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Fangirling and Writer-Nerd Chaos

@folatefangirl / folatefangirl.tumblr.com

I'm Cinnia, late 20s, she/her, a fan of the health sciences and many other things, and a former quiet kid who was abducted by the theater people. This blog is a semi-queued experiment to vent my endless energy for fandoms, LGBT+ content, writing, languages, religion analysis and ExMormon content, dancing, mental health, etc. I also run the Grate Scoff food blog as well as the Incorrect Rings of Power and Incorrect Thornfruit Quotes blogs.
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Electrolyte Replacement Basics

This post brought to you by caffeine, spite, and the lovely encouragement of @drpathetique.

I’ve put a lot of this post behind a cut because there is A TON of text. Plus worked examples because the last thing I want is for y’all to have info but no idea of what it even might look like in practice (or, more relevantly, on an upcoming exam). Also, if you notice errors or if you want to suggest an alternative to what I wrote here, please tell me so that I can fix the post or update it with new info.

Things you need to know about your patient and the electrolyte replacement regimen:

  • Do they have severe cardio or neuro symptoms? If so, take caution because electrolytes are considered high risk medications.
  • Renal dysfunction: What is their CrCl/GFR? If they have renal dysfunction, do not use standard replacement doses of potassium, magnesium, or phosphorus, which are all renally cleared.
  • When was their last lab draw? (You want those electrolyte values as up to date as possible.)
  • Can they take medications by mouth? If not, is their IV access peripheral (more susceptible to damage) or central?
  • What solution are you giving to them and what is the concentration?
  • What is the rate of IV administration?
  • What do you need to monitor and when?
  • What is the elemental amount in product salt formulation of the electrolytes?
  • Where is your hospital’s protocol and what do they have to say? (YMMV with what I say below so always check what your institution wants.)

*Note: mEq = mmol

More after the cut:

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On Book Reviewers and Author Interactions

Why This Must Be Discussed

TL;DR: I don’t want authors to interact with my reviews of their books anymore, and this long-ass post explains why. Disclaimer: I am NOT a professional book reviewer, but I fundamentally believe in the value of honest reviews.

Dearly beloved authors and aspiring authors, we need to have a talk about the purpose of book reviews and book reviewers of officially published books (traditional, indie, and self-published). While Book Twitter has been going off recently about negative reviewers who try to make authors see their reviews, I have been dealing with the exact opposite problem, which is the problem of authors who respond to the critique in reviews of the books WITHOUT being tagged or asked to respond. 

After the third time this has happened (mostly with self-published authors, I might add), I’ve decided to come forward and not only ask authors to not interact with my reviews of their books, but also make a post about WHY authors interacting with reviews of their books is an extremely bad idea. 

Look, I get why some authors, especially ones who are operating on their own, might think it’s fair game to interact with reviewers. No one told them not to. Many self-published authors are also fanwriters where reviews and comments are seen as “payment” to the author and interactions are encouraged. They may not fully realize the consequences of interacting with a review of an officially published work that may spiral out of control and permanently damage their reputations without a PR team or agent to advise them. 

Regardless, it is a well-accepted maxim in the vast majority of publishing and reviewing spheres that book reviews are NOT written for the author. Book reviews are a snapshot of one person’s reading experience and intend to give an idea of what the book might entail. They are NOT a gift to the author and are written without the intention of ever being read by the author. Should the author decide to read their reviews anyway, it is expected that the author understands this rule of conduct and act accordingly.

Let’s break down what happens (as has happened to me), when an author decides to interact with the review anyway.

Levels of Authorial Intrusion Upon Reviewing Spaces

  • At the least intrusive: The author might like a review of their book on goodreads or tumblr and that’s it. There’s nothing wrong with that, except it tells me that they are reading their reviews and might escalate if a reviewer says something they disagree with. 
  • At a moderate level of intrusion: The author responds to the critique in the review via a public comment on the review on a place like GoodReads, Amazon, or tumblr and might even PM the reviewer as well and solicit further interaction. This is the level I am at right now with certain authors who felt the need to respond to my critique, which never tagged them and was always for my book reviews of 3 stars or higher.
  • At the highest level of intrusion: The author responds in a manner that implies they deserve only to hear what they want to hear from their reviewers and have the right to avenge anything they perceive as an insult to their work. This can present in various ways that have actually happened, such as Kiera Cass trying to erase one-star reviews, Kathleen Hale stalking a reviewer, Anne Rice being Anne Rice, and Richard Brittain physically attacking a reviewer. (Sources at the end.) 

