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Pardon, but your tie is not symmetrical.

@fred-erick-frankenstein / fred-erick-frankenstein.tumblr.com

Fred|27|he/him|bi|I'll never tag any of my posts as "q slur", "d slur" or any of that matter - unfollow me if you think IDENTITIES are a slur!|Instagram: @fred_erick_frankenstein|German|icon from a gif by @poirott
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booksandmate

breaks my heart how much hope there was in this scene and how violently it shattered to the ground in the blink of an eye.

crowley was ready to confess, to open his heart and say everything he had been holding back for thousands of years. aziraphale had just received the best news of his life. the possibility to finally make a change, with crowley by his side.

for both of them, this conversation was supposed to be the beginning of something more, something beautiful, and instead it was the (temporary) end of everything they had built together.

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Good Omens S2 Episode 6 confession scene speculation:

Aziraphale didn't respond to the love confession from Crowley because he didn't realise it was one until Crowley mentioned the Nightingale and kissed him.

Allow me to explain.

---

Aziraphale interrupted Crowley to give him the news from Metatron, so when Crowley starts his spiel:

"We've been together a long time, I could always rely on you...we're a group....we've spent our existence pretending we aren't...if Gabriel and Beelzebub can go off together then we can...we don't need heaven/hell they're toxic...you and me whatya say?"

Aziraphale interprets everything Crowley is saying as his rebuttal to the 'good news', not a separate declaration of his feelings.

What Aziraphale just told him shaped Crowley's confession, instead of finally telling Aziraphale how he feels about him, he's now backed into a corner and trying to change Aziraphales mind. Offering to run off with him as the alternative to the Metatron's offer.

The repetition of the phrase: "go off together" from the bandstand fight in season one feels very intentional here. It would be easy for Aziraphale to think 'this is just Crowley's response when the divine plan interferes, he always wants to run away'.

Aziraphale believes that he just needs to make Crowley understand the situation and opportunity that this is and everything will be alright:

"Come with me! To heaven, I can run it, you can be my second in command. We can make a difference!"

Crowley is looking defeated already, in his mind he's bared his soul and Aziraphale is a brick wall. So if he can't tempt the angel into staying with the love he has for him (which Crowley thinks he's declared but he really hasn't), he'll get him to change his mind by evoking something else he loves:

"You can't leave this bookshop."

Aziraphale scoffs fondly. 'Silly demon, you were just suggesting we run off together and abandon it only a moment ago!' He thinks Crowley is trying to 'work' him here and the old serpent might even be selflessly trying to spare the angel the loss of his beloved bookshop in order to restore Crowley and help the world, which would be just like him to be so covertly protective. So Aziraphale reassures him, a bookshop doesn't matter to him as much as Crowley and the world. It's just a collection of objects really. Humanity is more important. Crowley is far more important.

"Oh Crowley, nothing lasts forever."

Crowley is crushed. Nothing lasts forever. Not even the two of them. So he covers his sadness with his glasses, walls back up, and he tries to leave.

Aziraphale is baffled. He just reassured Crowley that he was alright with change if it means things could be better. Why is Crowley leaving? Is he worried that they won't spend time together anymore? That he won't have time for his friend as a supreme archangel?

"Crowley come back!....we can be together, angels!...I need you!"

Crowley can't even look at him in that moment. Why would Aziraphale say that? The two of them together only if he accepts heaven again? Conditional love? That's not fair. It hurts.

Aziraphale meanwhile is hurt by Crowley's turning away, his silence and a bit incensed at what he perceives as ingratitude. Aziraphale didn't really want to go back to heaven, but he'd do it if it meant Crowley could be happy and safe and Crowley doesn't seem to appreciate that:

"I don't think you understand what I'm offering you."

Crowley went through the fall. He asked the questions. Did his best to protect humanity and it has brought him nothing but suffering. He's well aware what's on offer. He's seen heavens cruelty and capriciousness firsthand and been burned by it repeatedly. How can Aziraphale choose them over him and still think everything will work out?

