But by far the greatest Christmas gift John ever gave to Yoko—as well as to me—wasn’t anything he’d purchased at a store or recorded onto a cassette tape. It was an event, an enchanted twinkling of pure distilled joy, that he orchestrated just for the three of us during the waning hours of December 31, 1979.
A few days earlier, John had laid out his plans to me. He wanted to turn the newly acquired apartment 71 into a private club. John was not a huge fan of nightlife—crowds were problematic for obvious reasons—but he enjoyed the concept of an exclusive, intimate space, something like an old English men’s establishment... So, shortly after Christmas, he and I went shopping on New York’s Lower East Side, where there were dozens of secondhand shops, and proceeded to purchase enough cheap furniture and other decorations—overstuffed sofas, martini shakers, pink flamingo cardboard cutouts—to turn 71 into what John had by now begun referring to as Club Dakota.
After furniture shopping, we spent a few hours combing through vintage record shops, looking for old 78s to fill that antique bubble-top jukebox Yoko had given John. (We found Dooley Wilson singing “As Time Goes By,” Bobby Darin’s “Dream Lover,” Bing Crosby’s “Please,” Gracie Fields’s “Sally,” and scores more.) Then we headed to Canal Street and picked up moldy old black-tie tails and white gloves to wear on Club Dakota’s opening night, which John had decided would be on New Year’s Eve. Technically, John and I were to be the club’s only charter members, but he instructed me to write out a formal invitation to Yoko, which I would later hand deliver to her on a silver platter. Yoko was made merely an “honorary” member because, as John joked to me, otherwise she would immediately try to sexually integrate the club.
I have thought often about that night, about how best to describe it to those who weren’t lucky enough to be there (which, of course, would be the whole rest of the world). And the best I can come up with is that it was like spending a blissful interlude suspended in a magical snow globe. In my memory, we all seem to move in slow motion, as if gliding through glycerin-laced air. The three of us—Yoko in an elegant black evening gown, John and I in ridiculous old penguin suits (he paired his with a white T-shirt and his old Liverpool school tie)—danced and laughed (and smoked) together without a care in the world, the jukebox filling the living room with glorious old tunes from the ’40s and ’50s. I took dozens of Polaroid photos of them that night, but for some reason none of them capture the magic of the moment.
And then, at midnight, our reveries were interrupted by the pop and crackle of fireworks. We all stood by the windows and watched the skyline over Central Park light up with flaming balls and sparkling whirly fountains and a slew of other aerial bursts and barrages. I’d never seen anything more beautiful in my life. And I’d never seen John and Yoko looking more content and in love.
It was that rarest, most precious thing in life—a perfect moment.
It would also, as fate would have it, be John’s last New Year’s Eve.
Excerpt From, ‘We All Shine On’, Elliot Mintz