okay. will be streaming Driving Rain (2001). have heard eyebrow-raising things about this one lol, let's see
I heard about his death from Alan Rogan, who rang me early in the morning at Rod’s flat. I burst into tears, I felt completely bereft. I couldn’t bear the thought of a world without George.
When I left him for Eric, he had said that if things didn’t work out, ever, I could always come to him and he would look after me. It was such a selfless, loving, generous thing to say and it had always been tucked away at the back of my mind. Now that sense of security had gone. I was devastated. I’d known that his death was inevitable, but I’d kept hoping that, with all his money, they would find a cure for him. At the end I hadn’t grasped how ill he was as I hadn’t seen him for a few months. The last time had been at my cottage: he had phoned to say he was coming to Sussex to visit Ringo and Barbara and wanted to see me—I think he was curious to know where I was living. I was so glad we’d had that last meeting.
Danae Brook, a Daily Mail journalist whom I had known slightly, on and off, for some years, was due to come to the flat at ten o’clock on the morning George died. She wanted a photograph I had of somebody she was writing about. I was walking about like a zombie when, suddenly, she was there and wanting to interview me. I didn’t say anything to her but when her piece appeared it was all about how we had modeled together and been chums, and she had been with me soon after I received the news that George had died. I felt exploited.
His funeral was in Los Angeles. I didn’t go, but I was invited to the memorial concert, which took place a year later in the Royal Albert Hall, organized by Eric. I couldn’t go: I had booked a spiritual holiday in Peru. Instead, I watched it on video. On the day, I took myself away from the rest of the group and spent the day high in the mountains, thinking of George, the tears trickling down my face. I was happy to mourn him alone and in my own way.
You never know with grief how long it will last, but I think I’ll miss him for the rest of my life. We shared so much and grew up spiritually together and there are so many things that no one else knows about that we did together; and for many years there were so many questions I wanted to ask him and so many things I needed to speak to him about. And then there were the dreams. I would dream he was alive and I would say to him, “Oh George, it’s so wonderful that you are alive after all, this is so fabulous; I knew they had all made a mistake.” Some dreams can be incredibly vivid and so very real and then I would wake up and within the first couple of seconds I would think he was alive, and then that wave of reality would wash over me as I became more conscious. - Pattie Boyd, "Wonderful Today".
coiffet: What was your favourite clothe brand in the 70’s ?
george_martin_live: i have never been intersted in clothes george_martin_live: i just wear them to cover my shape george_martin_live: so i am pretty sloppy george_martin_live: and VERY bored with fashon
lacey_blank: is it true that you have an affair with marylin monroe
george_martin_live: no - i don’t approve of necrophilia
viennadunne: On albums like Revolver and Pepper, what was the key to the drum sounds you achieved?
george_martin_live: having Ringo play them
soulman_uk2000: hi george, you are god
george_martin_live: Well thank you my Child george_martin_live: and blessings upon you all - seriously george_martin_live: i am just as stupid as you are ;)
— George Martin, Yahoo! Live Chat. (July 2nd, 2001)
Q: How much of your success was motivated by trying to do him proud?
PAUL McCARTNEY: Quite a lot of it. And I was certainly able to in his case. I wasn’t with my mom, unfortunately. She died before I sort of did anything. She never really got to see any success. Well, who says she didn’t? I like to think that [she did].
Q: You lost both your mom and Linda to breast cancer. What comes up for you when you think of that?
PAUL McCARTNEY: Yeah, terrible. When Linda was ill it triggered memories [of] my mom — I tried to put it in the back of my mind because we were always hoping that [Linda] wouldn’t die. So I blanked ’em out. One particular one: My dad used to say to my mom when she’d get tired, “Why don’t you go upstairs and have 40 winks?” And you better believe I never said that to Linda. I’d say, “Do you want to nap?” I never used the expression “40 winks.” You get superstitious in those circumstances. So yeah, there were all too many echoes of it, really.
TVG: With the members of the Beatles having been close friends, does it tug at your emotions to listen to 1?
PAUL McCARTNEY: Yeah. I love it, actually. Some of [the songs] are emotional. Depends upon what stage of the evening it is. Often [with] these records that are compilations, you don’t really listen to them much, because it’s your old work. But I thought, “I’ll check it out,” and I was really pleased with it. I’d been involved in setting it up, seeing it in a business way, but I’d not really got into it in an artistic way until I actually listened to it. The main thing I thought as a craftsman was how well-structured the songs were — that there was nothing that shouldn’t have been on them, and you couldn’t have put one extra thing on. And then, emotionally, it just brought back really great memories of these lovely friends of mine and all the great times we had recording. And obviously with John being dead, there were certain things where it was really sad to hear him singing. But I think the overall feel of the album is so optimistic and so clean that I really enjoyed it.
