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#icymi – @folatefangirl on Tumblr

Fangirling and Writer-Nerd Chaos

@folatefangirl / folatefangirl.tumblr.com

I'm Cinnia, late 20s, she/her, a fan of the health sciences and many other things, and a former quiet kid who was abducted by the theater people. This blog is a semi-queued experiment to vent my endless energy for fandoms, LGBT+ content, writing, languages, religion analysis and ExMormon content, dancing, mental health, etc. I also run the Grate Scoff food blog as well as the Incorrect Rings of Power and Incorrect Thornfruit Quotes blogs.
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Regarding #EndOTWRacism’s summaries of 2023 OTW Board election candidate positions

Before I begin, let me say now that while I am a volunteer with the OTW, my views are personal and should not be taken as any kind of official statement from the org, its leadership, or other volunteers, especially not the candidates in question. My focus here is on the Asian candidates for obvious reasons, but this post is not meant as endorsement or disavowal of any of the candidates, whose bios and platforms can all be read here.

Do not take this as an excuse harass the mods running EOTWR. I cannot make myself clearer.

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I am making this post to express my extreme disappointment with End OTW Racism’s post purporting to summarize the platforms of the candidates for the upcoming Board elections. It is no longer rebloggable, but can be read here.

The way that the candidates with Asian names were spoken of is deeply insulting when compared with how candidates with English-language names were discussed. Asian candidates had their platforms misrepresented, their expertise downplayed, and their lived experiences reduced down to “bringing an international presence” to the board, which was then further caveated with, “diversity alone is not going to solve the issue of racist harassment currently allowed in the OTW’s policies and enforcement practice”. While it is true that diversity alone is not a solution, it’s pretty offensive to essentially have “remember! Just because they aren’t white doesn’t mean you should vote for them!” tacked on to one of the Asian candidates’ platforms. 

End OTW Racism seems more concerned with whether or not candidates used the buzzwords they wanted to hear rather than with how racism is discussed holistically within the statements. While I can appreciate that EOTWR has a specific agenda, to say things like, “[s]he does not mention racism, racist harassment, or hiring a DEI consultant in her platform, so outside the outreach and support she mentions, there is not enough for us to conclude that these would be priorities for her” regarding Zixin Z.’s position, directly following the statement, “[s]he also mentions the need for outreach towards non-English-speaking fans and has a desire to provide support to volunteers from minority groups” is fucking laughable, especially after the initial mistake of stating that Zixin Z. only wanted to do more outreach to Chinese-speaking fans. Again, I understand that people make mistakes and that this mistake has since been corrected, but I hope it prompts some reflection on the sort of biases that would lead to such a mistake in the first place. It may have been completely innocuous, but in charged discussions about racism, please understand that it gives an impression that is difficult to shake. I do thank you for not trying to hide that this happened. 

Why is Anh P.’s lack of discussion on TOS/PAC a point against her, while Zixin Z.’s years of experience on PAC, her role as a mod on Weibo, and her background in nonprofits don’t even warrant a mention? For that matter, why did none of the Asian candidates’ skills or experience warrant mention? Qiao C. and Zixin Z. have both been volunteers with the organization for several years now, and Anh P. has years of moderation and volunteer experience elsewhere prior to her work with the OTW.

It is so fucking frustrating that despite each one of these candidates specifically talking about the need for diverse voices, they had their platforms essentially passed over because they didn’t use the right words, and it is particularly fucking aggravating to see that EOTWR will use Chinese issues as props when trying to press OTW leadership on the racism that occurs within the org, but then completely fail to connect the dots on why these candidates are running because the wrong language was used. Zixin Z. is one of the Weibo mods, for fuck’s sake. 

The entire post feels like an exercise in virtue signalling, from every time it was brought up that a candidate did not provide pronouns in their platform statements, despite every one of them having pronouns provided in their bios (why mention this detail at all? You could have simply used the pronouns), to what felt like willful obliviousness to the anti-racism stances in the Asian candidates’ platforms. It feels like the concern starts and ends with racism in Anglophone terms, on Anglophone terms.

