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Helen Frankenthaler

@helen-frankenthaler / helen-frankenthaler.tumblr.com

Fan account of Helen Frankenthaler, an American abstract expressionist painter.
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Sunshine after Rain, Helen Frankenthaler, 1987, Minneapolis Institute of Art: Prints and Drawings

Vertical yellow lines along R side; green circle near top center with blue lines and shapes below; one vertical brown and blue streak along L side; small green and red spot at bottom center; flat profile, natural hardwood frame Size: 49 3/4 x 39 3/4 in. (126.37 x 100.97 cm) (outer frame) 46 x 36 1/4 in. (116.84 x 92.08 cm) (sheet) Medium: Color etching, aquatint, and drypoint

https://collections.artsmia.org/art/111115/

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West Wind, Helen Frankenthaler, 1997, Minneapolis Institute of Art: Prints and Drawings

white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame Size: 41 5/8 x 35 3/4 in. (105.73 x 90.81 cm) (image, sheet) 46 1/2 x 41 3/16 in. (118.11 x 104.62 cm) (outer frame) Medium: Color screenprint

https://collections.artsmia.org/art/113397/

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Radius, Helen Frankenthaler, 1992-1993, Minneapolis Institute of Art: Prints and Drawings

Helen Frankenthaler has been recognized as one of the most important figures in American art for more than four decades. Closely identified with the second generation of Abstract Expressionists, she invariably used the basic visual elements of color and pictorial space as a means to achieve an emotional resonance in her non-objective compositions, though she always based her works in nature, both observed and imagined. Her innovative technique of pouring diluted paint directly on unprimed canvas-known as stain painting-was her signature style. This act of pouring became a literal metaphor for nature. Using line, color and texture, her aim is always to make beautiful works that evoke nature. In this 1993 print, Frankenthaler chose hand-dyed paper and a traditional method of woodcut for realizing her composition. Here, the subtle texture of the hand-made paper and the visible striations of the woodblock matrix add to the visual and tactile experiences of nature. Size: image, sheet: 28 1/8 x 28 1/4 in. (71.44 x 71.76 cm) Medium: Color woodcut and blind embossing on hand-dyed paper

https://collections.artsmia.org/art/13077/

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Sunflower III, Joan Mitchell, 1972, Minneapolis Institute of Art: Prints and Drawings

A leading American painter and printmaker, Joan Mitchell was a contemporary of Helen Frankenthaler and Robert Motherwell and was widely regarded as one of the supreme colorists of the abstract expressionist movement. Her lyrical abstractions are generally based on actual physcial entities, such as landscapes or studies of flowers. Commenting on Mitchell’s art, E.C. Goossen wrote: “The Abstract Expressionist generation out of which she came was forever searching for abstract subject matter with transcendent implications, even though it professed to believe that art was its own message… But unlike those contemporary painters who ‘discover’ their subject in the process of painting, Mitchell works from an idea and builds on it.” Mitchell spent the last thirty years of her life in Paris, where she died in 1992. Size: 26 11/16 x 17 1/8 in. (67.79 x 43.5 cm) (plate) 35 7/8 x 24 7/8 in. (91.12 x 63.18 cm) (sheet) Medium: Color aquatint and etching

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Sunshine after Rain, Helen Frankenthaler, 1987, Minneapolis Institute of Art: Prints and Drawings

Vertical yellow lines along R side; green circle near top center with blue lines and shapes below; one vertical brown and blue streak along L side; small green and red spot at bottom center; flat profile, natural hardwood frame Size: 49 3/4 x 39 3/4 in. (126.37 x 100.97 cm) (outer frame) 46 x 36 1/4 in. (116.84 x 92.08 cm) (sheet) Medium: Color etching, aquatint, and drypoint

https://collections.artsmia.org/art/111115/

Avatar

West Wind, Helen Frankenthaler, 1997, Minneapolis Institute of Art: Prints and Drawings

white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame Size: 41 5/8 x 35 3/4 in. (105.73 x 90.81 cm) (image, sheet) 46 1/2 x 41 3/16 in. (118.11 x 104.62 cm) (outer frame) Medium: Color screenprint

https://collections.artsmia.org/art/113397/

Avatar

Radius, Helen Frankenthaler, 1992-1993, Minneapolis Institute of Art: Prints and Drawings

