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Welcome to the House of Finwë!

@inthehouseoffinwe

Headcanons, Thoughts, Art, and AUs of our favourite Finwëans! Instagram: Tolkien Art: in_the_house_of_finwe General Art: fiery_sakura
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Finrod and Maedhros in the halls or post embodiment talking about Sauron.

Not about the torture or the agony they went through, more like gossiping on how much of a peacock he was, strutting around and bragging about how beautiful he is.

If you came across them in the street you’d think they’re talking about one of those overdressed Tirion nobles, but then you hear “I preferred his torture to his speeches because dear Eru those were a whole new level of pain-“

“Heard all of two before being mauled. Definitely preferred the werewolf.”

Celebrimbor sometimes joins these sessions but he’s got the additional years of having known Annatar and it’s therapeutic to talk about how self absorbed he was to people who really understand. Safe to say Maedhros and Finrod sombrely commiserate the kid on dealing with that for centuries.

“How did you two become friends??”

“I think his vanity numbed my brain.”

“That’s fair.”

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I need more dad Curvo content in my life. Like come on. He raised Celebrimbor. I fully believe Tyelpë is how he is in part because of his father.

Curufin saw the problems within himself and Fëanor - the immense pride and paranoia - and made sure his son grew up strong, yes, but also kind. Nurtured that gentle side because even if it was too late for him, it wasn’t too late for Tyelpë.

(That’s what pushed him to follow Fëanor, to rush out of Valinor and find a way to defeat Morgoth: Curufin needed to make a world where his son would be safe, and that inspired a passion and ruthlessness his brothers could never understand. They didn’t know what it was to see your child’s fear and be unable to do anything to reassure them. When the Trees went out Tyelpë screamed, clinging to his father and mother with a sound that would haunt Curufin until his death.)

Little Tyelpë whose heart was so good and open and trusting, it broke him to see some of that light dim in Beleriand. He tried to create areas for Celebrimbor’s inherent optimism and gentleness to flourish and grow, but in a world steadily growing more dangerous, it became increasingly difficult. Then the Bragollach happened.

Finrod wasn’t his favourite cousin, but he saw the opportunity for Tyelpë to recover and thrive. To live without his father and uncles’ bitterness hanging over his head, and he took it.

With it Curufin made sure his son wouldn’t fall to the vices that haunted his family, guiding him to assimilate into Finrod’s city and take his half-cousin as a role model no matter how he hated it. Celebrimbor wasn’t the revenge driven elf his uncles and grandfather were, and if Curvo had done this right, he never would be.

So whether he purposefully pushed Celebrimbor away from the family or not, I’m sure a part of him was so relieved and proud when he stood up, back straight, head held high, and said ‘no.’

Curufin could never draw the line when it came to his father. But he made sure Celebrimbor could.

And as far as he was concerned, he’d succeeded in far better than regaining a silmaril by the time he was killed.

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I went into this a little in this post, but here’s how I categorise our resident Curufinwës + what their strengths in war are.

Fëanor: The Scientist. Aggressive.

Curufin: The Architect. Defensive.

Celebrimbor: The Inventor. Protective.

Fëanor: The Scientist. The Silmarils were all about the science. How to hold light. What materials are needed. How to make it stronger etc etc. Feanarian lamps honesty give me lightbulbs on steroids vibes, very sciency. He created the alphabet and no doubt numerous other things. In general Fëanor is said to want mastery over things and minds. He wants to understand then use that knowledge. He’s experimenting with known variables and pushing them to their limits.

(If he lived) his strength would be aggressive weaponry and tactics, creative mind pushing for stronger, faster, more accurate but more destructive weapons. He brings people into a passionate rage to give them the strength to go on.

Curufin: The Architect/Pragmatist. in my head is all about building on things. He also has that spark but he makes unbreakabke battlements. Bridges. Weapons. Armour. Fortresses with so many nooks and secret passages and extra defences only his brothers can keep track. He’s crafty, he’s smart. He knows how to trick people into seeing one thing and it being something else. To create false chinks in armour and defence that will be targeted and hold up, and give his people a chance to fight back while the attacker thinks he’s won.

All this means he’s great at providing defensive structures. Give him a basic fortress and he’ll create all kinds of pathways to escape and areas great for attacks and ambushes. Fool enemies and give them the element of surprise. He holds the line.

