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#so much – @jezunya on Tumblr
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quixotic chaotic

@jezunya / jezunya.tumblr.com

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Anyone else, esp. neurodivergent people, ever talk to someone and get elated because you’re like wow :) I am doing a Conversation :) I am doing the Asking Questions and Listening Attentively and Expressing Interest :) I have shared a Joke or brief Amusing Happening and this person liked it :) this person seems to enjoy speaking to me and I enjoy speaking to them :) I’m a person.

I once was talking to someone I admired and they told a joke about our managers and I added to the joke, and they laughed so hard they couldn’t talk  and I was like thank you for laughing I have truly never experienced this level of euphoria and also I would die for you now.

Recognition Responsive Euphoria is a hell of a drug 

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reblogged

my favorite way to hang out is so lowkey like u wanna watch reality tv all day in our sweats?? ok. wanna do homework n barely even talk except to complain about how much work it is?? ok. wanna read different books while sharing an entire tub of ice cream?? ok. going out is so much effort like sometimes u just wanna enjoy someone’s company without doing anything “special” and i think those are actually the most special times 

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reblogged

The pressure to forgive an abuser or rapist can actually be incredibly damaging for a lot of survivors. People press us to forgive sometimes before we even have a chance to discover our anger.

We’re expected to be forgiving, unchallenging, to let what happened pass without talking too much about it or holding anyone accountable. People don’t want their social landscape to change too much, so they pressure survivors to quietly let things go, to not stir the pot. We are expected to give up our right to be angry, and we are told it is for our own good.

In reality, anger can be an essential part of recovery for a survivor of abuse, rape, or other violence. Anger means finally recognizing on an emotional level that what happened was wrong. That it should never have happened. That we didn’t deserve it, invite it or cause it.

Reclaiming our right to be angry about the violence inflicted on us means rejecting cultural narratives that blame the victims of abuse and assault for what happened to us. It often means rejecting the narratives our specific abusers used to justify their actions, and replacing their perspective of what happened with our own. Learning to be angry about the wrongs done to us, especially as a group of people who are constantly told we have no right to anger, can be an incredibly powerful and healing act.

When I am allowed to be angry that someone hurt me, I stop meekly accepting future hurt. When I am allowed to explore my true feelings about the violence I endured, I am finally able to start processing my experiences and their effect on me, and pour less energy into appearing to be the “good victim”.

The good victim that an abuse culture encourages us to be – always meek, quiet, serenely self-sacrificial, devoid of anger, endlessly forgiving, never fighting back, looking only in ourselves for answers to why this happened to us – is the exact kind of person many of our abusers tried to force us to be. Trying to fulfil this expectation makes us vulnerable. It means ignoring our own needs, feelings, and experiences and never really healing.

Real healing can involve forgiveness, but only when it originates from the person who was wronged. Forgiveness that’s forced, forgiveness that requires us to give up our right to anger, forgiveness that means silence or taking on part of the blame or minimizing or excusing what happened or returning to a vulnerable position with our old abusers – that is just a new layer of violence.

#yes this#I needed this#so much#the past few months have been spent dealing with the reality that one of my older siblings spent my entire childhood#threatening & attempting to murder me. and no one did anything. my parents treated it like any old disagreement#like we were fighting about a toy instead of my right to NOT BE MURDERED.#and now as an adult everyone expects me to just be over it. to spend holidays with the person who I lived in fear of for my childhood#like there's a statute of limitations on someone wanting to murder you#my parents' solution was never to comfort me & assure me I didn't deserve to be treated that way#but instead to shut themselves in my murderous sibling's room for hours discussing philosophy & religion#as if he was their equal who was worth reasoning with. as if his desire to convince everyone that I was the spawn of evil & to KILL ME#were just a difference in philosophy and maybe had some merit and were worth discussing#not that he was a delusional narcissist with paranoid hallucinations#but no. bc my parents were religious they thought there was a chance he could maybe actually be talking to god#and not just delusional. which I guess would mean his desire to murder his younger sister was sanctioned by their god??????#and then they wondered why I was unhappy & harangued me for not being a perfect happy smiley child 100% of the time#fuck your forgiveness#I have a right to be angry#hey remember that story my mom loooooves to tell about my older sibling literally trying to smother me as an infant#as if it shows how smart & cute & precocious he was! and not like it's literally the opening scene to ever child-centric horror movie ever#bc he was experimenting! he wanted to see how many blankets over my face it would take for me to start crying!#bc that's not like LITERAL SADISM. IN A SIX YEAR OLD. HOW FAR DO I HAVE TO GO TO GET A DISTRESS RESPONSE FROM THIS INFANT#yeah#I really needed this rise in victim-validating culture#this permission to be angry. to not be forgiving.
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types of writers

The Lore-ist 

  • has detailed if not meticulous notes on the universe they’ve created, down to the food eaten and language quirks, they use mythos and setting to bring it all together
  • most of the character’s backstories are already loving laid out, though may not be all connected yet. 
  • Has yet to write a full chapter. (But they’re getting there!)