Helen Frankenthaler has been recognized as one of the most important figures in American art for more than four decades. Closely identified with the second generation of Abstract Expressionists, she invariably used the basic visual elements of color and pictorial space as a means to achieve an emotional resonance in her non-objective compositions, though she always based her works in nature, both observed and imagined. Her innovative technique of pouring diluted paint directly on unprimed canvas-known as stain painting-was her signature style. This act of pouring became a literal metaphor for nature. Using line, color and texture, her aim is always to make beautiful works that evoke nature. In this 1993 print, Frankenthaler chose hand-dyed paper and a traditional method of woodcut for realizing her composition. Here, the subtle texture of the hand-made paper and the visible striations of the woodblock matrix add to the visual and tactile experiences of nature. Size: image, sheet: 28 1/8 x 28 1/4 in. (71.44 x 71.76 cm) Medium: Color woodcut and blind embossing on hand-dyed paper

https://collections.artsmia.org/art/13077/

Avatar

West Wind, Helen Frankenthaler, 1997, Minneapolis Institute of Art: Prints and Drawings

white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame Size: 41 5/8 x 35 3/4 in. (105.73 x 90.81 cm) (image, sheet) 46 1/2 x 41 3/16 in. (118.11 x 104.62 cm) (outer frame) Medium: Color screenprint

https://collections.artsmia.org/art/113397/

Avatar

Sunshine after Rain, Helen Frankenthaler, 1987, Minneapolis Institute of Art: Prints and Drawings

Vertical yellow lines along R side; green circle near top center with blue lines and shapes below; one vertical brown and blue streak along L side; small green and red spot at bottom center; flat profile, natural hardwood frame Size: 49 3/4 x 39 3/4 in. (126.37 x 100.97 cm) (outer frame) 46 x 36 1/4 in. (116.84 x 92.08 cm) (sheet) Medium: Color etching, aquatint, and drypoint

https://collections.artsmia.org/art/111115/

Avatar

Radius, Helen Frankenthaler, 1992-1993, Minneapolis Institute of Art: Prints and Drawings

Helen Frankenthaler has been recognized as one of the most important figures in American art for more than four decades. Closely identified with the second generation of Abstract Expressionists, she invariably used the basic visual elements of color and pictorial space as a means to achieve an emotional resonance in her non-objective compositions, though she always based her works in nature, both observed and imagined. Her innovative technique of pouring diluted paint directly on unprimed canvas-known as stain painting-was her signature style. This act of pouring became a literal metaphor for nature. Using line, color and texture, her aim is always to make beautiful works that evoke nature. In this 1993 print, Frankenthaler chose hand-dyed paper and a traditional method of woodcut for realizing her composition. Here, the subtle texture of the hand-made paper and the visible striations of the woodblock matrix add to the visual and tactile experiences of nature. Size: image, sheet: 28 1/8 x 28 1/4 in. (71.44 x 71.76 cm) Medium: Color woodcut and blind embossing on hand-dyed paper

https://collections.artsmia.org/art/13077/

Avatar

West Wind, Helen Frankenthaler, 1997, Minneapolis Institute of Art: Prints and Drawings

white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame Size: 41 5/8 x 35 3/4 in. (105.73 x 90.81 cm) (image, sheet) 46 1/2 x 41 3/16 in. (118.11 x 104.62 cm) (outer frame) Medium: Color screenprint

https://collections.artsmia.org/art/113397/

Avatar

Radius, Helen Frankenthaler, 1992-1993, Minneapolis Institute of Art: Prints and Drawings

Helen Frankenthaler has been recognized as one of the most important figures in American art for more than four decades. Closely identified with the second generation of Abstract Expressionists, she invariably used the basic visual elements of color and pictorial space as a means to achieve an emotional resonance in her non-objective compositions, though she always based her works in nature, both observed and imagined. Her innovative technique of pouring diluted paint directly on unprimed canvas-known as stain painting-was her signature style. This act of pouring became a literal metaphor for nature. Using line, color and texture, her aim is always to make beautiful works that evoke nature. In this 1993 print, Frankenthaler chose hand-dyed paper and a traditional method of woodcut for realizing her composition. Here, the subtle texture of the hand-made paper and the visible striations of the woodblock matrix add to the visual and tactile experiences of nature. Size: image, sheet: 28 1/8 x 28 1/4 in. (71.44 x 71.76 cm) Medium: Color woodcut and blind embossing on hand-dyed paper

https://collections.artsmia.org/art/13077/

Avatar

Sunshine after Rain, Helen Frankenthaler, 1987, Minneapolis Institute of Art: Prints and Drawings

Vertical yellow lines along R side; green circle near top center with blue lines and shapes below; one vertical brown and blue streak along L side; small green and red spot at bottom center; flat profile, natural hardwood frame Size: 49 3/4 x 39 3/4 in. (126.37 x 100.97 cm) (outer frame) 46 x 36 1/4 in. (116.84 x 92.08 cm) (sheet) Medium: Color etching, aquatint, and drypoint

https://collections.artsmia.org/art/111115/

Avatar

West Wind, Helen Frankenthaler, 1997, Minneapolis Institute of Art: Prints and Drawings

white paper; organic shapes and lines fill sheet; lower half of sheet in blues and teals, upper half in greens, URQ yellow; three large black organic shapes horizontally across sheet above center; pink line on R edge of sheet; behind Plexiglas in white wood frame Size: 41 5/8 x 35 3/4 in. (105.73 x 90.81 cm) (image, sheet) 46 1/2 x 41 3/16 in. (118.11 x 104.62 cm) (outer frame) Medium: Color screenprint

https://collections.artsmia.org/art/113397/

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