining nuance. For example, he can't understand why someone like Snape, who seems to hate him so much, can also save his life at the end of Philosopher's Stone. This is his first venture into trying to integrate two conflicting things about a person into nuance. Dumbledore gives him a very easily digestible story, one that appeals to his ideal of his father and Harry is sated.

Again, Harry's world view is tested when he finds out that he relates with Tom Riddle - for their "strange likenesses". He doth protest too much at Dumbledore's office: "I don't think I am like him! I am Gryffindor!". And Dumbledore offers him a wisdom nugget: "It's our choices which define who we are" (paraphrasing). Harry is uncomfortable that he empathises with Tom Riddle, his parents' murderer, at this point in the story.

In the first four books, his only proper personal conflict has been with Ron.

It is depressing to think about in these terms - but Ron is Harry's first experience of unconditional love (we can even put Hagrid here, but he is not the one who spends most time with Harry). And when Ron and him fight, Harry is so hurt by the prospect that he proceeds to abandon Ron before Ron abandons him. (the whole chucking a "Potter stinks" badge at him and making a jab about having a scar is what he wants, or the fight in DH where he yells "then leave! Pretend you have gotten over your spattergoit and have your mummy feed you up"). It's an interesting defense mechanism and he feels "corrosive hatred" towards Ron during these times because Ron and him aren't supposed to be like this. Ron is a certainty in his life. It's also why when Ron comes back, Harry either doesn't need him to apologise (as in GOF) or quickly forgives him in DH - although I do think Harry thinks the locket bit was punishment enough. But even without the whole locket, I think Harry has trouble holding Ron accountable in general beyond few slaps on the wrist - especially if Ron and he are on good terms.

5th Book: This is the transition point for Golden Trio friendship. Harry has come back from an immensely traumatising night at the graveyard and his PTSD isolates him from his best friends. This is also the point where Ron, especially after GOF, is aware of his romantic feelings for Hermione ("the perfume is unusual Ron", Hermione tells him in this book). So in this book, we often see Ron and Hermione on one side, with Harry on the other.

Ron is unwilling (quite like Harry in that respect) to engage him in a direct conflict, but he is also unwilling to shield him from Hermione's nagging in this book. This is why, OOTP is the book where you see Harry ignore or avoid Hermione and lie to her more than usual to avoid conflict. For example, he tells her that Snape thinks he can carry on Occlumency once he got the basics - that is categorically not what happened. Or the entire day he spends ignoring Hermione's warnings about breaking into Umbridge's office. (The description here is comical - about Hermione vehemently hissing so much that Seamus Finnigan is checking his cauldron for leaks. ) If he cannot lie to her or avoid her, at the end of the rope, he will treat her to display of his frightening temper.

Interestingly, OOTP is also the book that his world view goes through a tremendous upheaval: mainly, his ideal of his father and having empathy for Snape. It is unnerving for Harry to see Snape being the "boy who cried in the corner" when his father shouts at a cowering woman. Similarly unnerving is that his intense empathy for him - "he knew exactly what Snape felt when his father taunted him and judging by what he had seen, his father was every bit as arrogant as Snape always told him".

While he is placated that his father grew out of it, this memory of his father being a bully is something he cannot bear to watch again in DH. Few chapters later, he grins at Ron "sweeping his hair" back to make it look more windswept, just like his father - suggesting that Harry is beginning to integrate two conflicting things he knew about his father: from the people who loved him vs the people he was cruel to.

6th Book onwards: It's interesting to me that his better appreciation for Hermione comes after OOTP (one, because she is the one who challenged the whole Ministry plan and she followed him into a trap knowing it was one anyway) but also the timing of it is in line with Harry having a more nuanced understanding of his father. He struggled to hold conflicting information about him into one cohesive person - the boy who was a bully vs the man who joins Order of Phoenix to fight a war he could very well have sat out. The pedestal crashing helped Harry gain nuance (he thinks of his father and mother with pride in HBP - of them walking into an arena with head held high). HBP also sets up his deeper understanding with Snape in DH. There is lovely meta by about this by thedreamersmusing. Read it here. HBP is also the book he feels "sorry" for Voldemort and also feels "reluctant admiration" for him - both of things he is less defensive about.

And this nuance informs his relationship with conflicts - especially the kind he has with Hermione. He is more confrontational with her and does not lie or sneak around her as much as he did in OOTP in the Half Blood Prince. ("Finished? Or do you want to see if it does back flips?" He asks her when she takes the book from him to check if it's jinxed. Or the "I hope you enjoy yourself" he calls out irritably when she declares intention to find out who HBP is. And "do you want to rub it in Hermione? How do you think I feel now?" He tells her when she says she was right about HBP).

