Yayoi Kusama (Japanese, b. 1929), Mebae, Rinne Tensei [Germination, Soul Transmigration], 1990. Acrylic on canvas, 21 x 18 in.
Aline Deicke: Sammlung und Netz. Perspektiven und Potenziale von Digital Humanities und Netzwerkforschung, in: Jörn MünknerMaximilian GörmarJoëlle Weis (Hg.) Sammlung und Netz Theoretische und Praxeologische Implikationen. Wallstein Verlag, Göttingen, 2024
Coupette, Corinna: Beyond Flatland : exploring graphs in many dimensions. Dissertation 2023
major conferences of the Afro-Asian era in the 1950s and 1960s, including locations, delegates, delegate biographies, and country of origin
Elude
Miloš Koreček
Gertrude Goldschmidt - Streams (1971)
Several photographs were taken of this fake centaur aquamanile in 1903 and 1926. It was created in the late 19th century, most likely modelled after a real one in the National Museum of Budapest (lower center, photograph from 1896). It was depicted in an auction catalogue in 1903 and a critical text on the dealer in the same year (first two upper left). For the text, new photographs were taken of it around the same time, the negatives survive in the archives of the MKG Hamburg (on the right, the lower one being the illustration used for the article). Then again it was photographed in 1926 when it reappeared on the art market (lower left). Notice how the images produced to denounce the forgery were direct counter-images to the catalogue illustration (same full profile, but better lighting and pointing to the other direction). The picture from 1926 then was an even more direct answer to the initial auction illustration of 1903, replicating the orientation and masking of the item.
List of links in the text:
1903 auction cat0:. https://digi.ub.uni-heidelberg.de/diglit/lepke1903_03_17bd1/0010/image
paul klee, drawing knotted in the manner of a net (1920)
"Principales lignes de la naissance et du développement de l'aire extrasystémique de l'Autonomie de classe", in "Ca' lusca, Scritti e interventi di Primo Moroni", Calusca City lights, COX 18 BOOKS, 2001