The Bae

  • Story is centered around a complex and engaging OC that they’ve spent years developing
  • said OC has been through A Lot, the love is real, so is the pain
  • OC may sort of be a loser? ie the story is a character-driven piece where the plot is moved ahead by said character’s bad decisions and questionable habits

The Researcher

  • akin to the lore-ist but spends more of their time on wikipedia articles jotting down notes and things like how much a watermelon weighs 
  • Everything from knowing Too Much about child-care to how a body decomposes or flapper chest-binding is on the table, their breadth is large and Should Be Feared
  • takes a long time to start but make the most of their words, from spot-on sci-fi to history to murder, readers will learn something on the way

The Lemon Flavored Factory

  • alright take it back now y’all, this writer has written enough smut to make a tom cat blush, they can write other things too, and often well, but there will inevitably be bed-rattling at some point (or car or shower)
  • either unusually creative or just sticks to classics like Aliens Made Them Do It, neither is necessarily bad but there is oddly little in between
  • their author’s notes tend to be hilarious or at least very self-aware

The Word Vomit Canoe

  • action oriented writer who spews out the words before they know what is happening, no plans, no outlines, 10k of the first thing that comes to mind, sometimes things like ‘maybe dragons?’ & they go with it
  • their strengths are productivity, weaknesses are not knowing what the hell is going on
  • style is marked by fast-paced tone and downright impressive word count

The Muse

  • their inspiration doesn’t come as often, but they are always listening for her & redy 2 go
  • update schedule is…sporadic at best, but makes up for it with long chapters and clean editing
  • Will write 30 pages in a day and then take a few months off, enjoys one-shots but can do longer works
  • doesn’t have the best sense of time and when they are in The Zone may forget to eat or shower
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sonnywortzik

little fury road things i dig way too much:

  • toast knowing her way around guns. just. every gun. all of them
  • toast saying they can “squeeze off this little [gun] a raunchy 29 times” and looking at max like maybe she’s trying to get a reaction out of him but he does fuck-all
  • nux kissing capable on. the cheek. a cheek kiss. on the cheek. boy was spraying poison on his face a few scenes ago now he’s kissing people on the cheek don’t touch me
  • nux still referring to max as “blood bag” even after he’s part of their little makeshift family & how it’s another illustration of nux’s weird innocence. ‘cause “blood bag” isn’t inherently a derogatory term in his head it’s just stating a fact and he doesn’t have anything else to call max so it doesn’t occur to him that maybe max doesn’t want to be called “blood bag” but here we are
  • “tree thing”
  • the fact that the wives know what trees are even though they’re around the same age as nux (or younger) but they’ve got books/have probably read about trees & deduced that that thing is, in fact, called a tree
  • “stay where you are little joe. it’s kinda lost its novelty out here” dag pls
  • “warlord junior. gonna be so ugly” “it could be a girl” KEEPER OF THE SEEDS PLS
  • the way they light max’s eyes in the “hope is a mistake” scene 
  • when max tells furiosa his plan about cutting back through the canyon and blowing it up behind them and the kEEPER. OF THE SEEDS. SAYS “KABOOM”
  • aND MAX SMILES AND POINTS AT HER LIKE “she gets it”
  • that black-top in the final battle trying to intimidate furiosa by hissing at her and she roars and head butts him so hard dickhole probably ain’t got a face anymore
  • furiosa and max’s last fights being edited together because parallels and also punches n stuff being timed w/ drumbeats because the actual hero of this movie is punk rock 
  • when furiosa and the wives are pulled up on the platform at the end and they pull other people up w/ them (as opposed to those people being beaten down at the beginning)
  • the closeup of the dude w/ the facial growths who gets pulled onto the platform and is open-mouthed smiling so hard while gazing upwards idk he just makes me happy
  • the women who were hooked up to the milking machines being the ones to start the water flowing once they see immortan joe is dead
  • all the “fuck capitalism” content in this movie culminating in one big happy “NO SERIOUSLY FUCK CAPITALISM” final scene
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Why MM:FR Was the Most Tasteful Action Movie I’ve Seen

Things that the film handled with restraint:

Rape: As countless people have said – Half of the movie’s main cast consists of sex slaves. And there’s not a single rape scene. 

Gore: The film looks exactly the type to be ultra-violent a la Quentin Tarantino. But it’s not. The one gory moment is one that you can see coming from miles away and lasts only for a second. And even then, it’s not terrible. Considering this, the movie probably could have had a PG-13 rating with minor alteration.