The fact that he is willing to be confrontational with her is a big step in his character - a step up from his unregulated outbursts in OOTP, which is a function of him not knowing how to put his anger across in normal ways. He is also more willing to stand up for her in front of Ron too - "You could say sorry" he tells Ron bluntly. This is in contrast to his more quiet standing up for her in POA: "Can't you give her a break?" Harry asked him quietly. In POA, he lets the subject drop after Ron flatly refuses. Here, he presses on more : "What did you have to imitate her for?" "She laughed at moustache!" "So did I, it's the stupidest thing I have ever seen".

His relationship with Ron is an interesting contrast to his relationship with Hermione, which functionally teaches a very important lesson for an abused child who thought all conflicts are bad: That his friendship with her is challenging, and frustrating, filled with conflicts but their love for each other isn't disputed. It's a very important thing for brain development in general - to hold conflicting information in one space. The defense mechanism abused children do to avoid this is called splitting.

So, Ron allows Harry to be the age he is: a teenager and it's foundation for his further development, and Hermione teaches him how to be an adult, and therefore, spurs his growth. (In esoteric terms, if you look at Ron and Hermione as proxy parents - Ron is the Mother archetype, the one who offers unconditional love. Hermione is the Father archetype - one who demands best of him, and guides him).

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Give Harry to me, Hagrid, I’m his godfather, I’ll look after him.

Ah, let me count the ways in which fandom interpretation of Sirius Black infuriates me. One day, I’ll write an essay, but as I don’t currently have the time to pen a thousand-page epic -

This is literally the moment that possibly defines Sirius the most, and it’s the one that everyone forgets.

Everyone knows the story - Sirius arrived at Godric’s Hollow, saw the Potters’ bodies, and tore after Peter Pettigrew in a blind, thoughtless, reckless rage.

Um, except he didn’t.

He tried to take care of Harry. He tried to get Hagrid to give Harry to him, and when Hagrid refused, he tried to argue.

What, you think he was planning to tear after Peter with Harry tucked under one arm? Of fucking course not. It didn’t change that he wanted to kill Peter, that he probably would be happy to find and kill him later - but he wasn’t planning to murder anyone, to throw his life away, to even sit in a dark corner and drink himself to death while holding a goddamn baby.

This is Sirius’s godson, the person he promised his dead best friend he’d protect, and whom he now loved more than anyone alive. He’s asking for the kid so he can take the kid, and that means devoting himself to a lifetime of raising, nurturing, being patient, being parently, changing nappies and nursing fevers and a million other VERY. RESPONSIBLE. THINGS.

Do we know how good Sirius would have been at doing that? Hell no.

But what we do know is the most important thing - that he was willing to try.

Hagrid cites Dumbledore’s orders and won’t give Harry up.

So it’s really only once everything is really gone - that Sirius’s responsibilities and attachments are nearly all truly severed - that he decides there’s nothing else to do but go after Peter.

I’m sorry but… @gallifrey1sburning this was too good to leave in the notes. Literally this:

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lunapwrites

And that’s the tea.

My thoughts under the cut here.

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The Resurrection Stone Scene: Culmination Of Harry's Emotional Arc

The series biggest themes surround death and Harry coming to terms with his parents' death is arguably his biggest emotional arc. I have argued in my meta about Harry before that he has passive death wish and morbid fascination with the dead. This is obvious in his desire for the Resurrection stone while Ron and Hermione choose other Hallows, his obsession with Mirror of Erised (to the point he feels feverish) until Dumbledore intervenes, him almost wanting to fail to learn a Patronus because he wants to hear his parents voices,the scene at the grave where he almost wishes he was "lying under the snow" with his parents and that possession scene in OOTP, where he wishes to die so he can be with Sirius. Harry has, in many moments, shown a raw desire for death - in ways that actually scares Hermione and makes Ron uncomfortable as evidenced by their reaction when he tells them why he wants the Resurrection stone.

Harry's fascination with the dead isn't surprising - this abused and neglected boy learned in PS that his parents fought to protect him. Essentially they loved him so much, they died for him and Harry feels robbed of that life, a life with parents who loved him dearly (reference his narration in HBP, where he wonders what life would have been like if Neville was the Chosen One).

So accepting his parents and parental figures' deaths and choosing to return to life - a life of sorrow, pain, and trauma when he could have just gone "on" (or had "an out" as he screamed in OOTP) - is one of Harry's bigger heroic decisions. To come to a point that Harry can ask his parents' murderer to feel "remorse" in an attempt to save his soul, Harry needed to see and hear things he always wanted to hear from the people he loved.

