Santa Claus Has Blue Eyes (Le père Noël a les yeux bleus), Jean Eustache (1966)
. Why do we do what's already been done? Why don't we do more personal films?
Irma Vep, Olivier Assayas (1996)
Der Leone Have Sept Cabeças, Glauber Rocha (1970)
We control our thoughts which mean nothing, and not our emotions which mean everything.
Masculin féminin, Jean-Luc Godard (1966)
I'll look at you, but not at the camera. It could be a trap.
Jane B. par Agnès V., Agnès Varda (1988)
- I need money to go to a whorehouse. - Come on Alphonse. Go back to your room, re-read the script, learn your lines, then try to sleep. Tomorrow we work. That's what matters. Don't be a fool. You're a very good actor. No one's private life runs smoothly. That only happens in the movies. No traffic jams, no dead periods. Movies go along like trains in the night. And people like you and me are only happy in our work. I'm counting on you.
Day for Night (La nuit américaine), François Truffaut (1973)
The Death of Louis XIV (La mort de Louis XIV), Albert Serra (2016)
- You're my sister, you're my daughter, you're my mother. - I would have liked to be your wife.
Bed & Board (Domicile Conjugal), François Truffaut (1970)
Le déminage, c'est comme les gonzesses. Faut y aller doucement. Une fille vous lui mettez pas directement la main au cul. Non, vous tournez autour. Et bien les mines antichars, c'est pareil. Faut tourner autour.
Stolen Kisses (Baisers volés), François Truffaut (1968)
Antoine et Colette, François Truffaut (1962)
- Your parents say you're always lying. - Oh, I lie now and then, I suppose. Sometimes I'd tell them the truth and they still wouldn't believe me, so I prefer to lie.
The 400 Blows (Les quatre cents coups), François Truffaut (1959)
Vous êtes la fille la plus étrange que j'ai jamais vu.
Camille Rewinds (Camille redouble), Noémie Lvovsky (2012)
- Why do you hate women? - Either they always pretend to know who I am, or they pretend I don't know who they are, and that's very boring.
Last Tango in Paris (Ultimo tango a Parigi), Bernardo Bertolucci (1972)
What a rotten film. All we meet are crazy people.
Week End, Jean-Luc Godard (1967)
Why shouldn't women be able to say they want to fuck?
The Mother and the Whore (La maman et la putain), Jean Eustache (1973)