The last level is obviously the most dangerous level of interaction and the most permanently damaging and what I worry about the most when an author takes an interest in what I say about their books. It is always on my mind when I write book reviews because I unfortunately can’t take chances with my personal safety. 

“But I Just Want to Talk!”

Let’s say an author wants to respond to their critique and would never dare to escalate to stalking or anything else. Okay. Let’s list off the potential consequences of this for their writing career, shall we? 

  1. If they respond to the review, especially in a public manner as authors have interacted with me in the past, they are acting as their own brand and PR agent in that moment. What they say does not reflect on them as a friendly person having a chat, but the author’s personal brand, which carries implications for how they will handle their brand in the future. If they handle the interaction poorly, they could permanently damage their reputations and lest you think indie and self-published authors are safe from public scrutiny, might I direct you to the example of Faleena Hopkins, who has permanently damaged her reputation with the Romance Writers of America thanks to her actions on social media. 
  2. If they attack the reviewer or respond to the critique and start following the reviewers’ reviews (THIS HAS HAPPENED TO ME PERSONALLY), they are intentionally or unintentionally saying “I am watching you, reviewers, and observing what you say to make sure you toe the line and I will continue to respond if you say anything critical of my writing.” Naturally, this has the net effect of discouraging people from reviewing their books honestly or even leaving reviews at all. Indie and self-published books are already hard-pressed to get any reviews so why would authors make it so much harder?
  3. If they solicit feedback or commentary on their books beyond what was in the review, it comes across to many reviewers as the author essentially asking for beta or editing help with their book AFTER it has been published and after beta-ing and editing should have happened. The review presents a snapshot of the reading experience of that specific book edition. If an author chooses to read critique and use it to write a different edition or direct their future writing, they can do so without defending themselves to the reviewer or sounding like they want free labor from their readership.

Basic Guidelines for Book Reviews

For authors and aspiring authors: 

  • If you can’t handle reading critique of your books, don’t read reviews. 
  • Book reviews are NOT the same as fanfic or WIP comments and beware of what you say publicly as an author. 
  • Resist the urge to respond to critique because 9/10 times, it will not reflect well on you and for the love of gods, don’t act entitled to what people say in reviews
  • Let’s say you read a review anyway and it upsets you. Go to friend who is okay with you ranting to them or a therapist, vent to them in private, and say absolutely nothing to the reviewer at all. 
  • Even if the reviewer is the sort of asshole who tags an author in a one-star review, it is better to say nothing and block them at most than to risk readers refusing to read your books because they mentally group you with the unreasonable authors. 
  • When in doubt, just don’t interact with the reviews or reviewers.

For book reviewers: 

  • As much as I would like to tell you that authors are all reasonable people who won’t harm you for writing something they don’t like, dangerous people do exist such as the ones listed above. I won’t tell you not to review their books, but do your own research and understand the potential consequences. 
  • For the sake of readers everywhere who rely on our honest reviews, we can’t behave as though all authors are gonna harm us, so my recommendation is to keep writing reviews, even for unknown authors, and block authors if you must or otherwise take action to keep your anonymity on reviewing sites secure. 
  • Don’t tag authors in negative reviews, if ever. Just don’t. 

Sources

Kathleen Hale: 

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Ten writing prompts that play with reader expectations

  1. An eldritch abomination/horrifying cryptid is actually real and comes into the public limelight to terrify humanity again, only to be rather confused by having a ready-made fandom and memes about them. They eventually decide that stardom isn’t so bad and becomes a regular figure on talk shows, discussing their horror dimensions from which they originated.
  2. A deity falls in love with you and while their text messages to you are god-tier entertaining, you’re really not interested in a relationship with them.
  3. A mysterious entity takes over your country’s government and appears to be capable of controlling everything that happens with very little effort. However, they have a weakness for your award-winning homemade recipe and would do just about anything for a batch. 
  4. History class at night school is rather boring until ghosts start giving their input during the lectures. 
  5. Whenever anything is burned to ashes, it appears in another dimension. The original resident of this other dimension is starting to get rather annoyed by the clutter. 
  6. Atlanteans asked the gods to hide them from the rest of the world because they were having a very bad case of Impostor Syndrome-induced anxiety and didn’t want to put up with other people’s pressures and expectations anymore. 
  7. Demons don’t cook anything to eat and they think the human customs of doing so are essentially a magical religious practice. 
  8. A knight has a mission to rescue a princess from the villain/monster, only to find that she has already escaped and the only clues as to where she went were left behind in a diary.
  9. A wizard commissions a magical cloak of invisibility, but a typo in their order leads them to receive a cloak of enhanced visibility instead. 
  10. A young witch attempts the common taboo of making a love potion and manages to succeed, but the potion promotes platonic love and enhanced communication skills. The government sees it as a threat to the war effort.
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Ten writing prompts that play with reader expectations

