Caroline Aaron & Woody Allen, “Crimes and Misdemeanors” (1989).
Isabelle Huppert, “Elle” (Paul Verhoeven, 2016).
Peter Coyote, “Bitter Moon” (Roman Polanski, 1992).
Peter Sellers, “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (Stanley Kubrick, 1964).
Ugo Tognazzi, “La mazurka del barone, della santa e del fico fiorone” (Pupi Avati, 1975).
Francesco Nuti e Cinzia Leone, “Donne con le gonne” (1991).
Carole Bouquet, “Donne con le gonne” (Francesco Nuti, 1991).
Nick Offerman, “The Kings of Summer” (Jordan Vogt-Roberts, 2013).
Daniel Radcliffe, “Swiss Army Man” (Kwan/Scheinert, 2016).
Marisa Paredes, “Todo sobre mi madre” (Pedro Almodóvar, 1999).
Charlie Shotwell, “Captain Fantastic” (Matt Ross, 2016).
Fabrizio Bentivoglio, Barbara Scoppa e Diego Abatantuono, “Turné” (Gabriele Salvatores, 1990).
Valerio Mastandrea, “Tutti giù per terra” (Davide Ferrario, 1997).
Eddie Murphy, “Coming to America” (John Landis, 1988).
Madonna, “Four Rooms” (Anders/Rockwell/Rodríguez/Tarantino, 1995).
Rita Renoir, “Deserto rosso” (Michelangelo Antonioni, 1964).
James Earl Jones, “Coming to America” (John Landis, 1988).