"I understand. I think I understand a whole lot better than you do."

Crowley loves Aziraphale's big foolish optimism and kind heart and he thinks it's the very thing taking the angel away from him. This isn't how it was supposed to go. It's all slipping away from him.

"Listen. You hear that?"

Aziraphale can't even keep up at this point.

This is what comes of thousands of years of 'not talking about it' and living under threat of holy retribution if they are discovered. They're talking past each other, having two different conversations. Obfuscation and code has become their communication medium by necessity and it's failing them.

It's frustrating Aziraphale that he can't get a grip on this conversation:

"I don't hear anything!"

And Crowley drops the bomb.

"That's the point. No Nightingale's."

Oh. Suddenly we're on the same page. You can see from Aziraphale's face that he understands to what Crowley's referring. The Nightingale in Berkely square. Angels dining at the Ritz...

"You idiot! We could have been... us."

Crowley's talking about the big unspoken thing between them. Their relationship, thousands of years of dancing around each other like binary stars gravitationally and inexorably drawn together over and over. The thing Aziraphale was beginning to be bold about, (dancing notwithstanding) before Metatron came along and distracted him.

And it seems to Aziraphale that gut-wrenchingly, Crowley is finally acknowledging their mutual love only to point out that it's gone. Lost. They could have finally been together, an us, but Aziraphale ruined it because he's an 'idiot'.

After being quietly in love with Crowley for years, for Aziraphale to have his offer to return to heaven together and his unspoken love rejected in one fell swoop is devastating.

Overcome, he begins to cry and turns away, not wanting Crowley to see how hurt he is.

Crowley for his part is desperate. He has to do something. Maybe Aziraphale doesn't understand what Crowley is offering him! One fabulous kiss and va-voom right?

In a final desperate act, he kisses Aziraphale. Tries for passionate. Tries to show him that he loves him and show him what they could be because his words clearly aren't working.

Aziraphale is shocked and angry. He wants to kiss Crowley of course. But not like this. Not as a taunt. Crowley just told him their chance is over so what else could this be but a final insult. A kiss to punish the angel. It's a cruelty he didn't believe Crowley capable of.

And despite how mean it is. It's also what Aziraphale has wanted for so long he can't help but melt into it for a brief moment. Allow himself to feel what it would have been like to be that close before losing it forever.

Then Crowley lets go and Aziraphale breaks away on a sob, feeling wounded. Hurt beyond words that Crowley would use his feelings against him like this, gutted to be losing the man he loves and not understanding why.

The worst part is that Aziraphale doesn't have it in him to hate Crowley, even if he thinks the kiss was a cruel gesture. He still loves him. So he gathers himself and does what Aziraphale does when someone hurts him.

He forgives.

"I forgive you."

I forgive you for rejecting my attempt to restore you and make you happy, I forgive you for rejecting God and heaven yet again, I forgive you for acknowledging our love and then rejecting it. I forgive you for kissing me, giving me a fleeting glimpse of what we could have been to each other. I love you and I forgive you all that.

Crowley is done. Breath knocked out of him on a last sigh. He tried. And the Angel forgave him yet again for something he never asked or wanted forgiveness for. He doesn't want to be penitent for loving Aziraphale. Shouldn't have to apologise or regret wanting them to be together.

"Don't bother."

Aziraphale looks surprised Crowley is leaving because he genuinely is. He can't understand how it's all gone so horribly wrong. He gasps, shocked and can't even call out to him to stop, come back.

He cries, touches his lips where Crowley had kissed him. Tries to gather himself and barely has 10 seconds before Metatron is back.

At the end of that scene:

Crowley thinks he confessed his love and Aziraphale chose heaven over him because he didn't want to stop being a demon.

Aziraphale thinks Crowley rejected heaven, then rejected Aziraphale and threw their love back in his face as a final unkindness.