I can respect the driving ideas behind EOTWR, even if I disagree with the way that EOTWR pursues their goals. I do believe that we want the same things in the end, and therefore chose not to interact with the many posts I have seen about the protest. However, I saw the summary post and could not let it pass without speaking.

For a protest group supposedly dedicated to ending racism in the OTW, this felt incredibly hypocritical, conscious bias or not. In my most charitable frame of mind, I can see this as misjudging and overcorrecting to ensure that there was no favoritism shown to the obvious non-white candidates lest EOTWR be accused of tokenizing– again, it is true, that diversity in and of itself is not a solution to racism. 

In my least charitable and most bitter frame of mind, I feel inclined to wonder if EOTWR, much like the OTW itself, is uncomfortable with the lack of influence they could exude over an international candidate. It would be much, much easier to push their agenda forward with more culturally familiar candidates, particularly white ones. Guilt and public scrutiny are powerful weapons and easy to wield against those with perceived privilege in our current atmosphere, often to the detriment of the actual discussion at hand in my experience. I know that’s cynical. It’s hard not to be. (For clarity's sake: I do not know the other candidates' races. This is a hypothetical.)

This isn’t a demand for an apology. I think we fetishize the capital-A Apology to the point where I find them sort of meaningless unless they are given freely. I don’t need EOTWR to agree with me, and I don’t really want to keep talking about it. Rather, I would prefer that EOTWR take action to do better as they continue in their campaign. What that action is is their decision. If they truly mean to stand against racism in the OTW, then I’d like them to demonstrate it.

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DO NOT HARASS EOTWR MODS. I AM FUCKING SERIOUS ABOUT THIS.

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How to Feed Your Feral Self without a Recipe

Cooking can be very hard, which is why newbie cooks or more experienced ones who gotta have everything right and replicated every time tend to cling to recipes and frantically google when they need a quick substitute. Been there, done that.

And truthfully, with trickier recipes like certain desserts or baked goods, not even a feral gremlin like me will dare to deviate from a recipe beyond say, swapping vanilla extract for another flavor or something.

But it’s come to my attention that the way I cook casual meal-type things aka “I have all these ingredients and have fuck all for a recipe but I’m gonna make something eatable out of them, dammit” is not the norm for a lot of folks and they are very confused when I try to verbally explain my cooking process, so this is my attempt to write it down for posterity.

First of all, I don’t wanna discredit the value of experience when talking about deviating from recipes or making shit up: I’ve been cooking for a very long time. Officially, I’ve been making full-course meals since I was 14, but even before then, I made a lot of baked goods, prepped food storage, and assisted my parents, grandparents, and siblings with cooking food. So I’m very familiar with various cooking techniques and what flavors go with what and what is a plausible substitute for something that won’t likely ruin an entire meal. Not saying newbie cooks can’t try, but say for example, if I’m trying to make a stir-fry without a recipe, I instinctively know which veggies to add in what order so that they finish cooking all at the same time and a new cook may not know this off the top of their head.

Secondly, I subscribe to the cooking theory of international flavor profiles that make a dish taste distinct from other dishes, say in traditional French cooking vs traditional North Indian cooking. Also there’s just basic flavor profile know-how based on your taste buds. I use both when I’m looking at a random assortment of ingredients, often bought on clearance, and trying to figure out the best way to fit the flavors and textures together.

You can read up on both via the links below or alternatively, I also recommend The Flavor Bible by Andrew Dornenburg and Karen A. Page if you can afford to invest in a copy.

Links:

Thirdly, I kinda go about it by pretending I’m like a contestant on Chopped, a cooking show that purposefully challenges cooks to make meals out of weird and limited ingredients in a certain timeframe. I put on motivational music, do my food profile research, check the other ingredients I can possibly pull from (I don’t try to use everything at the same time!), and Cook The Thing. I don’t worry too much about making it look pretty since I am a home cook, but I do try for more pleasant food aesthetics if I can on top of making it taste good. Note that I don’t force myself into the Chopped model entirely; I have staple ingredients I always keep on hand like milk, eggs, oatmeal, masa harina, wheat flour, pasta, carrots, onions, garlic, crushed tomatoes, and various spices and herbs I pull from to pair with whatever weird thing I bought this week from the clearance rack.

