Giuseppe Sulfaro e Monica Bellucci, “Malèna” (Giuseppe Tornatore, 2000).
Emmanuelle Seigner, “Bitter Moon” (Roman Polanski, 1992).
Peter Coyote & Emmanuelle Seigner, “Bitter Moon” (Roman Polanski, 1992).
Ornella Muti, “Il bisbetico domato” (Castellano e Pipolo, 1980).
Monica Bellucci, “Malèna” (Giuseppe Tornatore, 2000).
Marion Cotillard, “Un long dimanche de fiançailles” (Jean-Pierre Jeunet, 2004).
Sophia Loren, “Matrimonio all'italiana” (Vittorio De Sica, 1964).
Marcello Mastroianni e Sophia Loren, “Matrimonio all'italiana” (Vittorio De Sica, 1964).
Mădălina Diana Ghenea, “Razzabastarda” (Alessandro Gassmann, 2013).
Julia Cortez, “The Adventures of Priscilla, Queen of the Desert” (Stephan Elliott, 1994).
Mădălina Diana Ghenea, “Razzabastarda” (Alessandro Gassmann, 2013).
Alicia Vikander, “The Danish Girl” (Tom Hooper, 2015).
Colin Farrell, “In Bruges” (Martin McDonagh, 2008).
Emory Cohen & Saoirse Ronan, “Brooklyn” (John Crowley, 2015).
“The Postman Always Rings Twice” (Bob Rafelson, 1981).
Emmanuelle Seigner, “La Vénus à la fourrure” (Roman Polański, 2013).
Mélanie Thierry, “The Zero Theorem” (Terry Gilliam, 2013).