“All my life, my heart has yearned for a thing I cannot name.”

Dear Mr. Schulz,

I appreciate your taking the time to answer my letter about Negro children in Peanuts.

You present an interesting dilemma. I would like your permission to use your letter to show some Negro friends. Their responses as parents may prove useful to you in your thinking on this subject.

Sincerely,

Harriet Glickman

With regards to your correspondence with Mrs. Glickman on the subject of including Negro kids in the fabric of Peanuts, I’d like to express an opinion as a Negro father of two young boys. You mention a fear of being patronizing. Though I doubt that any Negro would view your efforts that way, I’d like to suggest that an accusation of being patronizing would be a small price to pay for the positive results that would accrue!

We have a situation in America in which racial enmity is constantly portrayed. The inclusion of a Negro supernumerary in some of the group scenes in Peanuts would do two important things. Firstly, it would ease my problem of having my kids seeing themselves pictured in the overall American scene. Secondly, it would suggest racial amity in a casual day-to-day sense.

I deliberately suggest a supernumerary role for a Negro character. The inclusion of a Negro in your occasional group scenes would quietly and unobtrusively set the stage for a principal character at a later date, should the basis for such a principal develop.

We have too long used Negro supernumeraries in such unhappy situations as a movie prison scene, while excluding Negro supernumeraries in quiet and normal scenes of people just living, loving, worrying, entering a hotel, the lobby of an office building, a downtown New York City street scene. There are insidious negative effects in these practices of the movie industry, TV industry, magazine publishing, and syndicated cartoons.

Sincerely,

KCK

Why Charles M. Schulz Gave Peanuts A Black Character (1968) - Flashbak

Why Charles M. Schulz Gave Peanuts A 'Negro' Character

Flashbak

“There was one strip where Charlie Brown and Franklin had been playing on the beach, and Franklin said, ‘Well, it’s been nice being with you, come on over to my house some time. [My editors] didn’t like that. Another editor protested once when Franklin was sitting in the same row of school desks with Peppermint Patty, and said, ‘We have enough trouble here in the South without you showing the kids together in school.’ But I never paid any attention to those things, and I remember telling [United Features president] Larry [Rutman] at the time about Franklin—he wanted me to change it, and we talked about it for a long while on the phone, and I finally sighed and said, ‘Well, Larry, let’s put it this way: Either you print it just the way I draw it or I quit. How’s that?’ So that’s the way that ended….

“People say, ‘Don’t you ever deal in social issues?’ ‘Well, don’t you read the strip?’ If you read the strip every day, you’ll see that I deal with more social issues in one month than some of these deal [with] in a whole year. But you have to be a little more sensitive to it.”

"It seemed to roar from thirty years of frustration, confusion, denial, love, yearning...yearning for what? An anchor. A harbor. A sense of safety. A sense of identity. Yes, I can relate. Yes, this is terrain I know well. I felt Batman rising from deep within." -"Finding Batman" by Kevin Conroy (from DC Pride 2022)