And there lies the crux of it: A lot of the time, I experiment with cooking funky things because while I can afford to buy weird shit on clearance or on sale, I can’t always afford to make a full fancy recipe with all the expensive ingredients from Epicurious or the Food Channel or whatever. I was partly raised by grandparents who survived the Great Depression and got creative with their meals in order to get by, and I’m fairly sure they passed that thriftiness and cooking curiosity on to me. And sometimes, when I make something super interesting and tasty for like $1-2/serving or less, I feel like a cooking genius and it all feels worthwhile.

Here’s an example of some various things I’ve made in the past based on random ingredients paired with staples I already had lying around, waiting to be used up:

  • Herbed flatbreads/corn cake-like things made with vinegary champagne dressing bought cheap + herbes de Provence from my cupboard + eggs + bit of flour I needed to use up + masa harina to make up the rest of the flour needed.
  • Citrus split pea spread made with leftover cooked split peas mashed with leftover citrus fruits (lemons and limes) + garlic & onion powder + salt
  • Broccoli and cheese goes together, right? And creamy sauces tend to be served with bowtie pasta? So why not add broccoli to broccoli and cheddar soup + extra stuff like green onion and use up old bowtie pasta?
  • I have a huge bottle of black garlic kalbi marinade in the fridge so I decided to make a basic vegetarian stir-fry with edamame, green beans, bell peppers, and onions and use the marinade as the sauce, then put the finished product over noodles or rice.
  • Leftover mango chunks + plain yogurt + sweetener + Tajín seasoning, blend like a lassi and/or make into popsicles or eat as-is
  • Walnuts and cranberries hanging around for far too long post-Holidays = added to oatmeal or paired with leftover shredded chicken + celery + mayo or mayo substitute for gussied up sandwich filling
  • Canned tuna + curry powder + salt + yogurt + mozzarella cheese on top + baked on flour tortillas = better tasting than expected
  • Sliced kielbasa + leftover broth-based soup with tomatoes + fresh spinach + fully cooked brown rice = voila, new soup!
  • Basic quiche (for those who like theirs to taste more eggy than custardy) = pre-baked 9-inch deep-dish crust if using lots of wet ingredients (otherwise thawed and unbaked is ok) + 2 cups cooked fillings + 1.5 cups shredded cheese, divided + 6 eggs + 1-2 tbsp whole-fat milk or cream per egg, layer bottom of crust with about half the cheese, add fillings and egg-milk mixture etc, top with more cheese and bake at like 400*F on the bottom rack for longer than you think (yes, this will be a future recipe post)
  • Red lentils won’t make a sauce made from pumpkin look ugly so if Indian-type spice mixes and cooking techniques are paired with it, you can have yourself a sorta cobbled-together lentil-and-pumpkin curry to go over rice or Naan breads, as I’ve made in the past

And yeah, I have ruined some things or made only passably edible meals based on this method of cooking, but I do think experimenting with different ingredients and considering alternative uses for them has made me a more creative cook overall and I highly recommend giving it a try if you get the chance. It can be lots of fun!

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Fantasy Book Recs: Masterpost

Disclaimer: All of these books are books are either books I’ve read, or that I’ve read enough of to feel comfortable recommending, so it’s biased and YMMV. Fantasy is defined rather loosely here for the sake of giving y’all more options.

Tips: This rec list has a lot of repeats because it’s organized by specific categories. Scroll down to the section or sections that seem the most interesting to you and have at it! (Let me know if links aren’t working.)

