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D&D and other related content*

@ghor-dranas / ghor-dranas.tumblr.com

*content such as the adventure zone, critical role and other D&D podcasts. Icon by @captainofthetidesbreath. previously @isthisad20
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Wizard Breakdown Tracker: Downfall part 3

Ultimately, I associate the Wizard Breakdown Tracker with Aeor; I began it during the middle of the Nein's Aeor arc, and even bringing it back for the Nein reunions feels like it's missing something. That thing, it turns out, is a city of Wizard Hubris.

There are no wizard PCs so we can dispense with the formalities. For the purposes of this post, while The Raven Queen is an ex-wizard, Emhira isn't and is counted as a warlock, and The Raven Queen is counted as just a straight up god. As always, in no particular order, and if a wizard is not mentioned it's because I didn't have anything funny nor serious enough to say about them.

Calamity-era Wizards

Adamar: literally no idea. I think he was stressed but he got vaporized by Meteor Swarm (completely within the realm of mortal achievement btw; Imogen Temult could take it in 4 levels) before things really broke bad. Like 7/10; he was in pitched combat but he had 3 dragons and a bunch of demons on his side.

Primarch Selena: There are going to be a few wizards in this who truly do embody a more profound breakdown than anything we've seen before. Selena is one. What does it mean to be so good at creating a mortal-made form of life that the god of beauty chooses to reside in this when picking a vessel? What does it mean to realize in the same instant that your life's work is what doomed you and its target is standing in front of you and now holds your life in their hands? In the end, she doomed her city twice while also actively repenting; it's not just gods who contain multitudes and conflict. But also 10/10.

Arcadia Cerenvetorix: Well, she got tricked by Asmodeus and stuffed in a bottle. Asmodeus did a good job of imitating her too which, as a deity of truth and knowledge cannot feel great, to know that Guy Whose Thing Is Lying has your number even if he is technically lying and therefore in his wheelhouse in pretending to be you. Then she gets let out having been saved by SILAHA, who as a result of saving her, cannot stop Selena. I have to imagine this series of consequences drives some of her decision making in the very end, although at that point she is technically not a wizard and therefore out of the scope of this post. Anyway, 9/10; she did almost die.

Cassida Previn: There's no option for this other than 10/10. Her revelations were delivered with far less kindness than even Selena's; we see her break. She has time to consider that her good intentions have doomed Aeor as well as find the deity she's risked execution to serve is a more complicated being than what she expected and does not approve of her greatest act of service. And that's before we consider that the Society of Primes is implied to have not been successful (we don't know, since the Factorum Malleus is never fired, so it could be a bluff; but the Primes are heavily indicated to be in just as much danger) and that's also before her final moments are being presumably tortured by Asmodeus. I don't know if she really renounced The Everlight; Asmodeus lies, but it's not an unexpected consequence. As The Everlight says, it doesn't matter; she was well within her rights to feel however she felt in those last moments and it does not erase all that she did before. If she didn't it was a lie from Asmodeus, and if she did, she is forgiven entirely.

Those guys who were dragons for a hot second: Honestly? What a way to go. I wouldn't even be mad. 6/10.

The Wizards In The Cognouza Ward: THEY LEFT SO EARLY. AND FOR WHAT. Like, yes, yes, you want to show the moment so you have to do it pretty early on because you won't have the viewpoint of the divine entities later on since they'll be in the Genesis Ward, but COME ON MAN. It really is like...you could have been The Ring of Brass to Aeor. If you wanted to sound the early warning you could have done some strategic teleporting of as many people you could get onto Exandria, despite the storm, and hell, you could have taken a long rest and planeshifted the next fucking day if you had to go to the Astral Plane so badly but nooooo you had to fuck everyone else over. I mean does anyone deserve a millennium of madness and horror as Cognouza eventually became? no. But like, maybe a few years for this bullshit. 5/10 because it isn't bad yet because they jumped the fucking gun. and again. for what.

843 PD Wizards watching this or just hanging out elsewhere

Essek Thelyss: I imagine he is like those pictures of the math lady except he fully understands the math. Absolute mind blown. Trying to figure out the Luxon's relationship to Tengar if there is one. Wondering why Aeor was working on Cognouza and the Factorum Malleus and not their various Luxon experiments. Trying to figure out if the gods used the same principle as consecution. Trying to reconcile the image of Lolth as weirdly adorable with the horrors he knows his people escaped. Also he has been watching a movie for like 13-ish hours but I wonder if floating means his legs haven't fallen asleep. 6/10.

