mouthporn.net
@goblins-riddles-or-frocks on Tumblr
Avatar

Dark Stories of the North

@goblins-riddles-or-frocks / goblins-riddles-or-frocks.tumblr.com

Vampires, Musicals, Horror
Grishaverse, Locked Tomb, Hellsing, Dracula,
whatever TV shows I’m currently watching
Fic & HC requests are always welcome!
Avatar

Masterpost

Grishaverse Fics

Unmaking The Heart of The World — time loop AU, Nikolina, Darklina, Zoyalina, multi ship, grief, post R&R Alina marries Nikolai, but in another timeline, she’s only just been brought to the Little Palace following the discovery of her powers (ongoing)

Éminence Grise — Darklina, Nikolina, fake engagement AU where Alina is betrothed to Nikolai, despite her affair with the Darkling, who has also not showed his hand yet (ongoing)

Penance Without Penitence — Darklina, Nikolina, post R&R, the Darkling is resurrected without his power, so Alina takes him to Keramzin to make up for his wrongs (complete!)

And I Said to the Star, “Consume Me” — Darklina, Darknikolina, alt S&S ending, the Darkling offers Alina a bargain, if she marries him, he won’t kill all her friends (complete!)

The Scorched Sea — Darklina, Darknikolina, role reversal AU, tired of his mother’s austere and fear driven lifestyle, Aleksander Morozova seeks out the Sun Saint and the splendor of the Little Palace

His Creatures — Darknikolina, Volcralai, PWP, after the Spinning Wheel, both Nikolai and the Darkling visit Alina

Heartsickness — Nikolina, past Darknikolina, pre KoS, PWP, when the demon resurfaces, Nikolai flees to Keramzin, to see Alina. Conveniently, her husband is away

Collecting Ashes — Darknikolina, post R&R, bodysharing, Alina takes the Darkling as an amplifier, his consciousness seems to come along with it

Inconvenient Attachments — Darknikolina, past Darkolai, AU where Alina meets Nikolai in the First Army before anyone realizes she's the Sun Summoner

Promises Kept — Nikolina, PWP, during S&S, after her fight with Mal, Alina goes to find Nikolai

Uncharted Waters — Nikolina, post KoS, infidelity, Alina meets Nikolai on the coast. They’re both already married to other people, but that’s not as much of an obstacle as it should be.

Ad Libitum — Darklina one shot, ballet AU set in a twentieth century inspired Ravka, Alina performs at a private event at the Grand Palace

A Reprieve From Thought — Darklina one shot, S&S era PWP set aboard the ship

Spoils of War — Darknikolina, alt S&S ending, dead dove, PWP, Nikolai makes a deal with the Darkling

Tenderness — Darklina one shot, dead dove, PWP, Alina is caught before she escapes the Little Palace on the night of the fete

Infinite Ruin — Darklina one shot, post R&R, Alina holds the Darkling captive

Silence — unrequited Nikolina, Darklina, one shot, post R&R, possession, Nikolai still hears the Darkling’s voice in his head

Clarity — Darklina oneshot, during RoW, PWP, Alina visits the Darkling through the tether one last time

A Reunion — Zoyalina one shot, modern AU, the gang are snowed in at the Christmas Party

In The Morning — Nikolina one shot, only one bed, fluff

Fondness — Nikolina one shot, mildly fluffy character study, Alina has thoughts about her relationship with Nikolai on their wedding night

The Picnic — Genyalina one shot, set during S&S if Genya was with them, fluff

Vanishing — Darknikolina one shot, post R&R, Alina keeps visiting the Darkling's prison A Light That Burns — Darklina one shot, background Nikolina, post R&R, the Darkling returns in Nikolai's body; the country is short a Tsar, and Alina a husband.

Benefits of a Gilded Cage — Darknikolina one shot, Alina puts the third amplifier on the Darkling.

