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J.G. Martin

@jgmartin

Writer of horror, sci-fi, and dark fantasy. https://linktr.ee/jgmartin
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INTRO

Hi.

I'm Jason, and I like to write.

People say my stories are not bad and occasionally even okay. If you'd like to experience the raw, visceral, and emotionally captivating rollercoaster of an okay story, then you've come to the right place.

PUBLISHED WORK

Crooked Antlers: A collection of SPINE TINGLING horror stories that my Mom praises as "pretty good, and maybe even worth the money."

CURRENT WIPS

  • Crooked Gospels: My SECOND horror anthology slated for release Q1 2025. Some praise from my editor, "it was easier to get through than the last one, I guess."
  • WRAITHWOOD: An upcoming novel about an underground school for monsters and the TWISTED secrets it holds.
  • It's Nearly Dark: Two brothers return to their family cabin and unearth long buried secrets regarding cryptids and the OBSESSIONS of their grandmother.

NARRATIONS

Here are some phenomenal narrators that make my work sound way better than it has any right to:

ANIMATIONS

The legendary Dr. NoSleep has also animated a handful of my works:

Annnnd that's all I've got for now!

Feel free to reach out with literally anything, and stay tuned for more okay writing in the future!

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Hi it's Inkshine aka Alwri.tes! This is *incredibly* random but I was re-reading Crooked Antlers in honor of spooky season (I've decided the titular story is my favorite- so much tension and twists and turns!) and I was reminded that a lot of the overall vibe reminds me of the book Rules for Vanishing by Kate Alice Marshall, which I really enjoyed a few years back. It's a lot like if Crooked Antlers was aimed at a slightly younger audience.

The plot summary is this: In the sleepy town of Briar Glen, everyone knows the story of Lucy Gallows. Years ago, the young girl disappeared, and now, once a year, her ghost creates a supernatural road through the forest, beckoning someone to follow. Of course, no one really believes the old story anymore. But Rebecca "Becca" did. And then she vanished into thin air after seeking out the legendary road. Most think that Becca simply ran away and said she was "going to look for the road" as an excuse, but Becca's grieving sister Sara refuses to believe her sister would just leave. A year after Becca's disappearance, Sara gathers her ragtag group of friends to find the road, and Becca. The road does indeed reveal itself to them, and the journey it leads them down is incredibly dangerous. After returning, the teens try to piece together and record their story with the help of a grizzled paranormal investigator, who quickly realizes there's far more to what happened on that journey down the road than anyone is willing (or able) to say.

Feel free to check it out if you're curious, but fair warning: this book gets confusing, even for adults. The road deliberately warps people's memories, and a couple of the characters straight up lie about their version of events. It can be difficult to keep everything straight, so don't blame yourself. There's a reason "rules for vanishing ending explained" is the second thing that comes up on google when you search this book.

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This sounds fantastic - definitely adding it to my reading list. Thank you!

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Subject 21

In light of Spooky Season, I thought I'd share the updated draft of Subject 21: a horror story about a bunker at the end of the world, and the terrifying entity contained within it.

I watch the sunset bleed.

Its outer edges drip like molten gold, and I hear the hiss of steam before I ever see the clouds rising from the arctic snow.

“Told you,” Raens says. He stops short of me, slings his rifle over his shoulder and folds his arms. He surveys the sunset like it’s a regular occurrence – an everyday thing. “There’s a reason this place is under lockdown.”

“So it’s true,” I say, my voice barely a whisper. “No one’s left for three years.”

“Not a soul.”

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What do you believe is the most effective way to explore fear in writing? How do you tap into universal fears while keeping your stories unique?

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Great question. Thanks for the ask!

Fear is such an interesting emotion. Oddly enough, its closest relative is humor. Both rely on subverting expectations to be fully effective, and both work best with 'punch lines' you don't see coming.

In that sense, I think the best way to explore fear is to consider what your audience is most unnerved by followed by what they'll least expect. Mash these together, and you have an effective scare.

For example, if you're writing sci-fi, your audience might be spooked by the concept of alien abductions. The typical set-up involves a flying saucer descending and little green men zapping up pedestrians and then probing them in... Well, places.

But what if, instead of a flying saucer, it was a solar eclipse?

And what if everybody who looked directly at the eclipse had aliens beamed into their minds?

What if the aliens didn't abduct people, but people inadvertently abducted aliens, and now both parties suffered as a result?

You see what I'm getting at.

These psychic entities could torment a person in a language they can't comprehend (maybe shrill tones, high frequencies, insanity, etc.), and all of it kicked off because they broke a social taboo by looking at an eclipse.

This is a rough example, but it shows how you can flip concepts on their heads using familiar concerns. Throw your audience off their game.

Nobody's scared of vampires or werewolves because we know too much about them—they're a solved equation. To really terrify readers, you need to unbalance them. Present them with a problem without an answer. Force them to discover the answer for themselves, and in the process, they'll explore all the horrible ways it might go wrong.

The real trick giving people the proper puzzle pieces. Once they have them, they'll build their own boogeyman, one more terrifying than words could ever conjure. Stephen King might have said that... or maybe it was somebody else.

I don't remember.

Point is, you'll never beat out a person's imagination when channeling their greatest fears. Your best bet is to give their psyche a bit of ammunition, then sit back and let human nature do the rest.

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reblogged

How to improve your writing style : a 5-steps guide.

Intro : I love the 5-steps format, don’t mind me. Again, this essay is based on my personal experience.

