'look down on earth and see the seeds you have sown'
s5 e2 black cats
s5 e5 the shock
'look down on earth and see the seeds you have sown'
s5 e2 black cats
s5 e5 the shock
campbell + arthur & tommy & polly
freddie fucking thorne
linda shelby + her mother
you watch him, linda, you love him.
o what a waste of army dreamers
house of shelby, house of priam (iliad peaky blinders, 1/?)
peaky blinders (2013-2022), screencaps from cotuaag, peakyscreancaps, ladymapple via tumblr, the iliad (homer), the character of hector in the iliad (s. farron), an iliad (lisa peterson & denis o'hare), an iliad - glossary (kirsten brandt, susan myer silton), achilles dragging the body of hector around the walls of troy (pietro testa)
♡ @romeoandjuliet1996 for reminding me about the ‘iliad in birmingham’ brainrot i was sitting on and for throwing in that horse quote specifically!
ARTHUR: One squeeze. I'm gone. I'm fucking meat.
Peaky Blinders, season 5, episode 4, The Loop
Supernatural, season 4, episode 21, When the Levee Breaks
(thanks to @2sw for the spn bits with subtitles)
Well said, Alfie. Well said.
Sam Winchester | I Know It's Over Supernatural Season 1~4
one thing that really impresses me about PB and the consistency with which Tommy has been written is that you can draw a straight line from him kneeling to pick up billy kimber's coin in s1 to that scene in the bedroom with Lizzie in s6 where he's not even defending himself and she knows he didn't sleep with Diana because of attraction but still can't accept it, and she has that line about Diana being all of their enemies in one...
and like. consistency of writing a character *not* meaning he never changes or is static or there's no character development (i think @divinekangaroo just mentioned something along these lines) but at the core it's a character trait that was there from the first season and you can watch it kind of escalate over 6 seasons in a way that makes a deep kind of sense for the character and story.
s02ep02 | s05ep04
"His mother, who committed suicide by throwing herself into a canal, is kind of a spectre who is very much the subtext of Tommy."- Anthony Byrne
ARTHUR: No, we're waitin' for Tommy.