Disco Boy, Giacomo Abbruzzese (2023)
. Human beings are like animals. Set them free and they realize they are slaves locked in their own misery. Right now, they suffer, but they don't know. I exploit them, they exploit that poor man. It's a chain reaction that can't be stopped.
Happy as Lazzaro (Lazzaro felice), Alice Rohrwacher (2018)
Corpo Celeste, Alice Rohrwacher (2011)
La chimera, Alice Rohrwacher (2023)
Nobody's Hero (Viens je t'emmène), Alain Guiraudie (2022)
The Lost Daughter, Maggie Gyllenhaal (2021)
Whatever your decision is is totally fine, as long as it's yours.
Never Rarely Sometimes Always, Eliza Hittman (2020)
All the Dead Ones (Todos os Mortos), Marco Dutra and Caetano Gotardo (2020)
I’m playing the role of a little old lady, pleasantly plump and talkative, telling her life story. And yet it’s others I’m interested in, others I like to film. Others who intrigue me, motivate me, make me ask questions, disconcert me, fascinate me. This time, to talk about myself, I thought: if we opened people up, we’d find landscapes. If we opened me up, we’d find beaches.
The Beaches of Agnès (Les plages d'Agnès), Agnès Varda (2008)
A Family Submerged (Familia sumergida), María Alche (2018)
- C’est quoi une aventure ? - C’est plus qu’un coup, c’est moins qu’une histoire.
Parisienne (Peur de rien), Danielle Arbid (2015)
- I was thinking... If we work well and plenty, if you work plenty, we'll buy you a present. - What? - I don't know. We can buy... a camel? - What did he say? A camel? - Yes... you used to like it. - Yes, when I was a child... And it's against the law. - The law? Who's gonna ever find it here?
The Wonders (Le meraviglie), Alice Rohrwacher (2014)
Tu l'aimes mon corps détruit ?
The Smell of Us, Larry Clark (2014)
- To Theo: You're right, I like to sleep in. Getting up for a desk job - what a nightmare. And when I look at you, your face, your haircut, your clothes, it's the most depressing thing - a flunky working for a boss, parked in a chair for eternity. Without your cologne, you reek of death. - To Theo: You're like a window display - no flaws allowed or you're done. The second you're at a loss for a put down - bang, you're dead! - Again to Theo: You're on borrowed time. So is your gold card, your car, your abs and your smile. That's because you've got a price tag on your life, down to the penny. You're a product.
Atomic Age (L'âge atomique), Héléna Klotz (2012)