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@fuzzballsheltiepants / fuzzballsheltiepants.tumblr.com

Alexis. Veterinarian. INTP. Multifandom, random animals, humor, whatever crosses my mind. Blog is a mess, really. Avatar by @Ivy_Ironwood on Twitter
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hi-raethia replied to your post:                            

   aedion 25 looks cool!    

I’m glad you asked about this one, I was going to post a preview of it anyway as I’m hoping to get this up soon!  It’s from Forging of the Wolf, my seriously long prequel to Throne of Glass by Sarah J Maas. 

Anyway, here goes:

Aedion took a deep breath as the doors to the Great Hall swung open.  Lifting his chin, he strode in, trusting his men to maintain formation.  Judging by the synchronicity of their footsteps, they did.  Stopping before the dais, he bowed, holding the pose for just a second before raising his head to meet the King’s eyes.  

The King steepled his fingers and made a show of looking the soldiers over.  His men were dressed in uniform, as clean and pressed as if brand new, but they still paled in comparison to the finery of the court.  There was a gleam of satisfaction in the King’s expression, and mocking pity in the eyes of the minor royalty and courtiers scattered around the hall.  Aedion swallowed down the sting.  They were soldiers, not courtiers; many pulled off the streets of Terrasen’s cities, and the rest from the farms scattered throughout.  Yet they had answered Orlon’s call years ago, and still fought straight-backed for the protection of their land.  Not one of the fine lords and ladies were fit to lick the boots of the lowest foot-soldier in the Bane, and he would make sure they knew that before he was done.

The Queen fanned herself, the gesture fussy and bored.  Next to her Prince Dorian sprawled in his seat, only the intensity of his stare belying the haughty grace of his pose.  A tall young man sat next to him, bolt upright in his seat and one hand resting on the pommel of his sword.  Aedion flashed him a grin that was more of a dare.  The man’s mouth tightened in response, but he released his weapon.  Just as well; somehow Aedion doubted bloodshed would win him any favors tonight.

“You will join me,” the King said, indicating the sole empty seat that was at the far end of the table.  A reminder of his place.  “Your men may mingle.”

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So I haven’t read KoA yet, but I was thinking about why the King of Adarlan doesn’t have a name.  And then I remembered that when Dorian was possessed by the Valg, he didn’t remember his name either.  So maybe that is why the King is just...the King.  He doesn’t even know his own name, just his title.

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I commissioned the amazing @rainbowd00dles to do this piece from my Throne of Glass prequel The Forging of the Wolf. Here’s Aedion Ashryver and my OC Cathal, that commander in the Bane.  I gave Anne next to nothing to work with re: what they look like, so I am blown away with how perfectly this captures the image I have in my head.

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So, does anybody else think about the demi-fae of Mistward, and how they have always been treated as second-class citizens by Maeve and the fae of Doranelle?

And does anybody else remember that Aelin treated them as her equals, despite her royal heritage and her powerful magic?

And so did Evalin, so much so that they remember her kindness decades later?

Does anybody else think that they are very close to Doranelle and to Maeve’s stronghold, and that they have more reason to come to Aelin’s aid than Maeve’s?

I want to see the demi-fae of Mistward get wind of Aelin’s predicament, and Maeve’s torment of one they have reason to hold dear.  I want them to rally behind Rowan and the cadre, and to help be part of Aelin’s rescue mission.  I want Malakai, that valiant soldier, to be part of the group that takes her down, aged or no.  I want her to recover not just in Rowan’s arms, but in Emrys’s and Luca’s, for they love her too.

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TOG Discussion

Hi loves!

I need the fandom’s expertise. I’ve been rereading Throne of Glass which has been a total throwback. Everyone is so innocent and (relatively) undamaged lol. Anyway, I’m getting towards the end of the book - right before the final duel where Kaltain poisons Aelin - and it got me thinking, why did the King want this competition in the first place?

If the King and Perrington were so dead set on Cain winning and becoming the champion from the beginning, why risk a competition at all? Why not just appoint Cain as his private assassin? If he was worried about the other nobles’ reactions, couldn’t he just have kept him in the tombs like the other creatures he experimented on over years, or just bring him into the castle as a soldier who moonlit as an assassin? 

If the competition functioned just as a plot device I’m fine with that, but it seems like everything Sarah does has a wider significance or purpose. Anyway, was just curious what your thoughts were. 

THANKS FAM!