Allura Vyesoren: I really like to imagine she messaged one of Bells Hells and they were like "can I call you back later we're watching a movie" and she is just like I am getting too old for this shit. 4/10 in like, the relative sense of all wizards in this 843 PD narrative are dealing with an existential threat but like within that context, 4/10.

Caleb Widogast: I feel like the Nein would be best deployed to Ria'Doin but he might be on some other weird mission given that Essek was sent to Aeor in his place, and hopefully, we get a one-shot out of this. For me. Anyway though for practical reasons he did just hear from Essek recently and Trent seems gone for good so, within the broader "Ludinus Da'leth is fucking over existence" context, also like a 4/10.

Yussa Errenis: Really hard to tell! What unhinged fuckery that doesn't require physically leaving the house is this small bastard (affectionate) up to. Is he on the moon? Is Nicodranas on a nexus point thus sending him to some far-flung region of Exandria? Did he try to question Halas and get trapped in the gem? Is he just ignoring Iva Deshin? Anyway given his track record I am going to say 9/10 and he is in some kind of peril that is low-key his own fault, but it's anyone's guess.

Astrid Becke: Imagine being screwed over so hard you have to go undercover in retail. I think that fantasizing over who gets to land a killing blow in D&D Actual Play is not terribly interesting; what happens happens, and such fantasies are usually a dull slog of "who is wronged most" which is never good. With that said I don't think she is the most wronged, if that's even a metric one can know; and also I know this is not going to happen given her very tangential nature as a minor NPC in the story being told here; and I don't think I am speaking about a just or kind world in this fantasy; but in a world that aims for justice but lands in pettiness, she would get the final blow on Ludinus Da'leth. 7/10.

Ludinus Da'leth: There's a tumblr-famous post in which someone makes a lot of wild-ass claims about the status of, iirc, women who spun thread in medieval Europe and then when people were like "I don't think that's right" posted a fuckload of links and the phrase "*steeples fingers*" and then someone actually clicked on the links and was like "uh none of these back up your point, actually; most of them have little to do with it and what few do address it either contradict what you are saying, or are similarly unsourced from non-experts." Anyway I think we can all see the value in checking the citations and vetting your sources here, a lesson The Martinet seems to have failed to internalize. He is however either at a 3/10 or an 8/10 depending on precisely how up his own ass he is and whether he realizes he showed footage far too complicated to make but a single easy argument.

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Anonymous asked:

Thoughts on parallels between the scene where Phineas beats Sherman and where Imelda tortures weepe?

Jonas Spahr is there, and he's also not having a good day. 😔

So, I initially meant that as a joke about how I'm a huge fan of Jonas and will obnoxiously take any opportunity to talk about him. I do think there are many parallels and resonances between these scenes, and there is much to say about the four characters named and the central action of nearly killing someone for the sake of the Trust, but those angles are more obvious and more likely to be recognized by most. (And I'm willing to talk about some of those as well, if asked again. Or, if there's a specific aspect you'd like to hear about, let me know.)

In terms of my interests, it IS a pretty interesting point to be made: Jonas Spahr is there, watching. It's integral to both scenes that Spahr is a witness; he's even the ONLY witness in the Arca. His role as such is also explicitly recognized by the active character in each scene:

Since this is about the cabaret and Arca scenes specifically, I won't spin off into an entire commentary and analysis of Spahr's role as an observer and witness. For now, we'll have to content ourselves with the short version just for context, but I can go into it at a later time.

The heart of it is: thus far, his role in the narrative is a generally passive one that largely centers on watching and observing. It's the first thing he does as a player in this story. He steps back and watches how Phineas handles the Ginsberg situation, and the narrators remind us four separate times in 1.03: Mica:

Deeds of Valor—and Caenum, apparently—need to be witnessed, after all! Thing is, Spahr does a lot of watching but, until more recently, doesn't really SEE all that often. He is for a long time a passive, immovable, unreadable observer to events as the eyes of the Trust. He is that witness for much of events he's involved in, for better or (more likely) worse.