Last updated: June 29th, 2019

First Section: Read What You Want, Y’all

Fantasy classics book recs: 

  • Alice in Wonderland by Lewis Carroll*
  • The Wonderful Wizard of Oz by L. Frank Baum*
  • The Lord of the Rings by J.R.R. Tolkien
  • The Chronicles of Narnia by C.S. Lewis*
  • Peter Pan by J.M. Barrie*
  • Over Sea, Under Stone by Susan Cooper
  • The Book of Three by Lloyd Alexander*

I’m not your mother so just read them, y’all. Or read some quality HP fanfiction to scratch that itch. (I highly recommend Oh God Not Again!, Hermione Granger’s Hogwarts Crammer for Delinquents on the Run, and Harry Potter and the Methods of Rationality.)

Not!Harry Potter books:

  • Carry On by Rainbow Rowell
  • The Magicians by Lev Grossman
  • Midnight for Charlie Bone by Jenny Nimmo*

Short stories and short story collections:

  • A Glory of Unicorns compiled by Bruce Coville*
  • The Tales of Beedle the Bard by J.K. Rowling*
  • Tales of Nevèrÿon by Samuel R. Delany (explicit adult content)
  • Across the Wall by Garth Nix
  • Vampires in the Lemon Grove by Karen Russell (disturbing content)
  • Theater of Cruelty by Terry Pratchett
  • Jackalope Wives by T. Kingfisher
  • Resilience compiled by Sasha L. Miller (explicit adult content)
  • A Faire Encounter by A.M. Valenza
  • The City of Dreams by Hailey Griffiths
  • Unlocking the Air by Ursula K. Le Guin
  • Valor Vol. 1 compiled by Isabelle Melançon (collection of indie stories)
  • Valor Vol. 2 compiled by Isabelle Melançon (a bunch of new stories)
  • Tortall and Other Lands by Tamora Pierce
  • The Ones Who Walk Away From Omelas by Ursula K. Le Guin (available here)
  • The Fairy’s Return by Gail Carson Levine*
  • Death and What Comes Next by Terry Pratchett
  • The Found and the Lost by Ursula K. Le Guin

Solid standalone fantasy stories:

  • American Gods by Neil Gaiman
  • The Scorpio Races by Maggie Stiefvater
  • Otherbound by Corinne Duyvis
  • The Song of Achilles by Madeline Miller
  • The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee
  • Nimona by Noelle Stevenson*
  • In Other Lands by Sarah Rees Brennan
  • Spinning Silver by Naomi Novik
  • Good Omens by Terry Pratchett and Neil Gaiman
  • Tigana by Guy Gavriel Kay
  • The Lions of Al-Rassan by Guy Gavriel Kay
  • River of Stars by Guy Gavriel Kay
  • The Princess Bride by William Goldman

Indie fantasy book recs:

  • Thornfruit by Felicia Davin
  • City of Dreams by Hailey Griffiths
  • A Faire Encounter + Alexey Dyed in Red by A.M. Valenza @amvi1323
  • Sunblind by Ramona Meisel @rmeisel​ (modern retelling in a prose and poetry format of Icarus and Apollo)
  • The Raven and the Reindeer by T. Kingfisher @tkingfisher
  • Digger by Ursula Vernon* (also available here)
  • The Chronicles of Arenacea by S.M. Lee @arenacea​
  • Our Bloody Pearl by D.N. Bryn @brynwrites​
  • The Songbird’s Refrain by Jillian Maria
  • The Posterchildren by Kitty Burroughs
  • The Fever King by Victoria Lee
  • Ice Massacre by Tiana Warner
  • Valor Vol. 1 compiled by Isabelle Melançon (collection of short stories) @isaportfolio​
  • Valor Vol. 2 compiled by Isabelle Melançon (a bunch of new stories)
  • Deadline by Stephanie Ahn @delphiiwrites​ (explicit adult content, BDSM)
  • More Than Enough by Elizabeth Wambheim @ajumbleofpages​
  • The Bones of the Earth by Scott Hale (warning: very disturbing content and body horror)
  • Resilience compiled by Sasha L. Miller (explicit adult content) @lessthanthreepress​
  • Nightblade by Garrett Robinson @garrettauthor​
  • Robbergirl by S.T. Gibson
  • Maple Street by A.M. Dorhauer*
  • Ascendant by Kimberly Grey
  • The Queen of Ieflaria by Effie Calvin
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Krakey Boi: the result of sleep-deprived chatting

[Image caption: A simple sketch of a kraken in the ocean with many waving arms, dark slitted eyes, and a crest. A small stick figure of a human sits on top of the kraken, holding reins that run along the top of its head. The stick figure human appears to be wearing a cowboy hat. End of caption.]

