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#russell t davies – @heartbreakingtennant on Tumblr
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I Was Never the Cool Kid at School.

@heartbreakingtennant / heartbreakingtennant.tumblr.com

Hello, I'm Mari, a 30 year old fangirl from Brazil who is a Hufflepuff and loves David Tennant, Doctor Who, Broadchurch, Jessica Jones, Star Wars, Disney and Marvel.
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The Doctor's Daughter Commentary II

RTD: Georgia also auditioned for Rose
DT: No - did she?!
RTD: She was excellent and -
DT: She can only have been like 14 years old then?!
RTD: Well we literally thought give her a couple of years and she'd be fantastic
DT: Right!
RTD: Although only three years have passed and she's reaching her potential - very rapidly become very brilliant
DT: Yeah!
RTD: Well she was lovely to begin with but um
DT: She's terrific in this, she went straight on from this to be one of the leads in - I'm gonna forget the name of it -
Alice Troughton: Spooks Code 9
DT: Spooks Code 9, which is starting soon, and I got a message from her yesterday saying they'd just done a press day and all that she got asked about was this!
RTD: Welcome to the rest of your life!
DT: Which I don't think bothered her at all but I'm sure Spooks 9.6 were a bit annoyed
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The whole Rose thing suddenly made sense. I’ve been massively worried about how to include her at the end of 4.18, when the Doctor revisits all his old companions. How can you see her, when she’s stuck in a parallel universe? I’d thought of cutting to her and Doctor #2, the blue-suit Doctor, in the parallel world, sort of realising that the original Doctor is dying, feeling it somehow… but what are they doing? Building another TARDIS? Living with Jackie and Pete? Travelling the wilds? Should Rose have a baby? Whichever way you look at it, that’s an odd scene, and distracting. But on Wednesday night, I realised how to do it…and I’m not telling you, ha ha ha! I really don’t want to write it down. I need to save it.     On the train back to Cardiff on Thursday morning, I described the scene to Julie. She sat back in her seat. She was silent. I thought, she doesn’t like it. Then I realised… she was crying. She actually burst into tears. I’ll take that as a good sign.

Russell T Davies, The Writers Tale: The Final Chapter (via ofstormsandwolves)

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Russel T. Davies, Julie Gardner, Euros Lyn, and David Tennant in a BBC Wales Postcard from 2009 (an audio ‘postcard’ from Los Angeles to Radio Wales)

(This is the first part to this one.) The Comic Con edition. In which David Tennant has a 6 people security detail, Julie Gardner’s boyfriend gets chased by fans, and Russel T Davies finds the first 11th Doctor cosplayer a week after his costume was revealed.

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mizgnomer

Behind the Scenes of Midnight (Part 2)

Excerpts from Benjamin Cook’s article in DWM 396

“This show will never run out of new ideas,” declares Russel T Davies, Doctor Who’s showrunner. “We tend to hit an experimental patch just before the finale every year, so Midnight was another chance to venture into new territory, and to give David Tennant a script of the like he’s never seen before!  I even dreaded sending it to him, because of certain technical challenges that the entire cast faces, but of course he embraced it and made it brilliant.”
Midnight was so unusual and so difficult to film,” continues Russell, “that we had a rare rehearsal day for all concerned, which helped the whole cast bond. We had the set all marked out in the rehearsal room, with line-runs and discussions of character and motive.  Everyone became good mates on that day. They had to, to survive the endurance test of filming this script.”
“Filming was very intense,” agrees David Tennant. “It was a cramped set, and one scene lasted 45 pages, which we played in 15-minute takes! That’s unheard of in television drama - let alone Doctor Who, which tends to rattle from one scene to the next quite quickly. It’s the closest I’ve ever felt to doing theatre on television. It allowed us to sort of indulge in the acting. You just lost yourself in the playing of it. We were all worried that it might drive all of us properly mad, or that it might be very dull to shoot, but actually it was one of the most exciting times I’ve had on this show.”
“It’s a brilliant piece of writing,” enthuses David. “Watching it back, it’s already one of my absolute favorites of all the ones we’ve done.  I think it’s great. The concept, the idea, is so clever, but also the interpersonal relationships within the episode are so finely drawn and so brilliantly played. The cast ate up these parts.”
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chabouillet
I thought: ‘It’s time you introduce bisexuals properly into mainstream television,’” he said. “The most boring drama would be - ‘Oh, I’m bisexual, oh my bleeding heart’ nighttime drama. Tedious, dull. But if you say it’s a bisexual space pirate swaggering in with guns and attitude and cheek and humour into primetime family viewing - that was enormously attractive to me. I often get asked to write dramas or films about a man coming out of the closet to his wife, or a man coming out of the closet to his children, or a man who’s beaten up because he’s secretly gay. I always refuse if it’s a negative take on homosexuality - if the only aspect being portrayed is the trouble, the tears and the angst.

Russell T Davies on bisexuality and the creation of Jack Harkness (x)

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“It’s the opposite of Voyage of the Damned, that script. In Voyage, a group of survivors are wonderful. In Midnight, they’re awful. Humans at their worst. All paranoid and terrified. Much closer to the real world—or my view of the world. That’s partly why it was so hard to write; the language is very stripped down, there are very few jokes or conversational riffs, all those things that I normally rely on. The characters haven’t even got much backstory, which is odd, because Trapped People Dramas usually rely on that. But this one’s about who they are now. Very bleak.” —Russell T. Davies, The Writer’s Tale

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