After Midnight — triple drabble, Nikolina, Alina readies for bed

Longing for the Sun — triple drabble, set during KoS, Nikolai has come to dread sleep

Hellsing Fics

Innocents — pre canon, Alutegra one shot, Integra hunts a vampire on her own

Ice — monster of the week one shot, something of a The Thing AU

This Is Where Monsters Weep — one shot collection about a variety of ships and characters

Hold This Heart In Your Teeth — Alutegra one shot, dreams, angst, pining, mild bdsm vibes

In This Darkness, I Have You — Alutegra one shot, PWP, angst, pining, unwanted love confession

The Hand Which Holds The Leash — pre canon, one shot, Alucard attempts to talk to Integra about responsibility, instead the conversation turns to her ancestors

Leave Them And Walk With Dust — Seras and Integra roleswap AU, eventual Sertegra, (ongoing)

Fragments, Glory, And What It Is To Lose — Alutegra one shot, Alucard reflects on his servitude after that first encounter with Anderson

These Truths That Shape Us — one shot, Integra gets her first glimpse at the depth of Hellsing’s experiments, medical horror

Beautiful, Wicked, Brazen — Alutegra one shot, PWP

Summertime — Alutegra one shot, PWP, Integra rewards Alucard

A Diversion — Alutegra one shot, PWP, set after the Museum scene

Spare a Cigarette? — Waltercard one shot, pre canon, the first time Walter encounters Alucard after Integra releases him from the basement

If He Wills It — Aluseras one shot, during the Rio trip, Seras realizes Alucard didn’t have to turn her into a vampire, and she’s angry about it

Waiting — Alutegra one shot, angst, Integra is dead and Alucard has no idea what to do with himself

Dream of Daylight — angst, one shot, horror, a Hellsing soldier was kind to Alucard, he doesn’t take it well

Grief’s Cold Hands — Alutegra one shot, angst, time skip, in the aftermath of the battle of London, and years after, Integra reminisces.

Mercy — one shot, during the Rio trip, Seras asks Alucard why he kills so… enthusiastically

Thirty Years of Silence — Alutegra, post time skip, angst, incomplete atm

Fate of Prometheus — one shot, torture, a potential look at Alucard's first few years of captivity. (this one’s very old…)

The Locked Tomb Fics

Ever Ancient, Ever New — Dios Apate, John forgives Mercymorn, so he resurrects her without her memories. Augustine cannot forgive him

Generosity — Cytherea the First offers to spare Gideon one last time

Healing — Mercymorn is determined to make Cristabel whole again

Misc Fics

The Wild Hunt — Forbidden Game one shot, partial Labyrinth AU, Jenny wishes Zach away, Julian is happy to oblige

Burning For You — BTVS one shot, Faith has a fever, she dreams of Buffy A Kindness — Kushiel’s Legacy one shot, Melisande Shahrizai keeps Phèdre captive

Through Midnights Past — Winternight Trilogy one shot, time travel, Vasalisa Petrovna and Medved traverse the Midnight Road

By Moonlight and Candle’s Flame — Company of Wolves one shot, the Huntsman gets his kiss

Drop By Drop Upon the Heart — Gothic origfic, a young woman marries to escape her father’s occultist eccentricities, but soon discovers something is amiss in her new husband’s home

Apathy — Dracula (2020) one shot, Lucy knows Dracula couldn't mean well, she meets him anyway

A Worthy Sacrifice — Fate/Zero one shot, angst, Saber gets to Irisviel at the theatre in time, but no matter what she’s destined to die

Laundry Day — Fate/Stay Night one shot, fluff, Gilgamesh steals Kirei’s cassock

Fandom Discord Servers

Who Gave Dracula The WiFi Password? — Dracula, Vampire Chronicles, the Locked Tomb, other horror and goth stuff

The Gregs — Grishaverse books!

Avatar
Anonymous asked:

okay is there anything that maybe could have been tweaked to make darlingstern more compelling to you?

I mean I do think they’re effective circa book one! But I think they lose the sauce by Hell Bent tbh. I also just find Alex’ dynamics with Dawes and Turner respectively much more interesting

The thing is, the base premise is “what if Darklina was completely normal and nice” which, while imo impressively accomplished, isn’t what I’m interested in that dynamic for. uh. at all

Anyway, again, I think they’re great in the first book! They don’t really require improvement imo. Catering to me specifically would necessitate a shift of concept, which is unfair to the book. You can’t be judging soup for not being a sandwich lol

By the second one tho Darlington just feels like he’s gotten a bit flattened as a character. I was briefly excited by his Hannibal Lecter in a glass prison arc when it looked like he might help them solve cases while personally being somewhat antagonistic, but that didn’t quite pan out. And his demon-ed out self so far seems boring to me

Also just sheer personal taste, but I baseline find “oh teh noes, he’s overcome with base, animalistic urges now! gasp!” profoundly uninteresting and unsexy. Like I can see how it would make sense to give the very cerebral, snobby character struggles like that. But idk, I don’t care about cave men 🤷‍♀️ And it’s also muddied by simultaneously framing him as a mastermind, and highlighting his pretentiousness in his mini Hannibal Lecter arc. Or calling him “gentleman demon”