Celebrimbor: The Inventor. The rings are so unlike anything we’ve ever seen, and unlike Fëanor’s Silmarils they have true power to them. They protect and shield and raise rivers and give longevity and hold life still for the elves unused to change and so much more. He creates his city as a place for students, has a whole sect in the Gwaith-i-mirdain who learned and experimented and would create new and wondrous things. Were canonically the best artisans since Fëanor himself, led by Celebrimbor. He created so much that there was no way to even think of replicating it after he and his people were killed, and the knowledge lost. This wasn’t science. This was something entirely new. And they never saw it again.

All this means he can create invisible barriers as protection so people can live well on the daily. Keeping people safe and well is his top priority.

But yeah this is why I hc that Maedhros’ prosthetic was the combined effort of Celebrimbor and Curufin. Tyelpë was still fairly young, but he had that creativity to know how to make a working hand buried with enchantments and the like. Curufin worked out the mechanics of it and made sure it would be functional for daily life and as a weapon.

Fëanor ofc is dead by now so he doesn’t get to do much, but you best believe he’d add all kinds of sleek weaponry so his eldest could protect himself.

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I have this hc that Sauron’s obsession with vanity led him to spend years studying Maedhros’ features and trying to emulate them. When he couldn’t get it right, the proportions always a little off, red hair never deep enough, he took his anger out on Mae and when that option was gone, tried to pull from others also renown for their beauty instead.

Fast forward a few centuries and turns out all that work wasn’t entirely useless. And Sauron knows exactly what to do with the features he was able to recreate. Weaving them into his new face, the line of Maitimo’s smile, the set of his eyebrows, the crease of his eyes, he puts just enough to be familiar, but not enough to set off any alarms.

Celebrimbor doesn’t know *why* he trusts Annatar so easily, just that he’s got a good feeling about him. The Maia reminds him of someone he can’t quite put a finger on, but it’s a good association and he doesn’t think on it too deeply. Grows to call him a brother in all but blood.

Of course we all know how that ends. And the last thing Celebrimbor sees is his eldest Uncle’s smile, a mockery of the warmth it should hold as Sauron finally ends his torture.

(Elrond, on the other hand, never saw Maitimo who used to laugh easily and play silly games with children. Only grim Maedhros. The gentle features Sauron steals are alien to him. A stranger with too many familiar features he can’t quite place, twisted the wrong way, leaving him deeply unsettled. It’s why he immediately tells Gil Galad to send Annatar away, hiding trembling hands in his sleeves.)

Makes perfect sense! If Maedhros was really The Prettiest, Sauron would be so jealous seeing him all the time during Mae's imprisonment in Angband. He would be OBSESSED by recreating that look. Until inevitably admitting it's impossible.

It would also explain why some would love Annatar so easily, as Maedhros was beloved by Fëanorians. I know in Lindon probably nobody would associate Maedhros with good things (except for Elrond, of course), but as you said, the resemblance could be really subtle - enough for Fëanorians to unconsciously notice it, but not enough for the others, who would just see a pretty face, actually a VERY pretty face.

What I love the most about this idea is the fact that Elrond wouldn't need any visions to recognize there's something wrong with Annatar. While Elrond's life is basically "A Tragedy: To Be Continued", this would be a perfect example of bad things that ultimately led to something good (just as Glum stole the Ring from Frodo at Mount Doom and, without meaning to, caused its destruction). It would be enough to just look at Annatar, his experience allowing him to recognize this stranger's twisted nature - something that used to be good, but no longer is; although Elrond wouldn't be able to put a finger on it, or he would think it wrong for different reasons, the fact still stands.

(Also, it's quite sad that Elrond would consider cheerful Maedhros unsettling, as he never got to see Maedhros in Aman, before all the darkness become ever-present in the life of Noldors.)

I think that Tolkien himself would approve.

Yesss exactly!! Love your analysis into it!

Also Maedhros was probably known as trustworthy, and I believe that would reflect in his face if you know what I mean. Throughout Aman pre-drama he was known across the land for being mature, kind, and fair. The kind of guy you could leave valuables with and come and collect them in perfect condition. Or go to for advice and know you’re getting an honest response. Even in Beleriand he lost the softness but retained that trustworthy nature, which is how he was able to build the Union for the Nirnaeth.

Sauron would mimic that and mostly succeed, at least in giving that kind of warm trustworthy vibe he had in Aman that you have to be Very Good to see through. He is a deceiver after all and has been doing this probably as long as elves have existed, if not longer.

I like to think there were many elves across ME confused why Gil Galad’s herald immediately refused Annatar’s aid. Some even thought it was due to a Fëanorian upbringing until Celebrimbor welcomed Annatar and silenced those rumours.

(Yep. Maedhros really did try for Elrond and Elros, but he only really smiled at most, and usually with his eyes rather than his mouth. Even that was shadowed in agony and grief, especially with the elves even now inexperienced with dealing with constant loss, and not knowing how to help.