“Paul’s new album Driving Rain, out on Monday, is littered with references to Heather [Mills] and Linda. It includes the ballad From a Lover to a Friend, which features the poignant line “Let me love again.” Paul went on: “That song could be about my situation with Heather and perhaps subconsciously it is. I’m happy for it to mean that but I don’t mind what people think. “You can’t help when you fall in love — when it happens, it happens. When I first started with Linda, John Lennon, like a lot of people, said, ‘I’m surprised by your choice, are you sure?’ “And I said yes, ‘I’m surprised by yours too’ and we had a little laugh. But we both agreed you can’t tell who you fall for.””
— Paul McCartney, interview w/ Dominic Mohan for the Sun. (November, 2001)
“I remember telling my office to arrange some tickets for the family. You’ve got to do that in Liverpool. And my office were over-zealous as usual. So I asked for about 30 tickets. We have a huge family on Merseyside. In fact, some are breeding as we speak- there’s always a couple on the go.
I gave the tickets to my brother Michael to sort out. Otherwise it would be like ‘ere how come SHE’S going and NOT me?’ – that type of family argument thing. So I lumbered Michael with that job.
Anyway, on the actual night they let all the family in first. I didn’t know about it so when I got on stage the first few rows of people standing there were all MY relatives. It was bit off-putting at first. There was also a heckler who asked me to play ‘Satisfaction’ – I told him that wasn’t one of ours!
After the show I went for a drink with Julia Baird – John’s half sister. It was my first bevvie of the day, because I can’t drink before a gig – I’d forget the words if I did. Then one of my cousin’s kids says to me, ‘Hey, did you hear that heckler – that was ME.’”
June 13th, 2001 (Greek Theatre, Los Angeles): While Brian Wilson is performing ‘God Only Knows’ on stage, he (and the audience) notices Paul McCartney has come by to see him.
More than thirty years later, I was opening for Paul Simon, which I didn’t like. It was okay to share a bill with him, but we were playing to older crowds, and that meant the first act, which was me, played when the sun was still up and the crowd was still filing in. It was hard to have a good relationship with the people in the audience under those conditions. At the Greek Theatre in Los Angeles, I started the show when it was less than half full. […]
We went through some more hits: “California Girls,” “I Get Around,” “Wouldn’t It Be Nice.” After “Add Some Music to Your Day,” we started in on “God Only Knows.” Right at that moment, the side door opened and Paul McCartney walked in. Everyone saw him. The theater erupted with applause and everyone stood up cheering for him. I saw Carnie in the audience put her hand to her mouth in shock. It was an “oh my God” moment. I waved from the piano. But waving wasn’t enough. We were going into the final verse and I changed the lyrics on the fly to “God only knows what I’d be without Paul.”
After the set Pablo came backstage. That’s what I call Paul sometimes, Pablo. I was happy to see him. He said that when he was coming up to the Greek in the limo, he rolled down the window so he could hear the music. “I wanted to hear those Brian sounds,” he said. He had a question about the intro to “You Still Believe in Me.” There was a keyboard in the dressing room, so I just played it for him. We did harmonies. It was incredible, Paul McCartney and I harmonizing on the intro to “You Still Believe in Me.” Can you believe that?
— Brian Wilson, I Am Brian Wilson: A Memoir. (2016)
“TV GUIDE: At the time of Wings, how competitive were you with your former Beatles band mates? PAUL: Really competitive. I don’t think any of us would have ever admitted it. I know we would listen to what each other was doing and [think], “Oh, my God, that’s good.” I know for a fact John did once with [my] song ‘Coming Up’. It was on a documentary, I think, about John, where his recording manager at the time said John listened to it and went, “Oh, I’ll have to go back to work.” I found that a very nice fact that I egged John into doing something. TV GUIDE: Do you think about him a lot? PAUL: Yes. I dream about him frequently, yeah. He’s such a central character in my life. TV GUIDE: Do you have vivid, inspiring dreams of people you love? PAUL: I do, really, yeah. There was actually one a couple of years ago where John… There was a song that I was listening to John do in the dream, and when I woke up, I thought, “I don’t know that song.” It was like it was a new song, and I was going to write it with John. I did vaguely remember it and tried to put down a little demo of it, but it didn’t really click. But I still have a little demo. And it was quite cute. I do dream about John quite often. It’s always very nice. TV GUIDE: And do you dream about Linda? PAUL: Yeah. I love meeting people who’ve passed away; it’s a very special thing about dreams. It allows you to be with them again.”