Aziraphale leaves and goes to heaven anyway because in his mind he's already lost Crowley and there is nothing left to stay for. If he doesn't have Crowley he needs a new purpose and it's going to be saving the world. He'll convince himself of it. And he'll push that broken heart down and the pain will fade if he just smiles through it. It will be enough, to make heaven better. It has to be. Maybe if he proves that he can make a difference Crowley might see the error of his ways and speak to him again? Surely. Hopefully.

---

Both of them are hurt and confused and lost and oh dear hell I really feel for them.

This is what I've thought from the very beginning. I do not think Aziraphale realized what Crowley was telling him anymore than vice versa. "Let's run away together"? That's not a love confession. He's HEARD that before, and it didn't go anywhere, despite the fact that he's been virtually throwing himself at Crowley for the past four years.

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mimisempai

A token of gratitude

Summary

The shopkeepers of Whickber Street have decided to show their gratitude to Aziraphale and Crowley. With the help of Muriel and even the Bentley, they're preparing a little surprise for the angel and the demon. 

Notes

Day 7 : Slow dancing

On Ao3

Rating G -  1369 words

All set, angel?

Received 19:30

Yes, Muriel is with me.

The lovebirds should be here soon.

X

Sent 19:32

Nina couldn't help but smile as she watched the bookshop from the coffee shop. For once it was fun to be one of those in the know. 

Then her gaze was drawn to the Bentley parked in its reserved spot. The strange car no longer surprised anyone in the neighborhood, just as people had gotten used to the kind bookseller and his equally kind, though he denied it, dark partner.

It had been easy to convince the other shopkeepers on Whickber Street to prepare this little surprise. They all had the same kind of amnesia about the night of the ball in the bookshop, but they all had the same impression.

They'd been in danger, and Crowley and Aziraphale had protected them.

There were often small disagreements among the shopkeepers, but they were all unanimous about this.

It was Maggie, of course, who came up with the idea.

Her incurable romantic Maggie, Nina thought fondly.

The two of them had talked to all the shopkeepers present at the ball and had met with no resistance; on the contrary, everyone had been eager to participate.

Is the music on?

Sent 7:33 pm

The record is on the gramophone and the bee will do the rest.

Received 7:34 pm

Mr. Arnold had seen to it that they found the record as soon as they knew what song it was. 

It was Muriel who told them what it was. When Maggie and Nina been looking for the right song to make their two friends dance, Muriel had made a mysterious face and said they had a secret way of finding out. They returned to Maggie an hour later with the lyrics to a song that Muriel didn't know, but that Maggie found in the second. Muriel also said they would take care of turning on the gramophone and the light when the time was right.

Were you able to finish in time?

Received 7:34 pm

Yes, thank you for the wine and appetizers

Sent 7:35 pm

Justine hadn't hesitated for a second to prepare delicious appetizers and fetch the best champagne from the restaurant's cellar, and had helped decorate the bookshop with Mrs. Sandwhich and Mrs. Cheng, but had had to leave early to open her restaurant.

Mutt had distracted Aziraphale by inviting him to the magic shop for a session of prestidigitation, and Muriel had managed to draw Crowley into one of their escapades, a story about duck and frozen peas that Nina hadn't quite understood, but the important thing was that the two heroes of the party wouldn't be around all afternoon, leaving the way clear for them.

Here they come!

Received 7:45 pm

Well, now everything was ready, and all that remained was to wait for the report of a certain bee when the time would come.

**********

Aziraphale and Crowley each arrived at one side of the bookshop and came face to face in front of the door.

"Oh, Angel, you're here too? So how was it playing the amazing Mr. Fell?"

Aziraphale rolled his eyes and swatted him on the arm before replying, "Well, Mr. Cheeky Demon, I'll have you know Mutt was amazed at some of my little tricks."

Crowley replied with a smile on his face, "I don't doubt it. I too have been...amazed."

"What about you? Did you have fun with Muriel?"

Crowley opened the door and was about to answer him when suddenly the chandelier lit up and a banner came down with the words "Thank you" written in beautiful gold letters.