My suspicion (assuming it’s not a plot device) is that Perrington/Erawan was dead set on Cain winning.  The King was battling with the valg inside him over whether or not he wanted Cain, hence the competition.  I still think a lot of the King’s inconsistencies could be put down to him fighting with his valg.

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because I think we forget and because its kind of a great move on Maas’s part, the last crowned ruler of Terrasen was a gay man with a confirmed partner.

I know it’s like this type of rep should be everywhere but honestly when we get gay royals it’s normally with a heaping of tragedy bc they have to produce heirs some how

But I like the SJM just has King Orlon’s nephew and great niece inherit, and we don’t get this entire backstory of Orlon being forced to marry a woman etc. and I similarly love that Rhoe and Evalin don’t try for a male child. Aelin is always the heir regardless of gender.

I just like that the succession goes gay man in confirmed partnership (Aelin remembers Darrow as an uncle. So Orlon and he are very out in the open about things) to Assassin Queen. Like terrasen seems like The Future Liberals Want™️

Honestly I think most of SJM’s LGBTQ rep is so natural and subtle it doesn’t even get noticed?  Like Orlon and Darrow, or Emrys and Malakai, or Enda (Rowan’s cousin) and his mate, or Thea and Kaya in the thirteen.  And I loved, absolutely loved, the way she handled the inheritance in Terrasen.

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Aye so one of the reasons ToG gets so much shit, especially on GR, is that “Celaena doesn’t kill anyone” and “I would rather read about an actual badass assassin than a teenager.”

Which like, cool, cool, do you. 

Except

The point of the story, if you started with the prequels, is that SHE’S FORCED TO BE AN ASSASSIN. 

She describes her first kill as “the first time Arobyn made her take a life.” made. her. As in forced. 

She and Sam discuss with horror how Arobyn made them torture murderers and rapists. 

She talks about how when her and Sam get out of Rifthold, they will start a new life somewhere and eventually stop killing. She is 17 and she dreams of more than just being skilled at death. 

The prequels were released PRIOR to ToG. They were always the place we were meant to start at. SJM has never presented these stories as “remorseless badass bloodthirsty assassin.” If they are marketed that way, fine. But the stories themselves are pretty clear that she didn’t and doesn’t want to only be good at murder, that she wants more for herself, and that it wasn’t her choice to begin with. 

When we meet Celaena in ToG, again she is presented with violence and murder as a way to a better life. As her only means of escape. Both the King and Arobyn force her into violence as her only choice. She reminisces at times that if she hadn’t been found by Arobyn, she would have likely ended up as a prostitute. Being an assassin, or a prostitute. Those were her options as an orphan in Rifthold. 

The point of the books is not that taking lives is cool or glorious or hot. It’s not that Celaena is some hot shit assassin. 

The point is that she had her childhood robbed from her by two sick, twisted, abusive men. The point is that she shouldn’t have had to be an assassin in the first place. 

So while you’re all annoyed that she “doesn’t kill enough people” think about it like this: the Celaena we get in ToG, who loves chocolate and dances and Chaol, who makes friends with the prince and princess, who relishes fine dresses and flirting, is the 18 year old who she should get to be all the time. She shouldn’t have to kill others just to survive. 

She was never meant to be an assassin in the first place. The fact that she was, is just fucking sad. Yes, it helps her fight and gather her armies. Yes, everything in her past has shaped her into who she is today. But the books aren’t and never were just about Celaena being an assassin. They were and always will be about an abused teenager finding her way out of a life marred by death and pain. 

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I’m kind of torn. I used to love SJM books but Wings and Ruin I was kind of meh and then Frost and Starlight really put a bad taste in my mouth. With Kingdom of Ash coming so soon is it worth rereading ToG and trying to fall back in love with her work? Anyone have this same issue?

I’ve taken a long break from her books, and I am excited to get back to my re-read before KoA, but I’ll probably skip ToG and CoM and just start with HoF, lol.  I did think ToD was the strongest of the books she’s released in the past 18 months.

I think it’s good for us to recognize and discuss areas where we wish she’d done better (*cough* representation), but that doesn’t mean that she doesn’t write interesting characters who demonstrate things like depression and PTSD and healing.  It doesn’t mean she doesn’t do well with showing the development of female friendships and the way that we can be romantically drawn to different people at different points of our lives without that being a character flaw or whatever. 

So, I mean, it’s cool if you don’t want to, but my plan is to try to immerse myself in the world despite my acknowledgement of the flaws and try to celebrate what she does well, if that makes sense.