  1. An eldritch abomination/horrifying cryptid is actually real and comes into the public limelight to terrify humanity again, only to be rather confused by having a ready-made fandom and memes about them. They eventually decide that stardom isn’t so bad and becomes a regular figure on talk shows, discussing their horror dimensions from which they originated.
  2. A deity falls in love with you and while their text messages to you are god-tier entertaining, you’re really not interested in a relationship with them.
  3. A mysterious entity takes over your country’s government and appears to be capable of controlling everything that happens with very little effort. However, they have a weakness for your award-winning homemade recipe and would do just about anything for a batch. 
  4. History class at night school is rather boring until ghosts start giving their input during the lectures. 
  5. Whenever anything is burned to ashes, it appears in another dimension. The original resident of this other dimension is starting to get rather annoyed by the clutter. 
  6. Atlanteans asked the gods to hide them from the rest of the world because they were having a very bad case of Impostor Syndrome-induced anxiety and didn’t want to put up with other people’s pressures and expectations anymore. 
  7. Demons don’t cook anything to eat and they think the human customs of doing so are essentially a magical religious practice. 
  8. A knight has a mission to rescue a princess from the villain/monster, only to find that she has already escaped and the only clues as to where she went were left behind in a diary.
  9. A wizard commissions a magical cloak of invisibility, but a typo in their order leads them to receive a cloak of enhanced visibility instead. 
  10. A young witch attempts the common taboo of making a love potion and manages to succeed, but the potion promotes platonic love and enhanced communication skills. The government sees it as a threat to the war effort.
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Things that happen in large families

Based on personal experience*, especially because some of these are so underused in fiction even though they can be a treasure trove of humor and drama just waiting to happen. Also, a lot of these can be applied to the Found Family/Family of Choice trope.

  • The youngest sibling and the oldest sibling wear styles from completely different decades (e.g. 80s and 90s) because the youngest kid’s entire wardrobe is hand-me-downs from the older ones. And yes, it looks as hilarious in family photos as you might think.
  • Birthdays and holidays spawning a lot of Dobby the House Elf moments
  • There is no such thing as a perfect family photo. Someone is always blinking or making a silly face or sneaking in a rude gesture. Always.
  • Grocery carts piled ridiculously high with the basics and yet inevitably one item on the list will always be forgotten and it just so happens to be essential for dinner
  • Cooking a meal involves both racks of the oven, three-quarters of the stove, and sometimes an electric griddle or crock pot on the side
  • Bunkbed Discourse™ x1000
  • Four+ people trying to get ready in a bathroom at the same time (the nicer ones will eventually give up and get ready in a bedroom that has a decent mirror but they’ll still maintain that the bathroom mirror is the best)
  • One sibling piled under two blankets with three pillows over their head in their fully-lit bedroom at 1:38 AM because another sibling procrastinated on their homework. Meanwhile a third sibling reads a book and the fourth sibling sneaks back through the window from their latest nighttime adventure.
  • Similarly, siblings getting roped into homework projects and favors around the clock, especially if they involve videos, pranks, or both
  • One sibling bribing a pack of siblings with junk food or favors so that they’ll leave the sibling alone with their crush

*For the sake of privacy, by “large families”, I’m gonna be vague and say that I mean one where there are more than four siblings and the family has a rather tiny budget

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Book Rec: Thornfruit by Felicia Davin

I’ve probably recommended this book to all of you at some point in the past 6 months because The Gardener’s Hand trilogy was bar none, the best series I got into last year and I simply can’t shut up about it because I’m basically propping up the fandom by word of mouth and text post memes. (Please, y’all, it’s lonely in here. The tumbleweeds are gaining sentience.)