Both looked at each other in confusion and asked at the same time, "Was that you?"

Then they both shook their heads in unison.

They moved a little farther into the shop when all of a sudden Aziraphale tugged on Crowley's arm and exclaimed, "Look!" 

He pointed to a small table where a tray of appetizers, a bottle of champagne, and two flutes were nicely arranged.

They approached and saw a small piece of paper leaning against the bottle.

Crowley picked it up and unfolded it before holding it up so that Aziraphale could read it with him.

A small thank you from the shopkeepers to the two guardian angels of Whickber Street.

Enjoy it.

Crowley chuckled, "The two guardian angels..."

He couldn't continue because Aziraphale had put a finger over his mouth and said gently, "Don't spoil this gift, just accept it, my dear."

Then he took the bottle of champagne, opened it and filled both glasses. After that, he grabbed the glasses and handed one to Crowley before continuing, "Let's toast and do as they wrote, enjoy ourselves."

Crowley didn't protest, reached for the glass and clinking it against the angel's, said softly, "To us and to the shopkeepers of Whickber Street."

"To us and to the shopkeepers of Whickber Street."

They each took a sip of champagne as the light from the chandelier suddenly dimmed and strings of lights went up everywhere, creating a soft, warm mood while music played softly from the gramophone.

Recognizing the music, Crowley smiled, "Looks like they've all been hard at work discovering our little secrets."

Aziraphale nodded before setting down his glass and holding out his hand to Crowley, he said gently, "May I have this dance?"

Crowley set down his glass in turn and took the angel's hand.

Aziraphale placed his hand on Crowley's shoulder, while the demon's hand naturally rested on his hip.

They began to turn gently to the sound of the music.

After a few moments, the angel's arms wrapped around the demon's waist, and he rested his head on his shoulder. In response, Crowley tied his arms behind Aziraphale's back and rested his chin on the angel's head as they continued to sway gently to the music.

The demon asked softly, "Is this how you planned to woo me on the night of the ball, Angel?"

Aziraphale laughed softly and replied, "More or less..."

"Oh... and what did you have planned after the dance?"

"I have to admit, I hadn't thought that far ahead."

Crowley pushed him back a little and took the angel's chin, lifting it toward him as he said softly, "A kiss, perhaps?"

Aziraphale smiled playfully and replied, "Are you the one wooing me now?"

Crowley brought his face close to the angel's and murmured against his lips, "Is it working?"

Aziraphale breathed, "Try it and you'll see."

Crowley closed the distance between them and pressed his lips to the angel's in a soft kiss that lingered as they continued to sway to the rhythm of the music.

At that moment, indifferent to what wasn't them, they didn't see a little bee lock the door to the bookshop, making sure the angel and demon wouldn't be disturbed.

Then they turned toward the coffee shop, gave Nina, who had been joined by Maggie, a thumbs up, and headed home.

As they passed the Bentley, they ran their hand gently along the car's body and murmured, "Thanks for your help."

Early in the morning, Muriel leaned back against the Bentley and with an air of nonchalance, they said quietly, "I know you can understand me, so let me in, I have something important to ask you about Crowley and Aziraphale."

They weren't quite sure it would work, but how did humans say it? Ah yes, nothing ventured, nothing gained.

Muriel jumped slightly when the door opened and then immediately climbed inside.

They kindly said, "Thank you. I know there's something about your radio and music. I need to know, if you know, what song would be perfect for Aziraphale and Crowley."

As soon as they finished their sentence, music started playing on the car radio.

Muriel didn't know the song, but after all, they knew very little, so they jotted down the lyrics in their little notebook. 

Then they said gently, "Thank you!" before getting out of the car and walking over to Maggie's.

When they walked into the record store, they immediately asked the blond woman, "Maggie, do you know a song about a nightingale singing in Berkeley Square?"