  1. Read in different genres. Ok, I know you’ve probably heard this advice more than you can count but did you ask yourself why it is so important ? You probably wonder ‘‘How reading some historical fiction will help me writing my sci-fi novel ?’’ For that simple reason my friend : they meet different purposes. You don’t know how to describe a castle ? It’s okay, historical fiction got your back. Because it aims at something more realistic and accurate, it would tend to be more specific and detailed when it comes to describing clothes, furniture, places and so on. Why ? Because, most of the time, THEY ACTUALLY EXISTED. Take a closer look at how it is done and draw your inspiration from it (but please avoid plagiarism it’s bad - and illegal)
  2. Take notes and CLASSIFY them. To make reading somehow useful, you have to actually make it concious, which means you have to write things down to remember them. When I come across a description I like, I tend to takes notes of the figures of speech that are used and class them, so when I have to write a similar scene, I have an idea of what have been already used, and weither or not it achieved its goal. I am NOT talking about COPY another author’s style !!!! It’s about finding inspiration and new approaches. I also tend to take notes of the new words I wish to incoporate into my writing. The thesaurus is my new bestie.
  3. Rewrite the same scene from different POVs. First of all, it’s fun. And it’s a really good way to spot quirky formulations. For instance, if you describe a ship, the captain’s POV should be different from that of a simple observer. The first one would be naming each part princisely whereas the other would only be admiring the surface without knowing anything. If the caption is the same for both POVs, maybe you should consider write your passage again (or have a good reason, like a strong amateurism for the mere observer). It’s go hand in hand with coherence - but it would be an essay for another time (maybe).
  4. Read your text aloud. I put major emphasis on that one because it’s as underated as reading books for various genres. You have no idea how much we DON’T speak the way we write. Even dialogues are crafted in our stories - so make sure to give them proper attention. (i even read my email aloud but-). I KNOW how cringey it might be as I am doing it MYSELF but the benefits are worth the 35-minutes shame I endure from my own mess. Before you can shine, you have to polish (shout out to the one who said that first if it’s not me).
  5. Take a step back. I strongly advice you to let some time pass before reading your text again and profreading it. It will cast a new light upon your work and with fresh eyes you’d be more likely able to spot what needs to be erased or rephrased.

That’s all for me today. Since I would be entering my proofreading phase for my writing contest, the next essay would probably about proofreading (with examples from my own novel ?). Unless someone wants me to write on a specific subject first.

Gentle reminder that I’m still French and not a native so please forgive my dubious grammar and mispellings.

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jgmartin

Great points!

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reblogged
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jgmartin

a confession

last year, i published my first book.

it was one of the most nerve-wracking experiences of my life. i felt ashamed. terrified. instead of sharing the news with family and friends, i hid it, horrified that if any of them read it, they'd finally realize what a fraud i was.

writers, you know what i mean. creative pursuits and imposter syndrome go together like jam on toast, or ketchup on hotdogs, or... well, you get the picture.

lately, i've been trying to develop a healthier relationship with my writing. a positive one. creativity dies with doubt, it dies when we refuse to believe in ourselves and attempt to bury our flaws. life is flawed. it's imperfect. but there's beauty in coloring outside the lines, and so this is me practising what i preach.

this is me turning over a new leaf.

last year, i published my first book; a collection of short horror. seeing as it's nearly halloween, it seems as good a time as any to do my first real plug for it-- even if that plug is a year late.

CROOKED ANTLERS is a compendium of dark fantasy and urban legends. it blends the stylings of neil gaiman, chuck palahniuk and frank miller with the 'found footage' vibe of modern creepypastas to create horror for the digital age.

is it perfect? nah. but it is damn spooky, and that's all it ever set out to be. so if you're looking for a fresh tome of ghost stories, look no further-- i've got you covered.

oh? and if everybody else could plug their own work on this post too, that'd be great. let's tackle this imposter syndrome thing together. show me what you're cooking!

thanks and HAPPY OCTOBER!

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alwri-tes

Reblogging this again because I read this book myself earlier this year and I can absolutely recommend it to anyone who enjoys various forms of horror, speculative fiction, or just plain good writing in general. Each story in the collection is unique, entertaining, and hits the mark, often getting the reader invested in each one. It’s a perfect read for a rainy day or eerie evening.

Thank you! You are much too kind < 3

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reblogged

Holding my own book is an amazing feeling.... Can't wait to be holding my second soon 🙏

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jgmartin
A VOICE FOR AUTUMN [flash horror]

The key was rusty, splotched red and gray. It almost blended in with the copper-gold of the dead autumn leaves but it didn’t. It stood out to the boy.

And so the boy bent down and picked it up.

‘Lucky find,’ he said, gazing at the key with reverence. Images of great adventure played in his mind, chased by phantoms of guilt and worry. He wasn’t supposed to be wandering. Not here. Not today.

What was it his mother had said?

Something about the stars in the sky. The angle of the sun. ‘There are omens in the air,’ she’d said. ‘You get us some water from the river and you come right back, hear? Today ain’t no time for play. And keep away from that old well.’

‘Of course,’ the boy had said. He’d promised that under no circumstance would he dilly or dawdle, nor wander to that old well. She gave him a pat on the head, a kiss on his cheek, told him to give a holler if he saw anything odd, and then sent him on his way.

But this key, strange as it was, wasn’t odd. It was just a key. The world had plenty of keys. The boy had seen several of them, and never once had any of those keys caused trouble, so why should this one?

The only question was, who did it belong to? What did it open?

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dyrewrites

"Just going to read a line or two then put it on the list for later," I say--I always say.

But half an hour or more blinks away and I'm still staring at my screen with my heart in my throat.

A delight it is, every time. Thank you for sharing your spooks.

Sincerely, thanks for always sharing such encouraging comments! You're an absolute treasure, Dyre!

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