Smokin’ hot
Summer Interlude (1951)
Peter O'Toole in How to Steal a Million (1966)
Vivre Sa Vie (1962) dir. by Jean-Luc Godard
“Ozu makes us feel deeply about his characters, but he does so by being honest rather than manipulating us. Hence his famous restraint: like the stories themselves, the performances avoid histrionics and melodrama. If we are enormously moved at the end of his films, it is not because anyone has pushed the right buttons but because we have seen something that strikes us as truthful.” – Geoff Andrew, “A Fond Farewell”
“The Return” by Andrey Zvyagintsev (2003)
tokyo-ga (1985), wim wenders
The Spirit of the Beehive (Víctor Erice, 1973)
Divorzio all’italiana ( Divorce Italian Style ) - Pietro Germi
1961
First of all, I’m sorry for the long absence. (I promise to make some stuff soon.) Secondly, it’s Godard night on TCM, and in his intro to Masculin féminin, Robert Osborne said that Paul ends up in sexual relationships with Madeleine and both of her roommates. Granted, it’s been a while since I watched the whole movie, but I don’t remember that happening... Maybe I’m wrong though.
Director Carol Reed and Orson Welles while filming “The Third Man” in the Wien Kanal tunnels (Vienna, 1948). Welles refused to film various scenes in the sewer, which led to constructing replica sets at Shepperton Studios in London. more
Press photo for The Human Condition (人間の條件) 1: No Greater Love, 1959, directed by Masaki Kobayashi (小林 正樹) and starring Tatsuya Nakadai (仲代 達矢).
Jean-Pierre Léaud on the set of Les Deux Anglaises et Le Continent, 1971.
Persona (1966)
dir. Ingmar Bergman,
Audrey Hepburn walking her dog at Piazza di Spagna in Rome, 1964.