Elon Made Me Come Back

Same, Mulder, same  ✿✼:*ﾟ｡ [Scully]

He literally just found out that his sister is alive and got to spend time with her.  (I know, I know…clone.  CSM.  But whatever, he didn’t know that then.)

And yet, Scully’s cancer going into remission, his best friend living to see another day, is the best news he could’ve ever heard. 

(My 50,000th post!) ‘3 Gunmen and a Baby’

“You can’t hold him like that, Frohike! No wonder he’s crying.” Langly chastised his friend.

 Frohike awkwardly held the screaming six month old baby boy in his arms, jiggling the child slightly in an attempt to rock him.

When they had agreed to this endeavor they had not realised there would be quite so much noise involved.

Frohike moved his hands to hold the baby more securely. “Why won’t he be quiet? He’s clean and fed. He just woke up, he can’t be tired. What else if there?” He groaned.

 “Maybe he’s bored?” Byers offered, leant back in his chair, hands folded, watching the scene play out in front of him.

 “Maybe he wants his mom?” Langly suggested insightfuly.

 Frohike flinched, “She’s busy. Anyway, we can’t call her after just half an hour. That’s just pathetic. We offered to look after him for the morning, we can’t just bail on her.”

 “What do you suggest then?” Langly griped.

 “I don’t know I never thought to educate myself in childcare, Langly.” Frohike grumbled, bouncing the red-faced little boy lightly. He began to shush him. The baby screamed louder.

 “Give him here.” Langly reluctantly gestured for Frohike to place the baby in his arms. The child had its eyes squeezed shut, tears streaming, mouth open in mid-wail. His whole face was flushed, and his hands were held in tiny tight fists. For a few split seconds nothing changed, and then the little boy opened his big blue eyes. Suddenly the screaming quieted as he contemplated the situation.

 Langly beamed down at him, “There we go. Someone loves their Uncle Langly. Don’t you, William?”

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fan: when you shot the Rolling Stone Magazine, what was it like being with David Duchovny? gillian: she means, what was it like to have my naked breast against his chest? Um… It was fun! I mean, David’s got very soft skin, and he’s ve- he’s very gentle, and… and we had a lot of fun that day. A lot of, you know, just, it was work. (Jan, 1996)

#he kissed her and things went a little out of control#so he sat back up and she followed#he doesn’t want this#not here#not without telling her because he needs her to know#to know that he isn’t just kissing her#that if she goes into this with him what he wants#how much of himself he wants to give#so he walks over to the window#this is something he can’t say being near her#looking at her#feeling her#so he steps away and her eyes follow him to the light#and he says ‘I’ve never faulted myself for the way I shaped my life. I embraced the loneliness#of coming home at night and not having any expectations#of being able to do as I please and not think about anybody else#But when I’m with you Scully#I don’t care anymore#I feel like forgetting everything#leaving everything#without fear; without expectations#wanting nothing in return except that you allow me to keep you here in my heart#as I let myself love you and you alone#losing myself in your strength; your eyes; your spirit that gave me freedom and let me fly#I want to give you that Scully#I want to give you me.’

“It was just like, we were acting like it was, like, a gross carnal coupling, you know? It was a joke for the crew and for us. The actual kissing, that was never a part of the movie, so we never would have shot that, no. The only time we did that was as a joke. Gillian and I did it to our liking, and then I said, you know, ‘Let’s do one where we’re up against the wall here.’ But that was never- there was never any thought - we were outside of the camera’s view actually at that point, so that’s not even on film.” — David Duchovny

“It wasn’t planned, no. Just goofing around!” — Gillian Anderson

“I can tell you what’s not in the film is a blast. After we did six or seven takes, I said, ‘Cut, print. Got it. Thank you very much.’ They said, ‘No, we’d like to go one more time.’ So they started the scene. And they got right into the drama, coming closer and closer. And then tongues came out. And then they slapped up against the wall. She drove him up against the wall. Oh, it was fabulous. And they did it again, because the cameraman goofed.” — Rob Bowman