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Harry Potter Movie Problems

@harrypottermovieproblems / harrypottermovieproblems.tumblr.com

RESPECTFUL REBUTTALS AND VERY SUBJECTIVE ARGUMENTS AGAINST VARIOUS AND SUNDRY ASPECTS, INACCURACIES, INFIDELITIES, EGREGIOUS ERRORS AND EVERYTHING ELSE WRONG WITH THE HARRY POTTER MOVIES
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Hello, all!

We find ourselves at a funny little crossroads today. There is officially an HBO television adaptation of Harry Potter in the works, one with a clearly stated commitment to open casting that could create an inroad to character representations aligning with a great many fans' longtime hopes and dreams for Harry and Hermione especially. Ten years ago, this would have been everything we could have ever hoped for in this fandom. Today, news of this new television show cannot bring joy.

The movie adaptation has brought many book fans a great deal of frustration over the years (hence the creation of this blog); while being greatly beloved by an entire generation, it simultaneously dropped the ball in many areas focusing on characterization and worldbuilding. And yet the faces of that film franchise - the actors of the main trio especially - have been invaluable voices in the public struggle to push back the flood of anti-trans rhetoric free flowing from JK Rowling's social media accounts.

On the other hand, we finally have a long-form adaptation of the series on the horizon, but it comes less than fifteen years after the end of the original movie series and therefore inevitably falls into the exhausting position of being yet another franchise remade too soon. And most importantly, of course, the main and inescapable effect of its creation will be lining the pockets of a woman who has been actively and enthusiastically supporting bigotry against women - both trans and cis - in society and in politics.

There have been rumors that Warner Brothers is trying to buy the rights to the entirety of Harry Potter from JK Rowling, and if true, it has to be admitted - ironically, given the nature of this blog - that I hope they succeed. If the choice is between lack of artistic fulfillment in the portrayal of a fictional world or real-life financial support of a woman actively making the world a more dangerous place for vulnerable populations, there is only one choice to support.

A few years ago, I started writing a detailed post that was a general post-mortem on our collective fanship of JK Rowling, and never completed it due to general feelings of exhaustion, disgust, and feelings that it was redundant. But briefly:

Many years ago, JK Rowling made a post on her personal website about her portrayal of Aunt Marge's bulldogs. She was dissatisfied with how she had written them, because she hadn't known a lot about bulldogs at the time and hadn't taken the care to portray them in a way that did them any justice. While she meant no harm, she's since learned better and wishes, in retrospect, that she had portrayed them differently.

When I think about JK Rowling, I think about that post a lot.

Even before her newest and most outspoken TERF era, even prior to all of the issues involved in the Fantastic Beasts spinoff series, JK Rowling wrote a beloved children's series that was seen as highly progressive upon publication but also contained a number of elements that have aged, shall we say, very poorly. Some of these were markers of the time when Harry Potter was originally written - many things from the 90's have aged badly - and some of them are down to the personal ignorance of the author, whether or not you assume that ignorance came hand-in-hand with malicious intent.

She could have spoken out about this if she wished - you know, like she did with the fucking bulldogs, to say that she had no ill-intent at the time but that would write these elements differently today if she had the chance - but as far as I'm aware, she has not. In fact, despite having endless wealth and resources at her disposal now, as opposed to the original start of her writing journey as a single mother scribbling ideas on cafe napkins, her portrayal of delicate issues of things like race, gender, and sexuality in her writing has only gotten worse.

The 'JK Rowling was always a secret conservative' rhetoric is strong, especially on Tumblr, and while I understand it, I genuinely think that it is misguided. The woman spent most of her life voting in favor of and speaking out for leftist and progressive politics. We (progressives) are not immune from propaganda, radicalization, or being raging fucking bigots. However she votes now, whatever idiots she is friends with now, the call very much started from inside the house on this one.

So, to circle back to the original point of this post:

This new HBO television series, in a best-case scenario, could take all of the tone-deaf sociopolitical issues with the original novels and fix them. It could take all of the creative issues with the movie franchise and fix those too. It could give us a diverse cast and tell an emotional story that does credit to what so many people held dear about the book series while growing up.

(I doubt it will, but it could.)

And yet this would still be a thing that on some level brought me no joy, because at the end of the day, it would also be putting pallets and pallets of cash into JK Rowling's pocket as she continues to dig her way down the conservative rabbit hole instead of fixing any of the mistakes of her early writing career.

Gross.

xoxo

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An HBO television adaption of Harry Potter is apparently in the works.

….This would have conceptually been thrilling news even five years ago, but even putting JK Rowling’s support of anti-trans conservative legislation and other issues aside, it’s only been a decade since the movie series ended.

