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a film still project curated by brian miller///infinite text will be on summer hiatus july-august 2012 var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-27335227-1']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })();

Hong Sang-soo, Like You Know It All, 2009.

#like you know it all #Hong Sang-Soo #2000s #Korean cinema #bed #phone #feet #legs

Roman Polanski, Repulsion, 1965.

#repulsion #roman polanski #1960s #british cinema #sidewalk #crack #shoes #feet #walking

Peter Weir, Picnic at Hanging Rock, 1975.

#picnic at hanging rock #peter weir #1970s #australian cinema #feet #hands #arms

Peter Greenaway, The Pillow Book, 1996.

#the pillow book #peter greenaway #1990s #french cinema #british cinema #vivian wu #bed #shadows #feet

Jun Ichikawa, Tony Takitani, 2004.

#tony takitani #jun ichikawa #japanese cinema #2000s #boots #shoes #feet

Lee Yoon-ki, Ad-lib Night, 2006.

#ad-lib night #lee yoon-ki #2000s #legs #feet

Kim Ki-young, The Housemaid, 1960.

#the housemaid #kim ki-young #1960s #Korean cinema #feet #legs

Wong Kar-Wai, The Hand, 2004.

#the hand #eros #wong kar-wai #2000s #hong kong cinema #legs #feet #shoes

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