Nimona and the Myth of the Perfect Victim
Nimona is great at showcasing why “If you didn’t act so threatening people would stop being bigoted” doesn’t work. That idea has been rampant in social movements for so long, the concept that if oppressed people were just more passive with their wording, and never got angry or defensive, people wouldn’t have reason to oppress them.
When the village attacks her, Nimona doesn’t initially fight back, but tries to explain to them, showing them her “acceptable” form as a young girl.
But they don’t care that Nimona looks acceptable, they still know her for a shapeshifter and attack anyway. Then, when Nimona fights back with fangs and claws, Gloreth becomes convinced she is indeed a monster. Never mind the context of the provocation, Nimona looked scary, so is now a monster.
Far in the future, Nimona now doesn’t worry about looking respectable. Ballister tells them they should look like a girl, because it would be easier for to be accepted.
To many people, this would be valid reasoning - if Nimona assumes a non-threatening form, no one will be scared. But Nimona knows this isn’t true. If people catch sight of the shapeshifting even for a moment, it won’t matter that Nimona takes the form of a sweet, innocent girl. They will attack anyway.
And staying as a girl forever, never letting them see, is something she doesn’t see as an option. Other people might see it that way, that it is better to forever rigidly conceal their identity so they never once face any hatred, but as Nimona says, while it’s not true death, it sure isn’t living.
Earlier, Ballister was caught destroying the prison with Nimona, adding fuel to the idea of him as a villain, which he blames her for. But he was labeled as one anyway. Had Nimona not gotten him to wreak havoc, he would have remained in prison and never seen as innocent.
While Ballister initially believes that Nimona is ridiculous to dramatically break standards of acceptability, he realizes that some people won’t accept Nimona even if she is “the perfect victim.”
We see this in real life, where even someone who is the epitome of moral decency will still eventually be targeted. Illusions to the contrary are disproven.
Of course the city screams and runs when Nimona transforms into a giant creature, but they screamed and ran when he turned into non-threatening creatures as well. So Nimona is driven to view it as not mattering which she does. Of course, in the end she chooses to help them anyway, and calm herself from her giant form, because Ballister shows her recognition while she is in it.
Ballister sees her in her most terrifying form and recognizes she is lashing out from fear and anger at the treatment she received. He doesn’t demand she stop and be more respectable, he sees them as they truly are and shows them understanding, and that is what calms Nimona down.
There is no perfect victim. Everyone is messy and flawed and will lash out. If there were a perfect victim, it wouldn’t matter anyway. A perfect victim is one who never dares raise an arm against attack, even out of desperate self defense. Nimona would be a perfect victim if she had laid down and succumbed to the pitchforks. Ballister would be a perfect victim if he sat in prison to rot.
A “perfect victim” will always die before being being recognized as such, because the only true acceptable way for a marginalized person to exist is to be dead.
