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#mulan – @halleluyall on Tumblr
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celebrate a world filled with magic

@halleluyall / halleluyall.tumblr.com

colleen, 31, virginia—>florida
jesus lover // former wdw cast member // former disney store cast member // wdwcp alum // conservative
main fandoms you'll see here: httyd, disney, other animation, and taylor swift!
not a spoiler free blog, but i do tag spoilers!
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olreid

this is almost certainly a post ive made before but when a character's grief is so strong it fully alters the form of the narrative itself... moby dick being so much longer than strictly necessary because ishmael's grief made him stall for time in the telling of the tragedy... harrow the ninth being in second person because harrow was so grief-stricken that she herself was not capable of making narrative sense of the events of the novel and so someone else had to do it.... do u know what i mean

ok WAIT. SO TRUE

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DRAGONS IN FILMS

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) dir. Michael Apted The Hobbit: Desolation of Smaug (2013) dir. Peter Jackson Shrek (2001) dir. Andrew Adamson, Vicky Jensen Harry Potter and the Goblet of Fire (2005) dir. Mike Newell Mulan (1998) dir. Tony Bancroft, Barry Cook Eragon (2006) dir. Stefan Fangmeier Enchanted (2007) dir. Kevin Lima Sleeping Beauty (1985) dir. Clyde Geronimi Alice in Wonderland (2010) dir. Tim Burton Dragonheart (1996) dir. Rob Cohen Maleficent (2014) dir. Robert Stromber  How to Train Your Dragon (2010) dir. Chris Sanders, Dean Deblois 

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reblogged
Tranquil as a forest but on fire within Once you find your center, you are sure to win You’re a spineless, pale, pathetic lot And you haven’t got a clue Somehow I’ll make a man out of you

MULAN | 1998 | dir. Tony Bancroft, Barry Cook

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Not to get emo on main but you ever think about how the troop sang about their dreams of finding “a girl worth fighting for”, and they think their girl worth fighting for is one of romance, but the song abruptly comes to a halt when they find a different girl worth fighting for.

A tiny girl that had been killed at the hands of the Huns. A child too weak, too small to have any chance of withstanding the murderous invaders. That is their girl worth fighting for.

This is fucking horrific

It’s also worth noting that ‘A Girl Worth Fighting For’ is the last song in the movie. Up until here, it’s a fun movie, and the imminent invasion feels like it’s just there to keep the plot moving, and to provide a little bit of drama to spice things up. None of the soldier’s are quite taking this seriously yet; sure, Mulan wanted to save her father from the draft, and on some level she was aware that he would die if he went to war, but beyond that she’s interested in not being caught, and not shaming her family. Her motives are good, but they’re entirely self centered. All the other soldiers are more or less in the same boat - they want to get tougher, they want to impress girls, they want to be cool soldiers. Shang’s easily the most serious of the bunch at first, and even then it’s just because training bad soldiers will reflect poorly on him, and important people are paying attention.

The abrupt ending of ‘A Girl Worth Fighting For’ is the wake up call. The soldiers and the audience get slapped in the face with the realization of what’s really at stake here. China is being invaded. Villages are burning, civilians are dying, and this isn’t going to stop until the country is conquered or the invaders are defeated. This is not a fun musical, this is a major crisis.

Mulan is such a good movie for so many reasons, but the abrupt tone shift is such a major reason why. It’s an excellent commentary on the reality of war, and it being a kids movie just meant they had to make their point without showing any actual gore, which I’d honestly say makes it that much more poignant.

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taraljc

That moment, when they come over the rise and see the razed village is one of the best scenes in film. Period. Somehow, instead of giving me tonal whiplash, it took my breath away, and that’s one fuck of a balancing act.

Well the music throughout the movie has a tendency to build to a giant, grand conclusion. So what’s going on with this movie is that it’s building, and you’re ready for something huge, and then you get “a girl worth fighting -” and instead of ‘for’ and a whole bunch of cheering, you get a different kind of grand conclusion. There’s no whiplash because you got the grand conclusion, just not the one you’re expecting.

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kurosmind

There’s one (1) think in Disney’s Mulan that irks me.  The jaw line.  Mulan’s jaw line is drawn differently when she’s acting as Ping. No kidding: this is her “regular, Fa Mulan” face. In this version her jaw is even highlighted by the makeup. Look how round is it.

and this is her Ping jaw. Square. Totally square.

image

WHY?????  Isn’t consistency in the character base shapes like, an important thing??

Not to mention how she immediately regains her long lashes as soon as she is exposed. With her round jaw obviously.

????? 

That feel when you’re Asian and your father with a bad leg was about to be sent off to surely die in a war for your great empire so you squared up both metaphorically and physically.

it’s on the fricking vhs cover

this has bothered me since 1999

Why do you have to come for Mulan like this

It’s called contour sweetie

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techmomma

What’s also neat to study with screencaps of disney movies is how they use color in their lines. They don’t just pick any colors! 

For example, check out Jasmine and Mulan. Both of them have black hair, but we get subtle differences between them. 

Mulan, for example, has hair made with dark brown lines. We get the idea that her hair is probably a very deep, deep shade of brown, or that as light filters through her hair, we’re seeing that brown subsurface scattering.

Jasmine, meanwhile, has hair that is so deep black we sometimes see it as blue. This is black hair with cool undertones, as opposed to Mulan’s hair with warm undertones. Which in pure color speak is impossible, but is something that happens with hair, since hair is mildly translucent and reflective. 

You can even compare that further with Esmeralda, who has grey lines that give the illusion of neutral undertones.

They can also use color to give characters that fantasy feel or the feel of completely unnatural hair. Princess Aurora, for example, has technically darker hair than Charlotte LaBouff. But, with the lighter outlines? Aurora’s hair looks absolutely fairytale golden, while Lottie’s looks like a more natural flaxen blonde.

How disney uses color isn’t the be-all end-all, but they can give you some really neat ideas for showing a lot of information in a condensed drawing. 

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