Sexualization: Five women wearing nothing but gauze sounds like a recipe for anything but what we got; no lingering, awkward, bodily shots. There was even a scene with a completely naked young woman with the camera focused directly on her. Guess what. The camera treated her exactly as if she were wearing flannel pajamas.

Degradation of women: Bad people get upset. We get that. Sometimes they like to swear at our heroines. And yet no one felt the need to say “bitch,” “cunt,” or “whore.” How a film managed to present about the least female-friendly society you can imagine but treated its female characters with more respect than 99% of action movies is beyond me.

Things that the film did not handle with restraint:

FLAMETHROWER GUITAR.

Gender equality: No one once says “Women are ___,” or “Men are ___.” It almost seems like outside of Immortan Joe’s freakishly utilitarian society, men and women get along just fine. Huh. Weird.

Death: Good and bad people die alike on the Fury Road; very quickly. It’s your typical action movie body count. But in a move that’s both odd and brilliant, the film spends a good amount of it’s scarce dialogue detailing what death means to the characters. For some, it’s a suicidal call to honor. For others, it’s a necessary risk to bring about more life. People die in droves. And it’s sad. Death matters.

Criticism: This is about the most critical movie of gender inequality, capitalism, and fascism I’ve ever seen without anyone ever mentioning gender inequality, capitalism or fascism.

COMPASSION: I can’t state this enough. This is a post-apocalyptic genre movie where people kill each other over sex slaves, border disputes, and cars and its message is hope and compassion. The biggest, most heroic moment of the movie is an act of healing, not an act of violence. WHOA.

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katblaque

pretty much agree.

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reblogged

so my brother was telling me about this human resources certification he attended a while ago. in a panel, the panelist asked a bunch of people in attendance, “who here knows if an applicant for a job is right for it in under 60 seconds?”

hands shot up around the room, people smug about their ability to “weed out the riff-raff” when it came to hiring for their fortune 500.

“you should all be fired and probably in jail,” they said, waiting for the whole room to get uncomfortable, then continued, “because the only things you can really learn about a human being in under 60 seconds are all things that are fueled by prejudices and biases covered by american law. so now, i will teach you how to stop being racist, sexist, judgmental assholes and hire people that will better your company of employ.”

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gifmethat

So you know what I don’t get? Why people repeat words. (x)

Grammar time: it’s called “contrastive reduplication,” and it’s a form of intensification that is relatively common. Finnish does a very similar thing, and others use near-reduplication (rhyme-based) to intensify, like Hungarian (pici ‘tiny’, ici-pici ‘very tiny’).
Even the typologically-distant group of Bantu languages utilize reduplication in a strikingly similar fashion with nouns: Kinande oku-gulu ‘leg’, oku-gulu-gulu ‘a REAL leg’ (Downing 2001, includes more with verbal reduplication as well).
I suppose the difficult aspect of English reduplication is not through this particular type, but the fact that it utilizes many other types of reduplication: baby talk (choo-choo, no-no), rhyming (teeny-weeny, super-duper), and the ever-famous “shm” reduplication: fancy-schmancy (a way of denying the claim that something is fancy).

screams my professor was trying to find an example of reduplication so the next class he came back and said “I FOUND REDUPLICATION IN ENGLISH” and then he said “Milk milk” and everyone was just “what?” and he said “you know when you go to a coffee shop and they ask if you want soy milk and you say ‘no i want milk milk’” and everyone just had this collective sigh of understanding.

Another name for this particular construction is contrastive focus reduplication, and there’s a famous linguistics paper about it which is commonly known as the Salad Salad Paper. You know, because if you want to make it clear that you’re not talking about pasta salad or potato salad, you might call it “salad salad”. The repetition indicates that you’re intending the most prototypical meaning of the word, like green salad or cow’s milk, even though other things can be considered types of salad or milk. 

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kevinfrane

My inner linguistics nerd just woke up and it was Christmas morning.

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Ke$ha is a perfect example of how the media loves to make intelligent girls seem dumb and bitchy even though they are actually smart and caring. Ke$ha isn’t far from being a feminist icon but the media continues to label her as a dumb drunk party girl.

and Ke$ha is all for loving yourself and equality but she continues to receive harassment from mainstream media. Enough harassment to the point that she developed an eating disorder because of it. She is an example of how horrible and sexist the music industry is.

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808kangaroo

Ke$ha stands in the category of “gifted genius”, she scored near perfect (1500) on her SAT’s and has an IQ of 140

After I ran across Kesha’s cover of “Don’t Think Twice It’s Alright" (one of my favorite songs in the world) I did a bunch of research and discovered that her persona seemed to have been invented entirely for marketing purposes…a fact which is much sadder given the apparently abusive relationship she had with her producer.

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