– A dark behemoth stirs in the depths of Pike Bay and slowly ascends. Humans who see the great shadow from below swim for the safety of the docks and gather in front of the beachfront office properties to witness the rise of the kraken like an old deity, seaweed-covered arms and tentacles breaching the water’s surface and writhing before the kraken’s slit eyes and hungry maw and—is that a human on top of it?

The onlookers watch in horror as one of the kraken’s arms effortlessly lifts the human from itself, sure they are about to witness the human’s death, and then are quite bewildered when the kraken carefully deposits the human on the docks, places a cowboy hat on his head with another arm, and nudges him forward. “Good boy, Krakey,” calls the man, “See you after work!” Another arm appears to wave as the kraken slips back under the waves. – The office of Pike Legal is abuzz with gossip about the New Guy aka Steve aka He’s Friends with a Kraken and We’re Not Sure It’s Illegal. “At any point, were any of the human witnesses in danger from that thing?” “No.” “Is it explicitly forbidden in state law to use a kraken as one’s primary means of transportation?” “No.” “And Steve can handle his new job?” “Oh yes, he’s performing quite admirably for his first day and is excellent at ducking questions about his friend, if I do say so myself.” “Dammit.” – Steve continues to arrive every day that week on the Kraken, as well as the next week, and the next. The crowd of onlookers diminish over time because the excitement disappears once it is clear no one is in mortal peril. (Local children will say that they’ve seen the Kraken about and even played with it, but their parents will shush them and explain that Little Timmy has an over-active imagination, no need to call child protective services please and thank you.) – One morning, Steve has to wake up early and use the reins to direct the Kraken a little further away from Pike Bay because, well, as they get closer and hear loud honking coming from a beach: “See those elephant seals, buddy? Get that lazy one over there for your brekkie.” The Kraken emits an inhuman screech. Steve tches reproachfully. “Now you know we don’t talk about Martha from HR like that!” The Kraken grabs the seal where it is sunbathing on its lonesome and feasts, making happy monching noises and little burps. After a quick look at his watch, Steve whistles and puts his hat back on before taking the reins. – Before the start of an early morning meeting with a client: “Oh dear, oh dear, oh dear, you need to evacuate your offices immediately! As we were driving, we saw this horrible monster rise from the ocean, like a giant squid but even more enormous, and it’s heading this way!” “Oh, that’s just Steve and Krakey. He works here and they’re chill, no worries.”

(Special thanks to @dcijis for indulging me in this sillyness)

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On Book Reviewers and Author Interactions

Why This Must Be Discussed

TL;DR: I don’t want authors to interact with my reviews of their books anymore, and this long-ass post explains why. Disclaimer: I am NOT a professional book reviewer, but I fundamentally believe in the value of honest reviews.

Dearly beloved authors and aspiring authors, we need to have a talk about the purpose of book reviews and book reviewers of officially published books (traditional, indie, and self-published). While Book Twitter has been going off recently about negative reviewers who try to make authors see their reviews, I have been dealing with the exact opposite problem, which is the problem of authors who respond to the critique in reviews of their books WITHOUT being tagged or asked to respond. 

After the third time this has happened (mostly with self-published authors, I might add), I’ve decided to come forward and not only ask authors to not interact with my reviews of their books, but also make a post about WHY authors interacting with reviews of their books is an extremely bad idea. 

Look, I get why some authors, especially ones who are operating on their own, might think it’s fair game to interact with reviewers. No one told them not to. Many self-published authors are also fanwriters where reviews and comments are seen as “payment” to the author and interactions are encouraged. They may not fully realize the consequences of interacting with a review of an officially published work that may spiral out of control and permanently damage their reputations without a PR team or agent to advise them. 

