Time That Was So Hard To Find

John and I didn’t often talk about the Beatles, largely because it was the one subject other people, particularly in the media, were always asking him about. He’d been answering questions about the group’s history for so long, rehashing its mythology over and over again, that by now the subject bored the hell out of him. “It was like a marriage,” he once told me. “I enjoyed the beginning more than I enjoyed the end, when we were doing those live shows and nobody could hear the music over the screaming. Everyone else was having a good time yelling and shouting, but we were suffering up there. We were just going through the motions. We couldn’t hear our own selves singing.”

But by far the greatest Christmas gift John ever gave to Yoko—as well as to me—wasn’t anything he’d purchased at a store or recorded onto a cassette tape. It was an event, an enchanted twinkling of pure distilled joy, that he orchestrated just for the three of us during the waning hours of December 31, 1979.

A few days earlier, John had laid out his plans to me. He wanted to turn the newly acquired apartment 71 into a private club. John was not a huge fan of nightlife—crowds were problematic for obvious reasons—but he enjoyed the concept of an exclusive, intimate space, something like an old English men’s establishment... So, shortly after Christmas, he and I went shopping on New York’s Lower East Side, where there were dozens of secondhand shops, and proceeded to purchase enough cheap furniture and other decorations—overstuffed sofas, martini shakers, pink flamingo cardboard cutouts—to turn 71 into what John had by now begun referring to as Club Dakota.

After furniture shopping, we spent a few hours combing through vintage record shops, looking for old 78s to fill that antique bubble-top jukebox Yoko had given John. (We found Dooley Wilson singing “As Time Goes By,” Bobby Darin’s “Dream Lover,” Bing Crosby’s “Please,” Gracie Fields’s “Sally,” and scores more.) Then we headed to Canal Street and picked up moldy old black-tie tails and white gloves to wear on Club Dakota’s opening night, which John had decided would be on New Year’s Eve. Technically, John and I were to be the club’s only charter members, but he instructed me to write out a formal invitation to Yoko, which I would later hand deliver to her on a silver platter. Yoko was made merely an “honorary” member because, as John joked to me, otherwise she would immediately try to sexually integrate the club.

I have thought often about that night, about how best to describe it to those who weren’t lucky enough to be there (which, of course, would be the whole rest of the world). And the best I can come up with is that it was like spending a blissful interlude suspended in a magical snow globe. In my memory, we all seem to move in slow motion, as if gliding through glycerin-laced air. The three of us—Yoko in an elegant black evening gown, John and I in ridiculous old penguin suits (he paired his with a white T-shirt and his old Liverpool school tie)—danced and laughed (and smoked) together without a care in the world, the jukebox filling the living room with glorious old tunes from the ’40s and ’50s. I took dozens of Polaroid photos of them that night, but for some reason none of them capture the magic of the moment.

And then, at midnight, our reveries were interrupted by the pop and crackle of fireworks. We all stood by the windows and watched the skyline over Central Park light up with flaming balls and sparkling whirly fountains and a slew of other aerial bursts and barrages. I’d never seen anything more beautiful in my life. And I’d never seen John and Yoko looking more content and in love.

It was that rarest, most precious thing in life—a perfect moment.

It would also, as fate would have it, be John’s last New Year’s Eve.

John and I did run into some trouble in Frankfurt, Germany… Somehow, the desk clerk at the airport hotel couldn’t find our reservations, and no amount of my pleading could convince him to give us some rooms. I reported the bad news to John, who’d been “hiding” in the hotel lobby by using his old disguise of staring close up at a wall.

“They have no rooms,” I said.

“They have rooms!” he said. “They always have rooms!”

“Maybe you can try?” I asked. “I mean, you are John Lennon. If anybody can get us rooms, you can.”

“I can’t do that,” he said. “I can’t say, ‘I’m a Beatle: give us rooms.’ ”

“John, it’s raining outside. We can’t walk around Frankfurt in the rain all night.”

John sighed and headed towards the front desk to reluctantly play the Beatle card. For the next few minutes, I watched as he and the clerk chatted, occasionally smiled, and at one point even laughed. And then, for some reason, John pointed at me. The clerk stared in my direction, nodding furiously. A few moments later, John came over with two keys.

“I told him you were Paul McCartney,” John said. “That seemed to work.”

It worked, all right. I was given a gorgeous suite with a feather bed and a sauna. A little later, the desk manager sent up a tray of delicious snacks and a bottle of wine. Life as Paul McCartney was clearly good.

But then, early in the morning, John was at my door, looking tired and miserable. “I couldn’t sleep,” he said. “This place is such a dive. They gave me a bloody closet.”

“What do you mean?” I asked. “This place is great!”

John stepped into the suite, surveyed its opulence, and his jaw practically hit the floor.

“I guess the desk manager liked the “fact that I wrote ‘Yesterday,’ ” I joked.

John didn’t laugh.

We All Shine On - Elliot Mintz