I began creating my "moonpaintings" in 2020, back when I often felt intense physical pain each month. I’ve always felt compelled to make art, though it’s rarely easy to explain why. Often, it feels like I’m driven by pure curiosity—or maybe even a touch of madness. When I started, I didn’t fully understand what this process meant to me. Sometimes we think we know why we’re drawn to something, only to realize it reflects something deeper or unexpected within us. Painting with my own blood became a raw way to explore emotions I couldn’t easily put into words.
Looking back, I realize this art was also a response to emotions I didn’t know how to handle. I carried a quiet sadness, though I never wanted to be defined or judged for it. People often think depression means you don’t enjoy life, but that’s not the case for me. I feel deeply connected to life—I laugh, I feel moved by beauty, I’m grateful. But I also carry grief and a kind of sorrow I can’t always explain. Maybe it’s about the world, personal losses, or just the heaviness that comes without reason. I’ve even had people assume my interests—like vulture culture and themes around mortality—stem solely from depression or past traumas. While my experiences have certainly influenced my art, my curiosity reaches far beyond them. I’m fascinated by life in its many forms, by the mysteries of nature, by cycles of renewal and decay, by everything that exists beneath the surface of what we think we know.
I’ve often felt like I had to control my emotions to be accepted, but not only for others’ comfort. Growing up in a home where emotions sometimes felt unstable and the atmosphere unpredictable, I learned to keep myself in check, to be “small” and steady even when I felt anything but. That need for control became a habit, a way to feel safe—but as I kept it up, it also became stifling. The more I tried to manage or conceal my intensity, the more isolated and disconnected I felt, and the heavier my emotions became.
I’ve sometimes worried that sharing these parts of myself might lead people to feel sorry for me, to try to “analyze” or “fix” me, even while I feel they may hide similar parts of themselves. It’s complicated, wanting to be open without being seen as fragile, and hoping others would feel safe to be open too.
Over time, though, I’m beginning to accept these parts of myself, and my moonpaintings have been a big part of that. Through them, I’m learning to embrace everything I am—light and dark, joy and sorrow. I’m still working on releasing the shame around my sadness and intensity, allowing myself to see these emotions as valid and worthy. I’m not fully there yet, but with each piece, I feel closer to showing up as my whole self, without needing to hide or “fix” anything.
This journey isn’t about being completely healed or “done”—it’s about letting all parts of me exist without judgment, about finding a kind of peace in the messiness. And maybe that’s the real beauty of this work: it gives me a place to honor where I am right now, embracing all the parts of me that are still growing, still struggling, still becoming.