_________

Still not beta'd

Still not my native language

Still hoping you'll enjoy this story  🥰

Still thanking you for bearing with me 😝

Ineffable Growing Love series : here (After season 2)

Ineffable Husbands masterlist : here (Before season 2)

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Hey! Hey, Michael Sheen. Come here. I need to talk to you.

I need to talk to you about what the hell even is your face!!!

Explain yourself immediately. How can you just

what even are is do

are you a real-life angel because I am not sure it's humanly possible to make actual heart eyes

And yet here you are. OK. But wait, I'm upset and I have more.

Will you please just explain this to me because my brain has decided to permanently cease functioning and I can't

Excuse you sir

Did you just grab him by the hips and help him walk and THEN just leaned in when he scolded you and made all this in this here expression with your actual face and made me feel things

Without!!! Speaking!!! A. Single. Word!!!!

I am pretty certain you're breaking the UN Human Rights Declaration by doing this sort of acting and breaking our shriveled little shipper hearts.

Yes, you know exactly what you're doing. The notes probably said "fondly", and you went "Aziraphale looks at Crowley and sees the most inviting ox rib in existence" and don't you dare deny it. We see you.

Come answer for your crimes sir

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Can we talk about the fact that Aziraphale didn't pull away from the kiss? Crowley let him go, he does this unsteady bounce back.

Slowed down you can see it's almost like he was on his tip toes, the way he drops down and steps back. He's certainly capable of standing his ground, resisting any force Crowley might be putting into the grip on his coat. He was willingly being kept in place, and on his tip toes so Crowley didn't have to lean down so much.

Dare I say, encouraging? You wouldn't put both your hands on someones back if you wanted them to stop kissing you. Certainly wouldn't push forward into the kiss, look at how Crowley's head moves forward and then back.

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Crowley: We need to make this the tiniest, most insubstantial, fractional half a miracle we have ever performed. No traces of anything miraculous left behind. No alarm bells ringing in Heaven.

Aziraphale: Right. Count of three.

Crowley: One, two, three, now.

*Crowley jumps on the chair and checks an orangey-flowy-something with a tip of his finger*

Crowley: I think it took. That was a class-A surreptitious half a miracle. No one will have noticed a thing.

*happy Aziraphale*

*unamused Michael sighs as alarms are blaring in Heaven*

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I'm back with another Good Omens meta in which I'm gonna scream about This Shot now because otherwise I might go insane:

Everything. Every single thing about this shot is so telling and painful and perfect. So, let's break it down before I loose my blessed mind.

LIGHTING

Notice the very obvious, massive ray of light shining in from the top right corner? At first glance, it might seem like it's coming from the window but really, the angle is completely off, the outside is way gloomier than the inside and it seems like it's actually coming from the skylight. The literal one and, mayhaps, also the metaphorical Heavenly one? *winks at you with both eyes*

PLACEMENT

In addition to the source of the Mysterious Ray Of Light being quite the obvious reference to Heaven: it also shines directly onto the heavenly array in the bookshop. The very array Aziraphale used to try and talk to God in S1. And who is standing in the dead middle of it? That's right. The fucking Metatron. Just like all the way back before the End of the World. Appearing to Aziraphale albeit not being called upon. Parallel much?

Aziraphale on the other hand, is not even close to being in the middle of it. Neither the array nor the ray of light. He's standing at the very edge of it, still distraught down to his angelic bones, completely cast into the shade. Despite being the one closer to the camera (= us, the audience), he still draws our eyes in less than the Metatron. It gives us a very clear image of which one of the two of them is currently dominating the shot and also the conversation.

The bookshop is Aziraphale's space, the most Aziraphale space there is. And yet, he's not the one currently owning it. The Metatron's presence is almost making this feel claustrophobic. If we were to draw a line right down the middle of the shot, both him and Aziraphale are crammed into the left side of the picture. Just like in so many shots with Aziraphale and the other (arch)angels, it feels like his space is being invaded, he's beeing crowded against a metaphorical wall, squeezed out of his own comfort zone.