Reasons Why I Highly Recommend This Book

  • The prose is memorably descriptive but also very funny and snappy at times, e.g. “ALIZHAN WAS A FIERY FUCKING reckless fool, and Ev was the twice-burned dope who kept following her into trouble.”
  • The worldbuilding works really well and in a unique way: The story takes place in a world that is tidally locked and it affects the culture and political dynamics immensely. They think a world like ours is quite strange.
  • Alizhan and Ev are really wonderful wlw characters, there’s wonderful bi rep, and imho, they’re great examples of women of color who are casual protagonists in fantasy fiction without any fuss raised about it. Alizhan is funny, inquisitive, and reckless and Ev is kind and brave and wise and they complement each other well.
  • The story is fast-paced and very fun and very hard to put down once it picks up speed and magic comes into play. It turns very much into a Roadrunner vs Coyote situation but with more political intrigue. From the moment Alizhan and Ev grasp each other’s hands and run away, the story grabs your hand and takes you along for the ride.
  • Also the side characters and backstory are fascinating in terms of the mysterious political intrigue Alizhan and Ev are slowly discovering. (Tell me you don’t want parents like Ev’s, I dare you.)
  • Personal favorite part of the book: The medusas aka creepy magical jellyfish. I love and cherish them. Also the way the books appreciate plants/botany warms my bio nerd heart.

Reasons Why I Highly Recommend The Entire Series

  • The books only pick up in pace and intensity over time and it’s very hard to not want to find out what happens at the end of the third book because our heroines just keep running and running towards that finish line (with some chapters of respite). Fair warning that the second book, Nightvine, ends on a slight cliffhanger.
  • The next two books introduce yet another bisexual character of color (aka bisexuals are the protagonists, folks) and this character is easily one of my favorite characters of all time, in addition to Ev and Alizhan. They’re extremely biconic.
  • As the series progresses, you learn even more cool stuff about the creepy jellyfish and magic system and plants. The worldbuilding unfolds like a flower, bit by bit, as the gals are chased from place to place.
  • There’s a truly excellent segment in the third book (Shadebloom) that calls out colonialism and it is amazing.
  • I’m hoping more people will read it so I can hear what they say about all of the rep (more than what I’m focusing on here) and so that they can comment on a part of the third book focusing on disability and how the characters deal with that since I can’t really speak on that particular disability per se. If you get through that part of the series, please @ me so we can talk, y’all!
  • Even though I was kinda getting a hang of where the story was going by the end of the second book, the third still managed to surprise me in a good way. And no one is killed for pointless shock value.
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Auditory hallucinations are wild and since ‘tis the season, I’ll tell y’all the story of French Demon Clock:

When I was a teenager, my bedroom had a battery-operated, analog wall clock that was Paris-themed, so lots of cutesy French artwork and words in its design. It had a metal arm to count seconds in addition to the minute and hour hands and would tick tick tick throughout the day.

During my senior year of high school, when I was extremely stressed out and sleep deprived from Life Shit going on, the batteries finally died and I never got around to replacing them.

After about a month or so after the batteries died, I started waking up in the middle of the night to: tick tick tick.

I took the dead batteries out after that, thinking that maybe just some residual charge was left in them, enough to power the seconds arm even though the minute and hour arms were still frozen from the month the batteries died.

Not long after that, I arrived home to study in my room for a bit and had just got comfortable when unmistakably I heard it: tick tick tick

I pulled the clock off the wall to be sure I had removed the batteries and sure enough, no batteries were there. The ticking eventually stopped that day. Maybe I was imagining things.

For gods know what reason teenaged me had, I left the clock up on the wall for a few more weeks and kept intermittently hearing tick tick tick whenever I was in my room until at last I decided having cute French decor was not worth feeling like I had a possessed inanimate object in the place where I slept.

Since I am not a priest and have no powers of exorcism (and much more likely just needed more sleep and less stress), I got rid of it in the I’m-a-horror-movie-protagonist-who’s-too-stupid-to-live way by chucking it in a dark corner of the basement.

I found it again in the summer of 2017 while helping my family move and while I felt the back of my neck crawl whenever I was working with my back turned to it, it never made a peep.

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