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I was tagged by @nekojitachan (thank you!)

Rules: List the first lines of your last ten published stories. Look to see if there are any patterns that you notice yourself, and see if anyone else notices any! Tag up to ten friends! 

1. He was just so, so tired.  (Every Time a Bell Rings, AFTG.)

2. “Damnit!”  Allison stormed into the room and flung something in Dan’s general direction.  (The Shirt, AFTG.)

3. Neil blinked awake when the car door slammed.  (Bye Week, AFTG.)

4. It was the last weekend before classes started, and Neil had been relieved to sneak away for a night with Andrew.  (Fair Games, AFTG.)

5. The familiar rustling thump of a backpack being dropped was punctuated by an irritated sigh.  (Chemistry Experiments, AFTG.)

6. The second Neil wrenched his arm out of his grasp, Nicky knew.  (Delayed Reaction (The Fear of Falling Remix), AFTG.)

7. Andrew groaned as he slapped his hand blindly for his alarm.  (What a F*!%ing Mess, AFTG.)

8. Neil cursed inwardly when he realized neither Jean nor Jeremy were at the pub when he got there.  (Purrtrait of a Disaster, AFTG.)

9. Andrew was pretty certain his venti caramel macchiato was not going to get him through this fucking stupid class.  (Absolutely F*%!ing Ridiculous, AFTG).

10. Neil really, really hated it when running brought no clarity.  (Don’t Freak Meowt, AFTG.)

And I’m doing a bonus one because I wanted to put in my WIP for my other fandom:

11. The young man was dragged before the general, hands shackled behind him, a guard on each arm.  (The Forging of the Wolf, Throne of Glass.)

For trends: I guess it’s usually an action, and it’s usually on the short side.  Also I have a strong fondness for two-word titles.  Anyone else pick up on anything?

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ToG Favourite Character - Angst Edition

So, the girls and I in the Book Club of Mirth got to discussing how the World of Sarah J Maas’s bracket was weighed unfairly because out of Aelin and Ansel, of course you primarily (unless you REALLY hate Aelin) vote for Aelin. I tossed the idea out that we should make our own after we started exploring options. Naturally, we wanted to make it hurt to choose.

So, without further ado… You can begin casting your votes now at the below link to pick your favourite (out of your favourites!) character and for fun, I threw in a two villains ;). You have access to view the votes and this bracket closes September 22nd. Each bracket will have one week to cast votes on starting today.

I hope you have as much fun with this as I had making it, and I hope it broke your soul a little to choose between your favourites.

Thanks for playing! I’ll be boosting this every so often, just as a heads up! :)

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Anonymous asked:

*Sending again just in case it didn't go through*Hey this is a controversial(and long) ask and you totally dont have to answer it if you dont want to but I'm basically coming to you for some ToG advice. I've recently finished the series and I really enjoyed them! Celeana/Aelin is my favorite character and I really love reading about her. But when I went to tumblr I found that almost every single bit of hate for ToG is because of Aelin and it made me really question myself. (1)

Because as I read through all the anti-posts (I thought it was a good idea to see both sides) I saw so many people calling Aelin an irrelevant white girl who hates PoC and discards them, or who is the embodiment of every boring white girl YA trope, and saying people who like her are white feminists (or as one person put it “Taylor Swift loving horse girls”)(2)

The blogs saying this were beautifully laid out and seemed like really smart people, and it’s making me second guess my love for Aelin as a character. I feel kind of ashamed for liking her now if that’s what she represents. Especially since I read that Manon has taken over as fans favorite character or the feminist character, especially because of her and Elide.(3) 

It feels like I’ve missed a mark somewhere, because I have always strived to be an inclusive feminist and try to see all womens perspective on issues. Don’t get me wrong, I thought sacrificing Nehemia (and Sorscha) to further white characters stories was ten levels of wrong. ToG would benefit from having those characters alive and well and thriving and I do not begrudge anyone having an issue with ToG or Maas and her representation issues (4)

But some things make me confused- why do people still like Dorian when Sorscha died to benefit him? Did I miss something? Did Aelin do something else that makes people not like her? I don’t want to ruffle any feathers and I feel like the best option is to focus on Manon because she seems to be less problematic.(5)

People have also said that you can’t like both Six of Crows and ToG because one has incredible diversity and the other has big issues with it. I also read that Dunyasha was written to make fun of Aelin because of how bad of a character she is. I feel really bad if I’ve enjoyed a series and a character (not to mention loved that character) if she’s actually a racist caricature or white girl stereotype(6)

So I guess after all that, my question to you is- can there be a balance between being an inclusive feminist and good ally, and still liking ToG and even Aelin? You seem very inclusive to LGBTQ and PoC issues on your blog and I’d like to know your thoughts (though you are in no way obliged to answer!)(7) (sorry for making this so long!!!!)

