May I borrow some more of your opera knowledge and ask if there are other pieces you think Vincent and/or Brahms would listen to, or pieces that come to mind when you think of them?
Hello! For Vincent I've already half done the work on this: I answered my own ask on my partner's Vincent blog and some of the heroines are from opera (though after learning more about Princess Turandot, I think she'd be one of his favorites, too).
Anyway.
I'm just gonna do a list and add commentary if I think it's necessary!
The main difference I sense between them is that Vincent listens to opera to calm down/entertain himself and Brahms listens to opera to feel something. So naturally, Vincent gravitates toward the less bombastic but meaningful arias, and Brahms tends to like the ones that are extreme in complexity, agility, or just plain loudness. I think Vincent would be the type to just listen to whatever's on the radio (though he does have favorites) and enjoy it, while Brahms is particular as with everything, and only wants to listen to his favorites.
I've tried to select versions of these pieces that are shorter so they're more accessible, but a lot of these pieces are much longer and I encourage you to listen to the full things if you're interested. Also, these are in no particular order.
I've stuck mainly to opera for this, but there are some general classical pieces sprinkled throughout. I don't feel as qualified when it comes to classical music, but we know Vincent has a piano and Brahms can play at least the violin.
Vincent
- "Il dolce suono" - Lucia di Lammermoor (in this scene, Lucia has gone mad before the bridal bed and murdered her groom, still in her wedding gown)
- I think he'd also like the cabaletta following it, "Spargi d'amaro pianto"
- "Sempre libera" - La Traviata (Violetta tries in vain to convince herself she doesn't want anything more from her life than what she has)
- "Une poupèe aux yeux d’èmail" - The Tales of Hoffman (the Muse tries to explain to Hoffman that he's fallen in love with not a woman but a hollow doll, but Hoffman doesn't understand. Vincent would think the lyrics were fascinating and he'd like the Muse's gender-bending)
- "In questa reggia" - Turandot (a beautiful but understated song about a murderous, vengeful woman, you know Vincent would love)
- "Duo des fleurs" - Lakmé (this song is about flowers, and I just think he'd find it supremely calming)
- "Ah fors'e lui" - La Traviata (I strongly believe Vincent loves a fallen woman/mad woman trope. also fucking look at the jewel tones on this set, holy shit.)
- "Connais-tu le pays" - Mignon (I think he'd like anything from Mignon tbh. I think he'd really relate to the story, the dynamic between Mignon and Philine and the jealousy that brews between them. Plus it's one of the few operas that has a mezzo-soprano lead)
- "Danse macabre" - Camille Saint-Saëns (a symphonic poem telling the story of the French superstition)
- "Regnava nel silenzio" - Lucia di Lammermoor (Lucia tells a story about the ghost of a young girl she sees in her garden)
- "The Mad Scene" - Giselle - (more info here; and the ghost dance with Giselle and Albrecht while we're at it)
- "Un Di Felice Eterea" - La Traviata (yes I'm aware that I put the entire first act of La Traviata on this list, I just think he'd really like it)
- "Una Furtiva Lagrima" - l'Elisir D'Amore
- "Ah! je ris de me voir si belle" - Faust (Margeurite tries on the Devil's jewels)
- "Del primo pianto" - Turandot (the lyrics can be found here if you look up the name of the aria. I think they really fit Vincent)
- "Sonata Pathétique (No. 8)" - Ludwig van Beethoven
- "Sulla tomba che rinserra" - Lucia di Lammermoor (can you tell I think he'd like Lucia di Lammermoor?)
- "La fatal pietra" - Aida (it's just so dark)
- "Le veau d'or" - Faust (Mephistopheles gets everyone drunk and sings a mocking song about the Golden Calf. I think he'd just like Faust in general, the plot is very fun)
- "Addio, del passato" - La Traviata (Violetta has lost all hope for the future)
- "Parigi, o cara" - La Traviata (Violetta and Alfredo daydream about living in Paris together, even though they both know they'll never get to do it. He definitely thinks about @waxhouse's Giovanni when he listens to this one.)
- "Principessa di morte" - Turandot (the prince rebukes the "Princess of Death" for her incredible cruelty before forcibly kissing her. Another one of my favorites!)
- Anything Dame Kiri Te Kanawa has ever sung. I think he'd probably love Maria Callas's no-nonsense come scritto and technique and would probably find her life really fascinating.
- He doesn't like any Puccini operas except Turandot, especially does not care for La Bohème.
Brahms
- "Der Hölle Rache" - The Magic Flute (the Queen of the Night tells her daughter to assassinate her enemy or she will disown her, one of the most famous arias of all time)
- "Dance of the Knights" - Romeo and Juliet
- "Les oiseaux dans la charmille" - The Tales of Hoffmann (this aria is just fun and dramatic, and I think he'd really like it because it has fantasy elements, and this song in particular is about an automaton shaped like a girl ... something I'm sure he'd like very much)
- "Où va la jeune hindoue" - Lakmé (my god please listen to this one it's my favorite aria ever. I think he'd like Lakmé, and Turandot tbh, because Orientalism. He's a filthy Englishman.)
- "Nessun dorma" - Turandot (listen to this and tell me you don't transcend)
- "Lago dos cisnes" - Swan Lake
- "Celeste Aida" - Aida
- "La fatal pietra" - Aida
- "Un bel dí vedremo" - Madama Butterfly (the idea of a child bride would scare him as much as it would intrigue him, and he would be fascinated with Cio-Cio-san and want to save her from Pinkerton)
- "Vogliatemi bene" - Madama Butterfly (From Wikipedia: [Cio-Cio-san] pleads with Pinkerton to "Love me, please." She asks whether it is true that, in foreign lands, a man will catch a butterfly and pin its wings to a table. Pinkerton admits that it is true but explains, "Do you know why? So that she will not fly away." He embraces her and says, "I have caught you. You are mine." She replies, "Yes, for life.")
- "Te Deum" - Tosca
- "L'amour est un oiseau rebelle" - Carmen (I think this would make him feel Horny Things)
- "Les voici" - Carmen
- "Requiem" - Wolfgang Amadeus Mozart
- Symphony No. 3 "Eroica" - Ludwig Van Beethoven
- "The Year 1812 Solemn Overture" - Pyotr Ilyich Tchaikovsky (complete with cannons)
- Cherubino's entire deal in The Marriage of Figaro
- When it comes to his leading ladies (and let's be honest, he listens for the women), he prefers dramatic sopranos, with the exception of coloratura soprano Mady Mesplé, who he thinks sounds like a sweet little bird
- He was never allowed to listen to Faust. Mummy thought it was too scary for him.