I do think the glimmer of a concept circa book one that he got like… Annihilation Bear-ed would have been insane and very compelling though. There’s the bit where as an official effort Lethe tries to summon him in Black Elm and they hear from him. But it’s (I think maliciously, as a cover up) written off as a demon having had eaten him basically and absorbed some of his identity. And the implication is that there’s like nothing of him left, it’s just an echo. I think that would’ve been horrible and very fun to me. But that’s neither here nor there and again more of a rewriting of the base concept

Avatar
Anonymous asked:

Since you're talking about Jaime I've never read asoiaf but I've seen debates over whether or not Jaime rapes Cersei in the book is it a dub con situation or is it clear cut rape?

i’m going to post the whole thing, apologies for length, but it’s the only way to tease this out:

Cersei turned to gaze at Joffrey’s bier. They had dressed the dead king in gilded armor, eerily similar to Jaime’s own. The visor of the helm was closed, but the candles reflected softly off the gold, so the boy shimmered bright and brave in death. The candlelight woke fires in the rubies that decorated the bodice of Cersei’s mourning dress as well. Her hair fell to her shoulders, undressed and unkempt. “He killed him, Jaime. Just as he’d warned me. One day when I thought myself safe and happy he would turn my joy to ashes in my mouth, he said.”

the context is that cersei and jaime’s eldest secret incest baby is dead and lying in state in westerosi westminster. he’s been poisoned at the age of thirteen and his reign as a tyrannical boy king is ended. cersei thinks their brother tyrion did it, which is incorrect, but is actually a pretty reasonable supposition under the circumstances. she wants vengeance. this is what is occupying all her grieving energy at this moment, even though this is a reunion between her and jaime after many months of separation.

“Tyrion said that?” Jaime had not wanted to believe it. Kinslaying was worse than kingslaying, in the eyes of gods and men. He knew the boy was mine. I loved Tyrion. I was good to him. Well, but for that one time … but the Imp did not know the truth of that. Or did he?
“Why would he kill Joff?”
“For a whore.” She clutched his good hand and held it tight in hers. “He told me he was going to do it. Joff knew. As he was dying, he pointed at his murderer. At our twisted little monster of a brother.” She kissed Jaime’s fingers. “You’ll kill him for me, won’t you? You’ll avenge our son.”

this is because cersei uses jaime to prosecute violence she cannot as a woman. she uses sex to manage him in this area, to convince him to do what she wants even against his inclination. this sets up how they are variance in a complex way: cersei wants jaime to kill tyrion, which he does not want; and jaime wants to have sex with cersei, which she does not want, but is willing to have, generally, in exactly this context of using it to manage and reward jaime. this is highlighted from an incident jaime relays in a feast for crows:

Jaime pulled away. “He is still my brother.” He shoved his stump at her face, in case she failed to see it. “And I am in no fit state to be killing anyone.”
“You have another hand, don’t you? I am not asking you to best the Hound in battle. Tyrion is a dwarf, locked in a cell. The guards would stand aside for you.”
The thought turned his stomach. “I must know more of this. Of how it happened.”
“You shall,” Cersei promised. “There’s to be a trial. When you hear all he did, you’ll want him dead as much as I do.” She touched his face. “I was lost without you, Jaime. I was afraid the Starks would send me your head. I could not have borne that.” She kissed him. A light kiss, the merest brush of her lips on his, but he could feel her tremble as he slid his arms around her. “I am not whole without you.”

“i thought she meant me, but it was the girl she wanted, maimed or dead” - they are not in alignment on a basic level here.

There was no tenderness in the kiss he returned to her, only hunger. Her mouth opened for his tongue. “No,” she said weakly when his lips moved down her neck, “not here. The septons …”
“The Others can take the septons.” He kissed her again, kissed her silent, kissed her until she moaned. Then he knocked the candles aside and lifted her up onto the Mother’s altar, pushing up her skirts and the silken shift beneath. She pounded on his chest with feeble fists, murmuring about the risk, the danger, about their father, about the septons, about the wrath of gods. He never heard her. He undid his breeches and climbed up and pushed her bare white legs apart. One hand slid up her thigh and underneath her smallclothes. When he tore them away, he saw that her moon’s blood was on her, but it made no difference.

