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#sami art – @indigenouscontemporaryart on Tumblr

INDIGENOUS CONTEMPORARY ART

@indigenouscontemporaryart

Dedicated to showcasing and celebrating art by Indigenous creatives. This tumblr does not claim the rights to any of the images shown.
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Máret Ánne Sara | Pile o’Sápmi. 2018

“Pile o’Sápmi is a work of art that was created as a protest and a symbol of the Norwegian government’s forced slaughter of reindeer belonging to Indigenous Sámi herders in Finnmark. Máret Ánne Sara created the original work as an installation of 200 reindeer heads outside the Inner Finnmark District Court in February 2016, where her brother Jovsset Ante Sara brought a case against the Norwegian government. Sara sued the Norwegian state to prevent the forced slaughter policies implemented by the Norwegian government, and defend his right as a Sámi reindeer herder to practice his culture. The case sets an important precedent in terms of indigenous rights in Norway and the rights of reindeer herders in particular.

In parallel, Pile o’Sápmi branched into an interdisciplinary art movement. Máret Ánne Sara curates art and artists to raise awareness and further debate about the ongoing struggles for Sámi rights in Norway and the rest of Sápmi. Several of Sápmi’s foremost artists have exhibited and performed work in galleries and in public spaces in Deatnu, Tromsø and Oslo, closely tracking the case as it moves through the legal system.

Their work has brought greater attention to the case, creating spaces and events where politicians, media and the wider public learn more about the principal issues raised by this case and the ongoing infringement of Sámi rights in our contemporary society.

More than 40 artists have donated works of art as part of a lottery to fundraise for Sara’s case, and the social media presence as well as international media has created wide attention to both the artworks and the circumstances of the court case from which the work arose. Pile o’Sápmi has been exhibited internationally at the Documenta14 in Athens and Kassel. The work Pile o’Sápmi Supreme, featuring 400 reindeer skulls, was recently acquired by the National Gallery in Norway.”

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Joar Nango | My Father’s Lifestyle. 2014

Joar Nango, one of only a few practicing Sámi architects. Born in 1979, he now lives and works in Tromsø, and his people are reindeer herders from Sápmi, the traditional Sámi territory that covers northern Norway and parts of Sweden, Finland, and northwestern Russia. Their lives have long been predicated on the necessity of improvisation—skills learned when you are always on the move. “The competence of improvisation,” Nango clarifies, is a “cultural attitude of building/design traditions that exists within many northern Indigenous cultures where resources are scarce and the climate unpredictable, harsh, and unmerciful… . You can especially see it in the way the seminomadic reindeer herders arrange their workspace, their backyards, or their camps, while traveling with the herds between grazing lands.”

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