Because that's exactly what the Metatron is doing here, isn't it? It's what Heaven has always done to Aziraphale. Get up all in his business when he leasts wants them to, with nothing but bad intentions and arrogant distain, masked under the hood of feigned corporate politeness. ("You.. you– bad angels!")

BONUS: CROWLEY'S ABSENCE PRESENCE

As we all know, Crowley has already left the bookshop after The K*ss. And he's clearly the missing half to this shot. The Metatron is crowding Aziraphale away from him, away from the door and the window that lead and look outside of the bookshop. Where Crowley is. Where freedom is. Just this once, the bookshop is actually not at all where Aziraphale wants to be. But he's being kept in there by the Metatron, because the choice was never his.

So, we have our clear image: The Metatron backing Aziraphale away from his freedom and what he wants – the metaphorical and literal "right" side (of the shot). And what do we see in the background, on that very right side? The horse statue Crowley always puts his sunglasses on. Look at her, there she is:

In S2E1, right when Crowley and Aziraphale get back from Nina's café to the bookshop (with the damn Eccles cakes), he puts his sunglasses very obviously atop the horse statue ...

... and then takes them again when leaving the bookshop.

It literally gets its own close up shot. It tells us: Crowley feels safe in the bookshop. Crowley feels safe with Aziraphale. This is his home just as much as it is the angel's. And I don't have to tell you about the metaphore of him putting the glasses back on once he realizes he has lost Aziraphale to Heaven. (In addition, I categorically refuse to talk about the way Aziraphale looks at him when he does it.)

So, the horse statue being on this side of the shot –– the side that Aziraphale actually so desperately wants to be on right now (their own side) but is being kept from –– is just beyond symbolical.

Because just like the statue representing him, Crowley is still there. He's waiting. Right outside the shop, by the Bentley. He's there. He'll always be there. He just can't come with this time. Not to Heaven. Not after how he just laid himself bare after 6000 years of wearing his bloody metaphorical sunglasses like a battle armour, and was left hanging just like his shades on the god damn horse statue.

Literally me right now:

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armageddidnt

The Best Things From Good Omens 2

Aziraphale and Crowley dancing. That’s it.

David’s walk and little jump

Aziraphale driving Crowley’s (yellow) Bentley

Normalizing choosing not to drink for a completely simple and valid reason

Whatever the fuck Aziraphale was insinuating here

Aziraphale and Crowley thinking they’re the smoothest motherfuckers in the whole world and then actually rolling a nat 1 on the stealth check

Aziraphale gazing like this at anybody who’s in love

Maggie doing this

This line. That’s it

This one needs no explanation

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Good Omens 2 appreciation post for that moment after Nina has just rocked Crowley's world with the revelation that no, he isn't slick and yes, it is glaringly obvious to everyone just how head over heels in love with Aziraphale he is.

Crowley takes himself off to the french restaurant and is drowning his sorrows in a bottle of wine while having the realisation that he's been following the angel around like a lovesick puppy all day with no other possible agenda other than to be around him.

And then he sees Aziraphale and whistles him over but the angel is too busy to join him for a wine in the middle of the day and Crowley tries to divert questions by complaining that he's scared Gabriel/Jim is gonna smite him and he'll be well and truly smote, no, smoted? Smited? What's the word he's looking for?

And the angel gives him a knowing look and says:

"Smitten, I believe."

PERFECTION.

GRAMMATICAL CORRECTION AND DIAGNOSIS IN A SENTENCE.

AZIRAPHALE JUST READ HIM LIKE A HIGHLY COLLECTIBLE BOOK AND DOESN'T EVEN REALISE HE HIT THE NAIL ON THE HEAD.

This is my new favourite double entendre.

Smitten as the past tense of Smite. And the exact reason Crowley is drinking in the middle of the day.

He's realising he's smitten, your honour.

I hope Neil closed the laptop with a dramatic flourish after writing that line. Hell if I'd written a moment that perfect I'd take a victory lap of the kitchen and then call someone to tell them how clever I'd been before I pop.

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