Regardless, it is a well-accepted maxim in the vast majority of publishing and reviewing spheres that book reviews are NOT written for the author. Book reviews are a snapshot of one person’s reading experience and intend to give an idea of what the book might entail. They are NOT a gift to the author and are written without the intention of ever being read by the author. Should the author decide to read their reviews anyway, it is expected that the author understands this rule of conduct and acts accordingly.

Let’s break down what happens (as has happened to me), when an author decides to interact with the review anyway.

Levels of Authorial Intrusion Upon Reviewing Spaces

  • At the lowest level of intrusion: The author might like a review of their book on goodreads or tumblr and that’s it. There’s nothing wrong with that, except it tells me that they are reading the reviews and might escalate if a reviewer says something they disagree with. 
  • At a moderate level of intrusion: The author responds to the critique in the review via a public comment on the review on a place like GoodReads, Amazon, or tumblr and might even PM the reviewer as well and solicit further interaction. This is the level I am at right now with certain authors who felt the need to respond to my critique, which never tagged them and was always for my book reviews of 3 stars or higher.
  • At the highest level of intrusion: The author responds in a manner that implies they deserve only to hear what they want to hear from their reviewers and have the right to avenge anything they perceive as an insult to their work. This can present in various ways that have actually happened, such as Kiera Cass trying to erase one-star reviews, Kathleen Hale stalking a reviewer, Anne Rice being Anne Rice, and Richard Brittain physically attacking a reviewer. (Sources at the end.) 

The last level is obviously the most dangerous level of interaction and the most permanently damaging and what I worry about the most when an author takes an interest in what I say about their books. It is always on my mind when I write book reviews because I unfortunately can’t take chances with my personal safety. 

“But I Just Want to Talk!”

Let’s say an author wants to respond to their critique and would never dare to escalate to stalking or anything else. Okay. Let’s list off the potential consequences of this for their writing career, shall we? 

  1. If they respond to the review, especially in a public manner as authors have interacted with me in the past, they are acting as their own brand and PR agent in that moment. What they say does not reflect on them as a friendly person having a chat, but the author’s personal brand, which carries implications for how they will handle their brand in the future. If they handle the interaction poorly, they could permanently damage their reputations and lest you think indie and self-published authors are safe from public scrutiny, might I direct you to the example of Faleena Hopkins, who has permanently damaged her reputation with the Romance Writers of America thanks to her actions on social media. 
  2. If they attack the reviewer or respond to the critique and start following the reviewers’ reviews (THIS HAS HAPPENED TO ME PERSONALLY), they are intentionally or unintentionally saying “I am watching you, reviewers, and observing what you say to make sure you toe the line and I will continue to respond if you say anything critical of my writing.” Naturally, this has the net effect of discouraging people from reviewing their books honestly or even leaving reviews at all. Indie and self-published books are already hard-pressed to get any reviews so why would authors make it so much harder?
  3. If they solicit feedback or commentary on their books beyond what was in the review, it comes across to many reviewers as the author essentially asking for beta or editing help with their book AFTER it has been published and after beta-ing and editing should have happened. The review presents a snapshot of the reading experience of that specific book edition. If an author chooses to read critique and use it to write a different edition or direct their future writing, they can do so without defending themselves to the reviewer or sounding like they want free labor from their readership.

Basic Guidelines for Book Reviews

For authors and aspiring authors: 

  • If you can’t handle reading critique of your books, don’t read reviews. 
  • Book reviews are NOT the same as fanfic or WIP comments and beware of what you say publicly as an author. 
  • Resist the urge to respond to critique because 9/10 times, it will not reflect well on you and for the love of gods, don’t act entitled to what people say in reviews
  • Let’s say you read a review anyway and it upsets you. Go to friend who is okay with you ranting to them or a therapist, vent to them in private, and say absolutely nothing to the reviewer at all. 
  • Even if the reviewer is the sort of asshole who tags an author in a one-star review, it is better to say nothing and block them at most than to risk readers refusing to read your books because they mentally group you with the unreasonable authors. 
  • When in doubt, just don’t interact with the reviews or reviewers.