Answer:

Hi! So first of all, I LOVE Aelin. Adore her. She is by far my favorite character in either of SJM’s series. 

I think what happens with a lot of antis is that they conflate Aelin and SJM. Basically, they blame Aelin for all of SJM’s issues with diversity and rep. Within the narrative, yes Nehemia dies for Aelin, or rather, for the cause Aelin represents, and this in itself is definitely the trope of the black character dying for the white character, and the white character getting to liberate the oppressed. We’d rather see Nehemia live and either be the heroine of her own story or the heroine alongside Aelin. But it’s not, based on the narrative, Aelin’s fault that Nehemia dies. She loves Nehemia. Aelin, by and large, wishes Nehemia didn’t have to die and agrees that her friend’s sacrifice shouldn’t have had to happen. We see this at the end of CoM, in all of Aelin’s inner turmoil in HoF, and again in the scene with Elena in EoS. Aelin wishes Nehemia hadn’t died. 

Within the story, we can make the claim that Chaol is perhaps to blame for her death. But, as we know, she orchestrated it herself. So who is at fault for this white savior/dead black girl narrative? THE AUTHOR. SJM wrote the books and made the decision to kill Nehemia in CoM. It’s not any character’s fault. It certainly isn’t Aelin’s. So if we want to be critical of someone…be critical of the author. 

Aelin is often seen as being SJM. Or rather, SJM is seen as prioritizing Aelin above all other characters. Like there seems to be this common theme in anti discourse that SJM has ruined all other characters for the sake of propping up the white, bitchy, female character. But like…SJM gives almost equal attention to Yrene, Chaol, Dorian, Elide, and Manon. The series has never been about one character. We by no means only see Aelin succeed or become powerful. Many other characters see as much page time as she does. Like did they miss the entire book about Chaol?? And Yrene? And Nesryn and Sartaq They get 600+ pages for just their story!

Because SJM is white-feministy (especially in the early books, though she has taken steps to address it), Aelin gets positioned that way as well. But, it’s not really accurate to blame the main character for the author not including enough diversity and including problematic narratives. Like just be mad at SJM, don’t rant about how Aelin is like Taylor Swfit. (which btw is so ??)

In regards to your point about Dorian. Well…yeah he gets no shit for Sorscha’s death. Like, ever. And that is maybe because…Dorian is a likable…attractive…MALE…character. Aelin is difficult, snarky, very powerful, easy to dislike. She’s also an easy scapegoat since she’s the main character! 

Look, I don’t think SJM is as enlightened or as intersectional of a feminist as she should be. I do think that she is growing as an author and as a feminist. I also think that there are several things that she does do VERY VERY well. First of all, Feyre’s story of abuse and survival in acotar is one of the single best abuse narratives I’ve ever written. SJM makes it realistic, she tells it entirely from the PoV of an abuse victim/survivor, she gives Feyre pages and pages of healing. This is a story that has meant so much to so so many survivors. And that’s representation that counts! SJM also writes about Rhysand as a victim of rape in a way that is nuanced, heart-wrenching, and beautiful. His story as also helped many, and male victims of rape deserve to be represented. 

Aelin’s story is by no means one of this idiotic, privileged, silly girl either. She survives so much, grows so much, and ultimately, for me anyways, represents a dynamic, realistic, and positive model of femininity. She gets to be girly and like swords. She gets to be a warrior and also very intelligent. She gets to be creative and witty. She’s whip smart, a leader, and extremely brave. She’s also very, very kind. At her core, she’s a kind, generous character who would rather sacrifice herself 100 times over than hurt her friends. She has many admirable qualities. Any reading of Aelin that reduces her to Dunyasha is, imo, a failed, shallow reading of Aelin’s character. Furthermore, we know that Aelin is forced to be an assassin by a child-abusing dick head, so reading her in TAB and being like WOW WHAT A SILLY BITCH is so…missing the point of who she is and why she is that way. Furthermore, we can argue that Aelin has never been as evil/assassiny as she fronts, given her kindness towards Sam and Ansel in TAB. 