So, the scene starts:

"You've been so brave"/ "Stay close to me"

LILY: While in life, Harry knows a lot more about James than Lily, it is interesting whenever she appears in any form, Harry is looking at her the most ("I will be back" Harry says, tearing his eyes from his mother's face in PS/ and once again in DH, he couldn't stop looking at her: "his eyes feasted on her"). She is his mother, the one who loved him so much, it magically manifested as a protection that gave him 17 years of life. Her love is always there as safety blanket - so even when his father disappointed him in OOTP, he is comforted by the idea that his "mother had been decent". She is his ultimate protector and this is why he asks her : "stay close to me" while she is gently affirms, "you've been so brave". And unsurprisingly, it is this sacrifice that lives on in Voldemort that gives Harry a choice - a choice to return to the living. After spending much of the series trying to be like his father, Harry embodies his mother by invoking sacrificial magic for Hogwarts fighters. But his embodiment of his mother is not an impulsive brave decision, his walk to his death is far more intentional than hers - as the book narration says, "it's a cold blooded walk to his destruction".

"You are nearly there, very close, we are so proud of you" / "Until the very end"

JAMES - his father, the man he looks like, flies like, and tries to root his identity in. Harry spends most of the books trying to live up to the ideal of his father. His Patronus is an embodiment of his father ("Prongs rode again last night"), and it is James' bravery that gives Harry comfort at the traumatic night in the graveyard and makes him want to stand up and fight Voldemort: "He was not going to crouch like a child, he was going to die upright like his father" (as Voldemort taunts him: "now you face me like a man..like your father, straight backed and proud").

James is catalyst to lot of Harry's growth. Harry making an active choice after being horrified by his father's behaviour in SWM, wondering "did he want to be like his father anymore?" is an important character moment for him. He reconciles his view of James, humanises him and thinks of him with "a rush of pride" in HBP as the man who walked into an arena to fight with head held high. So, Harry hears from the father he tried for so long to embody and then surpass in moral character - that he is proud of him and that he will be there to protect him "until the very end".

Here is a meta by u/metametatron4 that tracks Harry's feelings about his father and Snape in detail. Read it here.

"Dying? Not at all - quicker and easier than falling asleep" / "We are a part of you - invisible to everyone else"

SIRIUS - While Lily and James affirm how far Harry has come, Sirius as the parental figure Harry had in life offers him words of comfort when Harry asks if dying hurts.

This comfort has an added layer, knowing Harry's often violent response to Sirius's death. His reaction to his death has been attempting Crucio on Bellatrix, trashing Dumbledore's office in OOTP, along with other stages of grief. At the end of OOTP, Harry is a mess of unfocused grief and rage - one that he will actively repress in HBP. He avoids talking about Sirius until he thinks the person he is talking to is as invested in Sirius - he brings up Sirius with Buckbeak/Witherwings or Tonks, who he mistakenly assumes is depressed about his death. The biggest indication of how much Harry is really repressing his feelings about Sirius's death is his reaction to Mundungus stealing from Grimmauld place. He lifts Mundungus with one hand, chokes him until he turns blue while threatening him with a wand. He had to be magicked off Mundungus because he, terrifyingly, showed no inclination of stopping despite Hermione screaming at him to do so.

The other time he reacts badly is Lupin's scene in DH. The first person he thinks of when he says "Parents shouldn't leave their kids" is Sirius. He sees image of Sirius falling through the veil, followed by Dumbledore. His reaction to Lupin abandoning his child is powered by the unprocessed grief and rage of the deaths he has witnessed, of parental figures robbed from him. And then, of course, his violent impulse to break Bellatrix's wand with the sword of Gryffindor once Hermione points out that the wand killed Sirius. His violent reaction to his death is due to lack of closure.

This is why it is important that Sirius tells him that dying doesn't hurt, because it would have eased Harry to know that Sirius isn't in pain. And he assures "we are a part of you" - so even though there was no body to mourn and Sirius just effectively disappeared - Sirius is still part of him.

"He'll want to be quick, he wants it over"/ "I am sorry too. I am sorry that I will never know him...but he will know why I died and I hope he will understand. I was trying to make the world in which he could live a happier life"

LUPIN - Lupin, like Sirius, also offers comfort by telling him that death will be quick because Voldemort wants to finish it too. It's interesting to me that Lupin is the character that says something that arms him for the future - should he choose to have it ("I'll tell him to follow his instincts which are good and nearly always right" Lupin says earlier in the book).

Lupin is a mentor, a bridge and by DH, a warm friend - he was the one who taught Harry the Patronus charm (a gateway to connection with his father + something that protects him) and it's Harry's trust in Lupin that makes him willing to hear Sirius out at the end of POA, thereby connecting him to a very important relationship. He gives Harry tools to equip him to best live out his life. And once again, Lupin acts as a bridge to Harry's life - he tries to take away Harry's guilt from his own death and leaving behind Teddy. Knowing that Harry survives, this is important for Harry to know so he can live with himself as he takes on godfather role to Teddy.

At the end of this scene, Harry drops the stone, ready for his death. And the fact that he chooses not to go back to it without much inner struggle after the Battle of Hogwarts is a marked shift and beginning for him.

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