she was trying to use sex as a bargaining chip, but now she’s saying “no.” there’s a couple of ways you can read this: that she was buttering jaime up, but that she had no intention of having sex at this moment. remember they are in the sept beside the corpse of their dead child. they are in an incestuous relationship and the dead child, and their other two living children, are the treasonous offspring of that relationship, because they were passed off as the legitimate offspring of the king. their remaining, younger son has inherited his brother’s throne. this being confirmed would mean the death of everyone involved. she has very good reasons to not want to have sex here in this moment, and the close of this scene which we’ll get to below suggests the idea that she did not intend to have sex in this place and hour.

if she does not want to have sex, she has no way of not having it here. she denies consent verbally, and jaime ignores it. she resists physically, and jaime overpowers it. she cannot cry out for assistance, for the aforementioned reasons. the countering arguments are queasy. “she really means “yes”, and jaime knows this because of their twin mind connection!” we have just seen how they do not share one mind. “it says “feeble” - she’s just faking resistance!” even if this is true (remember we are in jaime’s close third person point of view), even if she fought with full strength, she should both not have to to get her lover to stop, and jaime would still be able to physically dominate her anyway and is demonstrating in this exact moment his willingness to do so. “this is just a part of their sexual play, as we’ve seen before!” true, but that just complicates the picture. here is their first sex scene in the novels:

in the first screenshot, we see an identical dynamic to the one we see in the sept scene. cersei wants to talk through her worries and the political concerns that hold immense weight for the safety of herself and her children. jaime does not care, and pushes her to have sex. she says stop, and apparently slaps him, and jaime laughs and ignores her.

the sex in the second screenshot also has a similar dynamic. cersei is saying stop, but in a wider context that suggests sexual openness (behaving seductively toward jaime in the sept, pulling him closer here). bran’s identification of her moans as ones of pain are because he is seven and does not have the knowledge to read them as pleasure, but also the language of “hurting her” is evocative in the context of cersei’s entire sexual history. here she is in affc contemplating her history of marital rape:

robert hurts her during sex, but this is categorically different from sex with jaime, to the degree she cannot sub him in imaginatively. i think we should take this seriously. cersei does not consider her sexual encounters with jaime rape, as she also affirms in her next chapter:

still this is important information for cersei’s sexual universe, one where her own desires do not matter during sex and where her sexual body is totally given over to utilization by male prerogative and desires by default, from the time she was a teenager. this is her only point of comparison for the sex she has with jaime. but she does express desire for that sex, and achieves pleasure within it.

“Hurry,” she was whispering now, “quickly, quickly, now, do it now, do me now. Jaime Jaime Jaime.” Her hands helped guide him. “Yes,” Cersei said as he thrust, “my brother, sweet brother, yes, like that, yes, I have you, you’re home now, you’re home now, you’re home.” She kissed his ear and stroked his short bristly hair. Jaime lost himself in her flesh. He could feel Cersei’s heart beating in time with his own, and the wetness of blood and seed where they were joined.

with all this, how do we read her abrupt acquiescence? was she game all along and only putting up a token resistance as part of a longstanding sexual script? or is she submitting because she knows it doesn’t matter either way, because she does love and desire jaime even if she does not want to have sex in this specific instance? is she going along (“quickly, quickly”) in an attempt to hasten it so they are not discovered. i think it can be all three.

But no sooner were they done than the queen said, “Let me up. If we are discovered like this …”

this for me is evidence that her protests were genuine. obviously, her talking about the wrath of the gods as a reason for jaime to desist comes across as performative, because when has cersei ever cared about that - but her fear of discovery related to the public location is real and continues through the entire rest of the scene.

Reluctantly he rolled away and helped her off the altar. The pale marble was smeared with blood. Jaime wiped it clean with his sleeve, then bent to pick up the candles he had knocked over. Fortunately they had all gone out when they fell. If the sept had caught fire I might never have noticed.

this emphasizes again that jaime was not listening to her at all. the blood is from her menstruation, but is evocative of an underlying violence in the scene.

“This was folly.” Cersei pulled her gown straight. “With Father in the castle … Jaime, we must be careful.”

cersei also mentioned their father in her protest. this is another unfeigned concern for her.