— Paul McCartney, interview w/ Lisa Bernhard and Steven Reddicliffe for TV Guide: Listen to what the man says. (May 1st, 2001)
The Carrot, Sussex, 2001 Photographed by Mary McCartney
Hey you know what? Okay actually can we talk about the circumstances of Paul talking about his dad’s abuse in that Howard Stern interview? Paul’s obviously in a very vulnerable place at the time, and he’s quite self-conscious as he says “he did used to, kind of, hit me.” For one, Stern repeatedly says Paul must’ve had this “perfect childhood,” which Paul tries to put a stop to it with “my mum died when I was fourteen,” which admittedly makes Stern pull up short. But the first thing Stern said after Paul revealed that his father physically abused him was “I’m glad to hear that…[otherwise] it sounds like a fairy tale life.” Which. I don’t know how many of you have had the misfortune of being abused, and I hope it’s a very low number indeed, but even if you haven’t I’m sure you can guess that this isn’t how to respond to someone saying this. Especially if this is the first time you’ve ever publicly told anyone this, which was the case for Paul. This makes someone feel like they have to defend their abuse, which is a shitty position to be put in. And indeed, the next thing Paul says is “It’s not all great.” What Stern should’ve shown him was empathy, or at the very least respect, such as refraining from cutting him off when he’s recounting an emotional and painful moment. When Paul recounts the time he stood up to Jim, Stern interrupts with “he slapped Paul McCartney?” This is another instance of Stern not being able to read the room at all. Sure, you could file this as him trying to relieve tension by making a joke, and Paul certainly spins it that way, but there’s a moment where he sort of fumbles before picking up the humor. Again, he’s making Paul feel unjustified and alienated and, dare I say, made fun of for having the courage to admit this very personal, very painful thing. Stern ends the conversation with “he slapped a Beatle.” This was also around the time when George was sick; it aired about a month from his death. Is it any wonder Paul never brought up his father’s abuse again?
Paul McCartney interviewed by Howard Stern for the Stern Show (18 October 2001).
HOWARD: Let’s go to Caroline. Caroline, you’re on the air with Paul McCartney.
CAROLINE: You’re just coming across the radio right now with such positive— you sound like you’re in a place in your life where you’re just so satisfied with everything, I had to call.
HOWARD: That’s what kills me! I’ve never met a human being more satisfied, who could have everything, yet consumption is not your major drive in life.
PAUL: I don’t know, I’m at a good point in my life. I had a lot of problems the last few years—
HOWARD: Did you have loving parents or something?
PAUL: You know, I did. Jim and Mary.
HOWARD: You had perfect parents.
PAUL: Jim and Mary, talk about even perfect names!
HOWARD: And did they talk to you? Did your father treat you like a—
ROBIN: You had a good relationship with your dad?
PAUL: Like a gentleman.
HOWARD: You were able to talk to him about problems?
PAUL: Yeah. Not sex. Everything but sex.
HOWARD: Were you able to talk to your mother and really say stuff without her making it about her?
PAUL: Yeah.
HOWARD: You had a perfect childhood.
PAUL: Yeah. My mum died when I was fourteen.
HOWARD: That’s rough.
PAUL: It was a blow. But no, they were great parents.
HOWARD: Your dad never called you a moron over and over again, repeatedly.
PAUL: Dad didn’t, no. I’ll tell you what—
ROBIN: Did they encourage your musical talents?
PAUL: Yeah, because he was a musician himself. Our house was the only one we could go to, to rehearse. So he was cool. And he’d sit in the other room kind of listening. But you know, it’s funny talking about this sort of parents— the things was he did use to kind of hit me, occasionally. Like, that was what they did in those days. You’re not allowed to do it so much these days, but—
HOWARD: I’m glad to hear that! Sounds like a fairy-tale life.
PAUL: Yeah, no, but you know, I was— [mutters] it was not all great. But I tell you what, what comes to mind — or just the memory — of the one moment when I was about, I don’t know, sixteen, seventeen or something. And he came in with the usual stuff. He’d just sort of slap me. We’re having an argument, he’d slap me.
HOWARD: He slapped Paul McCartney?
PAUL: [joking] You know who I am? [serious] So, I just stood there — and it was like an amazing moment in my life — I said, ‘Go ahead. Do it again.’ And he was like [makes descending sound].
HOWARD: That was it, he couldn’t do it.
PAUL: And he never did it again.
HOWARD: He slapped a Beatle.
PAUL: It was, ‘Go ahead’, you know. This was it. [laughs] The record companies would sue him.
:’)
this makes me want to cry
I’m crying
He’s so cute he’s my lovely boy
😭 he’s a gift.
this is literally the sweetest thing to ever happen
GEORGE
you missed my favorite answer!
UKELELE!!!!!!!
I’M CRYING SO MUCH
AAAAA GEO I LOVE YOU
Georgie, I love you❤🥺
What do you miss most about John Lennon?
George: John Lennon
I’m crying.
@stfu-imeleven come get your George 🥺
✍️ buy ✍️ an ✍️ ukulele ✍️
Got it 👍
I’m actually crying I miss him so much
Does anyone have the source for this? Wondering if there’s anymore bits and pieces!
EDIT: I found it! here’s the full transcript if you guys are interested!