A lot of the things Aelin gets criticized for (being a bitch, being materialistic, being snarky, being immature) are things teenage girls get criticized. Remember that when the series begins, Aelin is a 16 year old CHILD, who has suffered more than most people do in a lifetime, and is just trying to survive. My favorite part of Aelin’s character is that she isn’t perfect or stagnant. There is tangible character growth from TAB through EoS. She actually matures, on the page, before our eyes. And she doesn’t lose her flaws! Her character growth is deep, believable, and realistic. Aelin and Celaena are the same person, it’s just the Aelin has more wisdom and is braver, kinder, and ready to face her fate. All of these changes make sense given the difference in age between 16 and 21. 

I HATE the comparison between SoC and ToG. Like holy fucking shit people can like both books. To suggest that one is better than the other is just???? Especially when they deal WITH SIMILAR ISSUES. Childhood trauma??? CHECK. A main protagonist who borders on anti hero?? AELIN AND KAZ FOR 200 PLEASE. Sex slavery/prostitution?? DING DING DING. Prostitutes getting back at their madams/men who raped them? HELLO INEJ AND LYSANDRA. 

Like YES Leigh Bardugo does fabulously well with creating a diverse cast, something that SJM has only started to do in Acowar and ToD. For that reason, we can say that SoC is better in terms of diversity and rep, and how Leigh handles LGBTQ issues in particular is leagues above SJM. And while the books aren’t the same in terms of plot, they have common elements, as I pointed out above. I LOVED KAZ BREKKER BECAUSE HE REMINDED ME OF AELIN. 

I don’t want to think that antis or anyone would be silly enough to dislike Aelin simply because she has traits they deem too masculine, but like the fact is, almost no one has issues with male characters who have her same traits. Kaz and Aelin are by no means the exact same person, but they both represent chaotic good. 

ANYWAYS. 

We could easily have this same argument over like, GRR Martin’s books. 0 gay characters, and he like romanticizes a 13 year old girl being married and raped. What I mean is that we could do this to ANY BOOK. You can’t consume 100% unproblematic literature since that doesn’t exist! Like point at a book that has 0 issues! Or manages to represent all marginalized groups equally. It probs doesn’t exist!

I don’t think you should worry about your love for ToG. Keep reading critically. Keep buying diverse books by DIVERSE AUTHORS. Keep the pressure on the publishing industry so that we see real change. 

My love for ToG and acotar and sjm doesn’t keep me up at night. I value them for giving me the following:

1. A story of survival from abuse that honestly healed me and taught me so much about myself and my relationships.

2. Multiple stories about survivors of rape, whose stories made me feel heard and like my voice mattered. 

3. Female characters who are varied and unique. From Manon to Elide to Aelin to Lysandra to Mor to Amren to Nesta to Elain. SJM allows her female characters to be hard and soft and warriors and strategists and flower lovers and blood drinkers and total bitches sometimes too. I have never fallen as in love with an author’s characters as I have with SJM’s. 

There’s a lot more but these are the ways the books have positively impacted me, and I won’t apologize for enjoying them. Neither should you. 

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I think you pretty much covered this @my-name-is-fireheart but I want to add one component that people on this site might not be taking into consideration when comparing SoC and ToG:  age of the authors at the time the books were written.

Leigh Bardugo is 43 years old right now; Sarah Maas is 32.  Six of Crows was published in 2015; Crown of Midnight was published in 2013.  Which means Leigh Barudgo was 40 years old at the time of publication, and SJM was 27.

I can’t help but imagine that there is some component of maturity in the decisions made re: diversity.  Not only in the initial imagining of the books, but also in the willingness to stand up to the publisher and say, no, I want these characters to be more diverse.  Some people on this site who have talked to SJM have said that she had originally planned for more obvious POC in ToG but was told by her publisher to make everyone “tan,” and that Aedion was supposed to have a male lover during the series but was told that lover had to be deceased or in the past.  

Let me tell you, I’m closer to Leigh Bardugo’s age than Sarah Maas’s, and I’m a helluva lot more likely to fight for what I believe in now than when I was 27.  I’m more intersectional in my feminism as well.  Believe it or not, people do grow and learn as they age, and many of us become more open-minded rather than less.  Had I gone down a different path and written fantasy books rather than become a veterinarian, I might well have produced a CoM-like story at 27 but I would not now.  And SJM has showed an inclination to try to correct this issue as she has grown both in experience and in confidence as an author.

We allow for growth and character development in our fictional characters, maybe we should allow for that in our authors as well?

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