I like to think it’s what really pushed Elrond and Elros to become healers before warriors.

Sorry I’ve gone off topic, these poor elves give me all the feels 😅)

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Recently found out the Palantíri were gifted to the Numenorians by the Eldar and it’s given me *ideas.* So the Palantir were made by Fëanor right. And it’s safe to assume they were kept by the Fëanorians, unless Maedhros decided to gift one to Fingoflin for communication, but I don’t think that would’ve gone over well for anyone.

So here’s my two theories:

1. Each son of Fëanor has a set of Palantír. I think it’s safe to assume there were more than seven made? I think it’s written that Elendil managed to ‘save’ seven of them, but don’t quote me on that. (It doesn’t really matter, this works either way. Also imagine little Tyelpë on his tip toes facetiming his uncles 🥲)

When their various fortresses fall, most of the Fëanorions manage to save at least one of their seeing stones. When Maedhros and Maglor end up in Amon Ereb alone, they have all their brothers’ Palantir but no use for them.

Enter Elrond and Elros. They come to love them, care for them. And vice versa. When they’re sent to Gil Galad, Mae and Mags send these pieces of their family with them. Maybe they can find some good use for them, a final legacy for Fëanor that doesn’t end in blood. Maybe it’ll keep them safe.

(I’ll go into detail of how they end up in Numenor below)

2. Celebrimbor ended up with Curufin’s Palantir in Nargothrond, and Mae and Mags sent the rest his way at some point before their final Silmaril run. They don’t have anything else, and their nephew deserves something made before madness consumed their family. Something made out of pure curiosity rather than pride that doesn’t have too many bad memories attached.

Celebrimbor appreciates the gesture but has no real use for them. He’s not particularly ambitious as a lord. Doesn’t have any need for immediate long distance communication, and in all honesty would likely be accused of spying if he did start using them (no matter if that isn’t how they work.)

Then he hears that Elros, who he’s gotten to know fairly well alongside Elrond over the years of the War of Wrath, is heading off to Numenor. He decides to give the new King something as a token of their friendship, and to keep in touch with his twin from a distance, the way the sons of Fëanor once did. And unlike many others, they won’t scorn his grandfather’s work.

Elros is managing a pretty large kingdom, so he takes the bulk of them. Elrond keeps one.

Later on, Elrond’s (not used since the death of Elros’ children) is lost in the fall of Eregion when he desperately tried to use it to find Celebrimbor. And of course Elendil manages to bring seven Palantir to Middle Earth when Numenor falls.

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I have this hc that Sauron’s obsession with vanity led him to spend years studying Maedhros’ features and trying to emulate them. When he couldn’t get it right, the proportions always a little off, red hair never deep enough, he took his anger out on Mae and when that option was gone, tried to pull from others also renown for their beauty instead.

Fast forward a few centuries and turns out all that work wasn’t entirely useless. And Sauron knows exactly what to do with the features he was able to recreate. Weaving them into his new face, the line of Maitimo’s smile, the set of his eyebrows, the crease of his eyes, he puts just enough to be familiar, but not enough to set off any alarms.

Celebrimbor doesn’t know *why* he trusts Annatar so easily, just that he’s got a good feeling about him. The Maia reminds him of someone he can’t quite put a finger on, but it’s a good association and he doesn’t think on it too deeply. Grows to call him a brother in all but blood.

Of course we all know how that ends. And the last thing Celebrimbor sees is his eldest Uncle’s smile, a mockery of the warmth it should hold as Sauron finally ends his torture.

(Elrond, on the other hand, never saw Maitimo who used to laugh easily and play silly games with children. Only grim Maedhros. The gentle features Sauron steals are alien to him. A stranger with too many familiar features he can’t quite place, twisted the wrong way, leaving him deeply unsettled. It’s why he immediately tells Gil Galad to send Annatar away, hiding trembling hands in his sleeves.)

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Ok so I‘ve heard it’s mentioned that Tyelpë has dark hair but HEAR ME OUT-

Celebrimbor with silver hair from Miriel.

Gil Galad with silver hair from Eärwen.

Celebrian with silver hair from Celeborn.

Silver hair is seen as a rarity, so when the king and his cousins walk anywhere together, they make a *sight.*

But when he joins, it’s Elrond who turns the most heads, an unnatural beauty courtesy of his great grandmother (and the Finwëan genetics aren’t half bad either.) He’s somewhat of an introvert and Does Not Like This but Celebrian and co find it hilarious.

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