POTO DUBAI
Lifting up a question from a previous post:
"Any comments on the Dubai production? From what I have seen on Instagram, the colour palette of costumes is strangely muted, it looks a bit drab as a result, unlike the opulent original. Cheaper no doubt, but looks about 10-15 years too late in terms of silhouettes. Erik’s organ in its rocky niche is a nice gothic touch"
The current Middle East Tour started its life as a sit-down production in Romania in 2015, with design by Andrew Riley. The same production opened in Norway in 2018, but then massively vamped, with pimped sets, a new and fierce chandelier, and an overall upgraded costume design. This production continued to Greece, and now the Middle East, closing in Dubai as we speak and heading to Kuwait Bulgaria next.
I agree that the palette is fairly muted. It's an incredibly blue production, if anything. There were scenes I would have wanted a splash of colour, of red, of green, of pink, of yellow. After two hours there is a certain blue overdose. The overall mood is this:
But I like the set design a lot. Moody and monumental but still with enough blank spaces where the imagination can kick in. And very much a nod to the Palais Garnier throughout, but other angles and details than Bjørnson's design. I am especially fond of the ever-present Garnier-esque proscenium and chandelier, as well as the "torn" drum-structure featuring the organ or dome on the other side, and a diagonal staircase on the other side.
The mock operas and the glittering mirrored hall for Masquerade are the only to break the "blueness". Here's the main look for Il Muto:
And the two main looks for Masquerade, the first being very golden, and the second very red.
As for the costume design being a bit "late" for when POTO is traditionally set - yes. I've done two off-hand interviews with people involved in this production. One of them told me that it was the London office encouraging non-replica productions to seek out other time periods, other styles, other looks, to not become Maria Bjørnson blueprints. That is why you have inter-war style in Estonia, non-defined or modern-day style in Finland, Serbia and Bulgaria, 1860s movie clone in Poland, and Edwardian/Belle Epoque in this particular production.
(there ARE non-replica production doing full-blown Victorian, hereunder Hungary, Czech Republic and the Mediterranean version, so it doesn't seem to be set in stone. But the word used was encouraged, not demanded)
There also seems to be a will to do things opposite of the original. "So the Phantom wears his mask on the right side? Then we'll go left!"... "Oh, so Christine is a brunette? Then we go blonde!"... "Oh, so Meg is a blonde? Then we go brunette!"... Yeah.
I hope that answered your questions/comments and gave some links and stuff to explore further :)