Surely it’s ludicrous to reboot it this quickly?

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So everyone has their own preference as to which Harry Potter movie had the best style. I’ll still always love the Chris Columbus movies better than anything else because I love the wonky way the wizards dressed, the bright, warm, colors, the layout of Hogwarts and how it all felt inviting and magical. A lot of that admittedly comes from nostalgia—it was always these first two movies that were on the big library posters or the coloring books or the bookmarks that you’d get at the Scholastic Fair. But, even now, if I had to look at all eight films and pick a Hogwarts that feels like Hogwarts, the world that feels like the magical world of Harry Potter, I’d pick the first two films. (And the first two video games but that’s besides the point.) 

And even though I get why other people love other directors/styles, I still wonder what the later movies, especially the last movies, would have looked like if they had kept the lighting/warmth/style of the first two movies. 

Because…no offense to the people who worked on the lighting and coloring of the last few movies but…have you looked at them lately?

I mean…really…have you looked at them? Have you seen them? Have you seen anything about them?

“Death Eaters are on top of the castle!” - Ron bleated.

Really? How can you tell? What do your Ron-ish eyes see that we can’t?

Look at the scene where Harry activates the stone and sees his dead family:

Admittedly this Youtube video might have made it a bit greener than it normally was but I can’t tell because I remember it being pretty darn green.

Imagine if they had approached the last few movies with the same warmth as they did in the first movie:

“But that’s just because of the fire.”

Hey, at least they had a lighting source. I’m kidding. But, look, even when Harry wasn’t surrounded by the flames, the shot was still well lit:

Compare that shot of Voldemort with this:

Why are the scenes so dark/green in the last movie?!

I’m not even remotely an expert in film/directing/etc. but I gotta imagine, just from looking at it, that blue will always be better than green? At least, it looks a heck of a lot better in this scenario.

And here’s the thing, the reason I keep wondering what these films would have looked like in Chris Columbus’ style is because I love the style for reasons others don’t: it’s too childish, too saccharine. It would conflict with the themes of their lives getting darker and grittier. Yes, it absolutely would. But imagine how interesting that would be. Yeah, any movie can make the scenes dark to show the darkness that the characters are facing. Seriously, look at those Death Eaters. So much darkness. But I keep thinking about the first Kingdom Hearts game, and the idea was that the Disney characters always smiled no matter what they were facing, so, when Sora stabs himself to death, he gives this big, cheesy, smile:

My son…look at my son!

Anyway, the point is that this has always stuck with me, ever since I was a child, because it’s a juxtaposition. It wasn’t what I was expecting. If he had looked determined, it would have been an okay scene, but we would have expected him to look determined. The kid is stabbing himself. Instead, he has this bright smile on his face and the colors are bright and cheerful and it makes you realize just how much darkness has infected this magical world.

Imagine if they had translated that into the last few Harry Potter movies. Because they were kids, they were kids at war, and I wonder how making the tone more warm and childish would have changed the way we viewed them…I mean…it definitely would have changed the way we viewed them because increasing the lighting/color would have ensured that the scenes could be viewed……look at that Death Eater scene…

Anyway, imagine if, in Half Blood Prince, when Bellatrix blew out the Great Hall, instead of already looking dark and depressing because of the movie’s signature move of adding lots of browns and grays and shadows:

Imagine if it had looked as warm/inviting as when Hagrid had returned:

Because here’s the thing…if you suck away all of the magic and whimsy and then destroy the place, it doesn’t have as much of an impact, because you’ve already taken away the magic and whimsy! It’s just a husk of a building you once knew. If they had kept the same warm tones, the same wonky clothes, the same magical atmosphere, and then set everything on fire and killed people left and right, it would have been a complete painful whiplash.

Like imagine the Hagrid returning scene. I know it’s film-only but it’s my favorite scene in all of the films. Just think about it. Leaving Hogwarts is playing. It pans through the Great Hall. Everyone you love is there. You see it pan through the window and the beautiful, exterior, shot of the castle, Harry’s home, your home. Now imagine all of that but it’s on fire and people are screaming. All of a sudden, it’s not a dark, depressing, husk of a building that’s being destroyed, it’s the warm, inviting, building you’ve always known. It’s your home. Wouldn’t that be so much worse? Wouldn’t it be so much more impactful?

Eh, to me it would, but again, everyone has their preferences.

(Some are just more magical than others.)

