Hai da spicciare?

"In blue the prison is created by both emotions and memory. Julie probably wants to stop loving her husband because it would make it far easier for her to live. That’s why she doesn’t think about him. That’s why she’s forgotten. That’s why she doesn’t visit the cemetery and never looks through old photographs. When someone brings her old photographs, she says she doesn’t want to see them. We don’t actually show this in the film but it becomes clear later on that she’s refused them. She wants to forget all this. But is it really possible to forget? There comes a moment when she starts to feel fine. She starts to function normally, smile, go for walks. So it is possible to forget or at least try to forget. But suddenly there’s jealousy and she can’t get rid of it … In a way, Julie is in a static situation, she’s constantly waiting for something, waiting that something will change. She’s extremely neurasthenic — because that’s what she decided to be — and the film, in a sense, has to follow her, follow her way of life and her behaviour.”