After Phineas attacks Sherman, Spahr himself is quick to identify this problem with himself in 2.02: Ascendancy, that he is watching and looking but he is, perhaps intentionally, not seeing and noticing:

The incident in the cabaret and the incident in the Arca are directly connected and bound together by Spahr as witness. Phineas attacking Sherman and Imelda torturing Weepe are moments that Spahr is truly seeing, bearing witness to events and comprehending them, their context, and their implications.

In both, he bears witness specifically to the damage that the Trust causes and the ways that it harms people inside and outside of it. Phineas and Imelda believe that Spahr will witness something else—Phineas hopes that Spahr will not be witnessing a failure where Imelda hopes that Spahr will be witnessing one—but what he is seeing instead is the raw brutality that the Trust and its systems and pressures naturally engender at their logical extremes. He immediately recognizes it to be a horror:

Spahr experiences a dread born of comprehension typically reserved for moments of understanding in eldritch horror. Sucks to be the guy whose role is to see things and you end up actually comprehending some of them! And comprehend them in these two scenes he does.

Spahr doesn't do a ton in terms of active action in either scene—the cabaret scene is notably set off by his mere presence, and he ultimately freezes in the Arca scene—but in each, he does ultimately move to attempt to stop what is happening. And, notably, he does so under his own power and motivation.

That said, he fails to prevent a significant amount of the damage. He moves fast enough to prevent Phineas from killing Sherman, but too late to prevent the harm done to Sherman and all the spiraling consequences of this. He is frozen into a paralysis by Imelda's threat, so he fails to follow through and stop her, stop the harm done to Weepe, and again stop the spiraling consequences from this.

Twice, once in each scene, he fails to meaningfully prevent the harm done here. He attempts to stop them when he is standing here in the room with them, but by then it's too late. ("Too little, too late," as Sherman will eventually say.)

Obviously, Spahr is not the sole bearer of responsibility in either incident. Phineas and Imelda have an immense amount to answer for there, and the system of the Trust itself created the conditions that one way or another pushes them and Spahr to do as they do. However, both are incidents that he in some way has allowed. He reflects on having not seen, or even ignored, the signs of what was brewing inside Phineas and what he was being pushed toward; he helps engineer this intervention and stands by while Imelda locks Weepe in the Arca, never asking enough questions.

He has allowed both to happen. When he begins to feel the emotional aftermath of each, in 2.02: Ascendancy and 2.17: Compensation, the narration of his internal monologue even uses that wording:

They're both critical scenes to Spahr's development as someone whose role is largely passive, both within the Trust systems and within the narrative. Just as much as he is to be seen, he is also very much here to see—and to refuse to see. To stand by as a passive witness to horrors and allow them, silent and impassive and watching. He can try to intervene, but he's already facilitated this.

He is coming to understand his part in this, in brutalities such as these, with horror. In the aftermath of the Arca incident, we see him increasingly discontent with his role in the Trust and desperately in search of ways to stop what he can. He is not yet successful, but his vision is very much clarifying. His arc turns around these scenes as paralleled experiences for him in his narrative, as moments that he witnesses, allows, and fails to stop against even his own belated efforts. These two scenes bookend his growing comprehension and self-reflection throughout season two.

Twice now, it's been asked of him: What are you refusing to see, Jonas? What horrors and brutalities are you allowing to happen? Will you always be intervening much too late?

Third time's a charm, perhaps.

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WWE Quarterfinals: Wizards DOWN 🚨

Only EIGHT WIZARDS REMAIN, and our beloved rogue stands among them.

Polls open at staggered intervals starting at 4:30pm PST, and will run for one day. As before, please check the tag here to find both current and closed polls as well as the original rankings.

The quarterfinal matches are as follows:

Match 1: Architect Arcane Laerryn Coramar-Seelie vs Keeper of Scrolls Patia Por'co Match 2: Former Shadowhand Essek Thelyss vs Arcanist Allura Vysoren Match 3: Caleb Widogast vs Lady Delilah Briarwood Match 4: Veth Brenatto vs Yussa Errenis

As always, political activities are allowed and encouraged within a hundred feet of the polling locations.

Wizards, do your worst.

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