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#73 – @idontwanttospoiltheparty on Tumblr
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Time That Was So Hard To Find

@idontwanttospoiltheparty / idontwanttospoiltheparty.tumblr.com

Fiona. 25. Rubber Soul & Revolver devotee. Taylor Swift connoisseur. Beatles history fanatic.
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"A shoe-less Lennon opened the door and ushered me into a large sitting room.  He was on the telephone to his son Julian and gestured for me to sit on the sofa alongside. After telling Julian he had to go since "there's a fella here come to take me picture," he asked if I didn't mind if we watched the telly for a bit first. The program John was most interested in was a live transmission of Queen Elizabeth's daughter Anne's marriage to Captain Mark Phillips at Westminster Cathedral in London. Sitting alongside John Lennon with our feet up on the coffee table watching the then shaky live pictures on the TV it was a far cry from the madness of Beatlemania. After about ten minutes he said, "come on, do you fancy a cup of real English tea?" after an enthusiastic yes on my part he said "then we can get these daft 'happy-snaps' out of the way."  What a joy."

— Michael Brennan about photographing John Lennon in Los Angeles on November 14, 1973.

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Anonymous asked:

Do you have any screengrab of the interview where John implies I know I know is for Yoko? I’ve never seen it before, only the ‘it’s nothing’ one.

It's an audio interview actually, which is definitely part of why it doesn't circulate much.

He starts talking about I Know (I Know) here, and he's asked directly if it's about Yoko here and answers affirmatively here.

(it's a little hard to hear and I'd recommend using the transcript but it's quite error prone – literally says "Goku" instead of "Yoko" here)

"This [I Know (I Know)] is another love song for Yoko, right?" "It is, yeah."

I discovered it when the Lennon Estate made that tweet suggesting I Know (I Know) was about Paul; someone in the replies posted the interview to "disprove" the theory.

I'd say I'm still inclined to read the song as about Paul, but knowing the author did actually directly indicate it was about someone else around its release time – albeit, only upon being prompted and in an interview where he was clearly downplaying the dire state of his current marriage (like, he's also going uhhhhh May is my employee!!!! you guys are crazy hahaha!!! cannot understate that he's verifiably lying to make him and Yoko look better as a couple in this same interview) – does make me less certain. It's definitely still notable that 7 years later John was claiming the song was about nothing. That being said, I'm not sure I can conclude much more from that other than him generally not wanting to talk about the song for whatever reason.

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“Once we started [recording the album] we couldn't stop. And then I got John to write me something, and I got Paul, I got George. You know... dragged in all me friends, 'cuz I'm lucky-- I got alot of people who'll work for me. I'll work for them, but I always feel very lucky that people will come out for me."
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amoralto

October, 1973: John sings his own brittle, crooning rendition of ‘Be My Baby’ by The Ronettes. (Note: The number was originally recorded for - but left off of - John’s Rock ‘N’ Roll LP. It was eventually released on the unauthorised Roots LP. This is an alternate rough mix of the track.) 

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Simon Albury of BBC 24 Hours told me yesterday that when he was making a film of John for the BBC, he became increasingly frightened by the growing awareness that John's only concern was for Yoko and no one else. I realised, he said, that if John heard that everyone at Apple had been killed in a fire, his mind would turn immediately to the inconvenience of replacing them. He said that this feeling was the more bizarre because John was such a kind man, very courteous and thoughtful in little ways and so he is and so too would he not give two pennies if everyone on earth vanished into the oceans leaving himself and Yoko in peace, however imperfect. Aunt Mimi taught him his manners well and there is in all of that family, whom I met, a gracefulness that has passed to John, but sentimental he isn't, never; neither is Paul and I don't think George and Ringo are, but is anyone really that concerned about anyone else, I mean really worried about their fellow humans? I don't mean Shelter and Oxfam and Bangladesh, but what about the rest? John himself and George, and Paul and Ringo too, in differing ways, have given away stacks of money to cases good and unproven, always given it quietly. But they are very tough, too, and working for them has made all of us very uneasy - I think because they are four very hard tight men, not callous, but calloused. Us Beatles' aides, we come and go and we are mostly unmourned when we have gone.

As Time Goes By, Derek Taylor (1973)

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