“I am sick of being careful. The Targaryens wed brother to sister, why shouldn’t we do the same? Marry me, Cersei. Stand up before the realm and say it’s me you want. We’ll have our own wedding feast, and make another son in place of Joffrey.”

the entire sex scene - which is the beginning of their relationship dramatically fracturing as they are torn apart by the discovery of their very divergent needs and desires - is revealed to be representative of a core conflict. cersei says she doesn’t want to have sex in the sept because they might be discovered, and jaime does not care. cersei’s main concern is still concealing their relationship, and jaime’s mind is on the oppositional desire to make their relationship public. i think this should affect how we read her protests. she was serious! she wants to have sex with jaime, and she will use that sex to attain her goals, but her goals are to keep the relationship private and maintain her power thereby, and jaime’s disregard for this need and desire of hers is shown by the fact that he ignores her protests and has sex with her in a public religious building. jaime in this scene has callously ignored her needs and desires.

She drew back. “That’s not funny.”

and she’s mad!

“Do you hear me chuckling?”

and jaime is not listening to her at all!

“Did you leave your wits at Riverrun?” Her voice had an edge to it. “Tommen’s throne derives from Robert, you know that.”

as in their first scene, cersei is always crystal clear about her priorities. she is not playing with ambiguity: jaime simply ignores her.

“He’ll have Casterly Rock, isn’t that enough? Let Father sit the throne. All I want is you.” He made to touch her cheek. Old habits die hard, and it was his right arm he lifted. Cersei recoiled from his stump.

and jaime’s are in total opposition to those.

“Don’t … don’t talk like this. You’re scaring me, Jaime. Don’t be stupid. One wrong word and you’ll cost us everything. What did they do to you?”

cersei’s concerns are not in fact frivolous or absurd, and deserve to be taken seriously.

“They cut off my hand.”
“No, it’s more, you’re changed.” She backed off a step. “We’ll talk later. On the morrow. I have Sansa Stark’s maids in a tower cell, I need to question them … you should go to Father.”

cersei is frightened of jaime: not of sexual or physical violence per se, but of what his sexual desires, and his willingness to override both her verbal objections and physical resistance, might mean. the sex scene as a whole reflects jaime’s inability to really contend with cersei’s needs and fears.

“I crossed a thousand leagues to come to you, and lost the best part of me along the way. Don’t tell me to leave.”

jaime, to a degree, feels he is owed something from cersei. he is devoted, and has endured great physical and mental suffering to reunite with her. he lost the “best part” of himself - his hand, his skill at arms. cersei’s recoiling from the stump of his hand, and her earlier insistence his martial ability could achieve her vengeance because he still has a hand remaining to him, emphasize how cersei also makes use of his body, utilizes his sexed body for her purposes (in that cersei buys into the idea of a sexed binary for physical possibility - jaime is a warrior, because he is a man; she cannot be a warrior, because she is a woman; she needs, as a woman, her male self in jaime to accomplish her ends). she also feels owed something: something which jaime is not willing to provide on her terms.

“Leave me,” she repeated, turning away.

and here begins the impasse that will lead to jaime ignoring her call for help at her hour of gravest need! in multiple contexts, and where it occurs on their arc, whatever designation you give this sexual encounter - rape, dubious consent - i think it should be taken seriously as an example of the ways jaime cannot comprehend cersei’s inferiority or respect what she says she needs when it conflicts with what he wants (and vice versa, although i think jaime’s incapacity is more important in this particular instance). in any case it is an example of patriarchal violence, regardless of the exact gradations, which matter less to me than the overall picture. this scene is (at least as we’ve left them) fatal for their relationship, and for good reason.

Avatar
Avatar
Anonymous asked:

Would you consider writing a darlingstern fic?

Hmm probably not. I’m not particularly into the ship tbh. And source materials generally need to either be bad enough to annoy me, or in some way feel like there’s an unexplored point of interest for me to want to write my own take. So while I liked Ninth House, there’s not much I would really want to write for it. And especially not for the main dynamic

Avatar

imagine being real rashid and you work for these weird gay vampires and one day they come to you like hey rashid we're gonna give you a little holiday! armand will take over your duties for the time being, for a cool disguise during my interview, not a kink thing :) and you're like okay these are my weird gay vampire bosses so it probably is a kink thing but who am i to judge. and then you find out they are roleplaying this weird exhibitionist slash master/servant scene with your own real actual government name. fuck interview with the vampire, interview with rashid WHEN??

Avatar

made orange rolls for us yesterday, and today I’m baking sugar cookies to take to friends tomorrow. debating on whether I want to decorate them

You are using an unsupported browser and things might not work as intended. Please make sure you're using the latest version of Chrome, Firefox, Safari, or Edge.
mouthporn.net