000 At volcanic mud baths . . . an old stained piano [1] 000 Once a certain idea of landscape . . . of the scenery [2]
000 Drag pianos out onto the streets . . . they fall to pieces [3] 000 Until about 1770 pianos were . . . uncertain in status [4]
000 We made our plans this way . . . not being able to do it [5] 000 An orchestra was founded . . . five foreign languages [6]
000 scribbled on pieces of paper . . . sometimes in less than thirty minutes [7] 000 In matters of translation . . . the equivalent of infidelities [8]
— Selected extracts from Sophy Roberts’ source notes, in The Lost Pianos of Siberia: In Search of Russia’s Remarkable Survivors. Uncorrected proof copy (London: Doubleday, 2019)
1. Elim Denidoff, A Shooting Trip to Kamchatka (London: Rowland Ward, 1904) 2. Simon Schama, Landscape and Memory (London: Fontana Press, 1996) 3. Vladimer Mayakovsky, 'Battle-order to the Army of Art' in Vladimer Mayakovsky and Other Poems, trans. James Womack (Manchester: Carcanet Press, 2016) 4. Cyril Ehrlich, The Piano: A History (Oxford: Clarendon Press, 1990) 5. John Steinbeck, A Russian Journal (London: Penguin, 2001) 6. Janet M. Hartley, Siberia: A History of the People (New Haven: Yale University Press, 2014) 7. Bruno Monsaingeon, Sviatoslov Richter: Notebooks and Conversations, trans. Stewart Spencer (London: Faber & Faber, 2001) 8. Alan Walker, Franz Liszt: The Final Years, 1861-1886 (Ithaca: Cornell University Press, 1997)