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#fiction – @goodpark on Tumblr
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Nowadays no one still has the courage to think up anything new. All they ever talk about, round the clock, is how things already are, they just keep rolling out the same old ideas. Reality has grown old and gone senile; after all, it is definitely subject to the same laws as every living organism—it ages. Just like the cells of the body, its tiniest components, the senses, succumb to apoptosis. Apoptosis is natural death, brought about by the tiredness and exhaustion of matter. In Greek this word means “the dropping of petals.” The world has dropped its petals.

Olga Tokarczuk, Drive Your Plow Over the Bones of the Dead

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After many years I became old and white; I heard a great deal, many lies and falsehoods, but the longer I lived the more I understood that there were really no lies. Whatever doesn’t really happen is dreamed at night. It happens to one if it doesn’t happen to another, tomorrow if not today, or a century hence if not next year.

Isaac Bashevis Singer, “Gimpel the Fool”

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Instead of responding with sympathy and concern, she was absolutely silent. The silence was only a few seconds long, but in that period, while she failed to come in on time and to take up, as it were, her part in our lifelong duet, I understood, completely and definitively, that Chrysta and I were no longer married, and that the war we were embroiled in was not merely a bitterer version of the same lifelong engagement, but was something far more evil, something that had destruction, annihilation, non-existence as its ambition. Most of all it wanted silence: and this, I realised, was what my conversations with Chrysta were all leading towards, a silence that would in the end remain unbroken, though on this occasion she did break it. I’m sure you’ll manage somehow, was what she said.

Rachel Cusk, Outline

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This world was one of great contrasts, she thought, and if the richest part of it was to be fenced off so that people like herself could only look at it with no expectation of ever being able to get inside it, then it would be better to have been born blind so you couldn’t see it, born deaf so you couldn’t hear it, born with no sense of touch so you couldn’t feel it. Better still, born with no brain so that you would be completely unaware of anything, so that you would never know there were places that were filled with sunlight and good food and where children were safe.

Ann Petry, The Street

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It is a bad musical, but, like a bad lay, a bad musical can still do its job perfectly well. By the end, Arthur Less is in tears, sobbing in his seat, and he thinks he has been sobbing quietly until the lights come up and the woman seated beside him turns and says, “Honey, I don’t know what happened in your life, but I am so so sorry,” and gives him a lilac-scented embrace. Nothing happened to me, he wants to say to her. Nothing happened to me. I’m just a homosexual at a Broadway show.

Andrew Sean Greer, Less

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To most mortals there is a stupidity which is unendurable and a stupidity which is altogether acceptable—else, indeed, what would become of social bonds? Captain Lydgate's stupidity was delicately scented, carried itself with "style," talked with a good accent, and was closely related to Sir Godwin. Rosamond found it quite agreeable and caught many of its phrases.

George Eliot, Middlemarch

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“The real problem, the kind of thing that would make De Niro in Casino groan, “Amateur night!”, starts when people imagine that they can stop immoral behavior by policing immoral characters, phrases, or scenes in literature. They’re looking for the wrong thing. They’re sniffing for depictions of immorality, when they should be scanning the silences, the evasions. There’s a very naïve theory of language at work here, roughly: “if people speak nicely, they’ll act nicely” — with the fatuous corollary, “If people mention bad things, they must like bad things.” The simplest refutation of that is two words: Victorian Britain. Victorian Britain carried out several of the biggest genocides in human history. It was also a high point of virtuous literature. Because they were smart about language. They didn’t rant about the evil of their victims or gloat about massacring them, at least not in their public writings. They wrote virtuous novels, virtuous poems. And left a body count which may well end up the biggest in world history.”

Gary Brecher on fictional morality.

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“There’s a Spanish proverb,” he said, “that’s always fascinated me. ‘Take what you want and pay for it, says God.’ ” The words fell into the silence under the ivy like cool pebbles into water, sank without a ripple. “I don’t believe in God,” Daniel said, “but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could possibly be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.”

Tana French, The Likeness

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I understood that Cecilia looked at me as an object with specific functions, because that’s how I looked at her. Without knowing it, that is how I looked at everyone who came into my life then. This wasn’t because I had no feelings. I wanted to know people. I wanted to love. But I didn’t realize how badly I had been hurt. I didn’t realize that my habit of distance had become so unconscious and deep that I didn’t know how to be with another person.

Mary Gaitskill, Veronica

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Kinsey could only make out one large piece of graffiti, spray-painted in gold, wavering halfway between wall and ceiling: WE ARE NOT AFRAID. Those words might be the anthem of every kid who passed through that door, Kinsey thought. The hell of it was that they were afraid, every one of them, terribly so. Afraid they would never make it to adulthood and freedom, or that they would make it only at the price of their fragile souls; afraid that the world would prove too dull, too cold, that they would always be as alone as they felt right now. But not one of them would admit it. We are not afraid, they would chant along with the band, their faces bathed in golden light, we are not afraid, believing it at least until the music was over.

Poppy Z. Brite, Drawing Blood

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He sometimes thought that the real thing that distinguished him and Malcolm from Jude and Willem was not race or wealth, but Jude’s and Willem’s depthless capacity for wonderment: their childhoods had been so paltry, so gray, compared to his, that it seemed they were constantly being dazzled as adults. The June after they graduated, the Irvines had gotten them all tickets to Paris, where, it emerged, they had an apartment—“a tiny apartment,” Malcolm had clarified, defensively—in the seventh. He had been to Paris with his mother in junior high, and again with his class in high school, and between his sophomore and junior years of college, but it wasn’t until he had seen Jude’s and Willem’s faces that he was able to most vividly realize not just the beauty of the city but its promise of enchantments. He envied this in them, this ability they had (though he realized that in Jude’s case at least, it was a reward for a long and punitive childhood) to still be awestruck, the faith they maintained that life, adulthood, would keep presenting them with astonishing experiences, that their marvelous years were not behind them. He remembered too watching them try uni for the first time, and their reactions—like they were Helen Keller and were just comprehending that that cool splash on their hands had a name, and that they could know it—made him both impatient and intensely envious. What must it feel like to be an adult and still discovering the world’s pleasures?

Hanya Yanagihara, A Little Life

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Most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
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She was not happy—she never had been. Whence came this insufficiency in life—this instantaneous turning to decay of everything on which she leant? But if there were somewhere a being strong and beautiful, a valiant nature, full at once of exaltation and refinement, a poet’s heart in an angel’s form, a lyre with sounding chords ringing out elegiac epithalamia to heaven, why, perchance, should she not find him? Ah! how impossible! Besides, nothing was worth the trouble of seeking it; everything was a lie. Every smile hid a yawn of boredom, every joy a curse, all pleasure satiety, and the sweetest kisses left upon your lips only the unattainable desire for a greater delight.

Gustave Flaubert, Madame Bovary

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You would think a place the size of England could easily hold all the happenings in one humble lifetime without much overlap, I mean it's not ruddy Luxembourg we live in, but no, we cross, criss-cross, and recross our old tracks like figure skaters.

David Mitchell, Cloud Atlas

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