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unsahikable

literally how hard would it have been for jkr to say something like “listen I was writing it in the 90s, I was inexperienced, I was writing from my own point of view, I didn’t realise how underrepresented a lot of people are, I wasn’t thinking about anything other than the plot, I accept that it’s a little sparse on the diversity front, I can try to be more self aware with my future works” etc etc instead of.. this nonsense

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rosalui

this is honestly why i’m mostly chill with any messiness in the original series and considerably less so about the mess she’s making now

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is anyone else’s favourite part of harry potter the daily grind of hogwarts life? when i’m watching the movies i always think they’re missing something and i just realised it’s the part of the book where they’re like chilling in the common room doing homework and all the birthday & christmas presents they get each other every book and dinners in the great hall and stuff

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pleurocoelus

I don’t know that a movie would be capable of showing that the way a book could. A tv show could, though.

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Cho Chang and the Patil twins in ethnic attire at the Yule Ball

I always thought it was weird and vaguely racist that Cho Chang and the Patil twins wore ethnic attire (Cho Chang’s robe was basically a qipao with bell sleeves, and I believe that the Patil twins wore lehengas) at the Yule Ball. It felt like a painfully transparent ploy to make Hogwarts seem more diverse. As an Asian American, it struck me as completely tone deaf.

Teenagers are notorious for their efforts to fit in with their peers. The need to assimilate is often felt with particular acuteness by teenagers belonging to minority groups. I may not be British (or, you know, a witch), but I have yet to meet an Asian American teenager who wants to wear anything other than a pretty dress or a tux to prom. Besides the fact that the books describe Cho Chang and the Patil twins as wearing robes like the rest of their peers, I simply do not believe they would all have chosen to advertise their ethnic backgrounds at a ball even in the alternate universe of the movies in which robes barely exist.

I mean, seriously… We Asian Americans face so much discrimination and are so painfully aware of how our features, our names, our foods, etc. make us different. (I am going to go out on a limb here and assume that this experience is shared to some degree by Asian Britons.) We don’t need to remind the world that we’re different - it’s the world that is constantly reminding us when we’re just trying to go about our lives. And that’s basically what the Harry Potter movies did. They all but shouted: “Hey look everyone, we have ASIANS.”

This is a wonderful submission, thank you!

We’ve discussed the Patil twins’ clothing a bit, and the similar problems with the way that Kingsley Shacklebolt was portrayed, but it’s an issue that deserves to be covered more.

I feel that if it hadn’t been all three Asian students at Hogwarts dressed this way - if, for example, one Patil twin had decided to go for traditional Indian dress but not the other - it would have been less problematic. Similarly if they hadn’t been wearing Muggle dresses common to [insert country here] but instead actual Wizard robes partially influenced by [that country], it would again have been less tone-deaf.

Whether it was a ploy to make Hogwarts seem more diverse, as you say, or simply total ignorance of what non-white English students would wear in a formal situation, I’m not sure. Neither option is ideal.

xoxo

Submitted by anonymous
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This article is a gem:

They don’t, however, consider the alternative but just as true fact that Hermione needs Harry and Ron just as much as they need her—the trio is a trio, not a duo or one single entity, because they all bring necessary qualities to their journeys and their relationships with each other. In a nutshell, Hermione offers her insights and overall intelligence; Ron, the emotional comfort and stress relief; and Harry, his acute sense of right and wrong and what to do about it. They would all risk themselves for the others in their “All for one, and one for all!” mentality, and therein lies the nature of their friendship.
They’re all indispensable to each other, and to pile every good quality of the trio onto Hermione alone is to discredit Harry and Ron, as well as who Hermione is as a human being.
[Lily] was a fiery spark of a girl who knew and accepted who she was and wouldn’t apologize for it, a girl who stood up for her friends but also for herself, who wouldn’t let what others thought of her shape who she really was. The films rob her of this incredible, inspiring agency, and water her down until all she is is Snape’s great lost love, as if his feelings for her were more important than her own personhood.
True, Tonks deals with a bout of depression in HBP during the initial stages of her relationship with Remus, but if fans can romanticize Snape’s lifelong preoccupation with Lily, I think we can all empathize with Tonks’ temporary uncertainty and rejection.

A GEM.

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Then Neville nearly walked into him. He was one half of a pair that was carrying a body in from the grounds. Harry glanced down and felt another dull blow to his stomach: Colon Creevey, though underage, must have sneaked back just as Malfoy, Crabbe, and Goyle had done. He was tiny in death. "You know what? I can manage him alone, Neville," said Oliver Wood, and he heaved Colin over his shoulder in a fireman's lift and carried him into the Great Hall.   Neville leaned against the door frame for a moment and wiped his forehead with the back of his hand. He looked like an old man. Then he set off on the steps again into the darkness to recover more bodies.

Harry Potter and the Deathly Hallows, Chapter 34, J.K. Rowling

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