For book reviewers: 

  • As much as I would like to tell you that authors are all reasonable people who won’t harm you for writing something they don’t like, dangerous people do exist such as the ones listed above. I won’t tell you not to review their books, but do your own research and understand the potential consequences. 
  • For the sake of readers everywhere who rely on our honest reviews, we can’t behave as though all authors are gonna harm us, so my recommendation is to keep writing reviews, even for unknown authors, and block authors if you must or otherwise take action to keep your anonymity on reviewing sites secure. 
  • Don’t tag authors in negative reviews, if ever. Just don’t. 

Sources

Kathleen Hale: 

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Anonymous asked:

hey there! if you make the list for wlw books, I would appreciate it. I'd just like to read some good ones that feature well written wlw and not just in the background

I’ve got you! I made a rec list of lgbt books a while back but I knew as I was writing it that not nearly enough were primarily about women.. So here’s a lgbt book rec list, wlw edition! Obvi, this list is FAR from complete but in case you’re like me and you’re struggling to find any books about wlw that you might actually like, I’ve got a few suggestions.

sci fi / fantasy:

  • Six of Crows and King of Scars (wlw and mlm) – I’ve recommended this before but I’ll keep doing it again and again until the day I die because SoC is my all time favorite YA novel. And the bi woman from SoC is a main character again in King of Scars!!
  • Not Your Sidekick (wlw, mlm, trans, ace) – A super fun super quick superhero book in which literally everyone is queer.
  • The Lesson (wlw and some bg mlm) – I actually got to read this one a little before its release but trust me it’s PHENOMENAL. It’s got aliens, it’s got social commentary, it’s got mystery, and it’s got wlw. In the meantime Cadwell also wrote Loneliness Is In Your Blood, which is a horror short story with a wlw protagonist.
  • Ice Massacre (wlw) – Creepy killer lesbian mermaids!
  • The Long Way to a Small, Angry Planet (wlw and nonbinary) – My friend Janelle described this one as the more inclusive Firefly of her dreams and I think that pretty much sums it up. There isn’t much of a driving plot, but it’s a fun time.
  • The Expanse series (wlw, mlm, nonbinary) – Full disclosure I watched the tv show of this one and only just started the books but it’s GOOD. It follows a really big cast of characters in a sort of first contact space political thriller in a very casually diverse future. 
  • Meddling Kids (wlw) – A very genre-aware Scooby Doo meets Lovecraft romp of a mystery with a lesbian and her love interest front and center.
  • Ash (wlw) – Gay Cinderella with creepy fairies!
  • Soulless (mlm, wlw, nonbinary) – A steampunk series about vampires, werewolves, and ghosts that’s just a lot of fun and has a whole bunch of queer characters. Seriously just assume everyone is bi, especially the protagonist. (Fair warning, she is in a relationship with a man but that doesn’t magically make her not bi)
  • Circe (wlw and mlm) – I’m gonna say up front that the mc does not end in a relationship with a woman even though there’s a perfect candidate right there, but the book is still very casually queer and bi as hell and honestly just really really good.
  • Strange the Dreamer (wlw and mlm) – On the list because my two favorite minor characters from the first book got the screen time they deserved in the sequel, and their friendship was the wlw/mlm solidarity I deserved!! The most prominent wlw character is only one of a large cast, but the plot unfolds beautifully and the moral dilemmas that the characters grapple with were WOW.

realistic and/or historical fic:

  • Lady’s Guide to Petticoats and Piracy (wlw, ace, bg mlm) – This one’s a sequel but the whole series is so fun and charming it’s totally worth it. Tbh I had never found a book that so perfectly encapsulates my absolute ideal life until this one. I can’t even begin to describe all the elements I loved about this book without massive spoilers but just pls pls pls read this series! 
  • Leah on the Offbeat (wlw and mlm) – Another sequel, to Simon vs the Homo Sapien Agenda, but this one focuses on bi ladies. I don’t typically go for realistic teen lit but Becky Albertalli manages to pull it off.
  • River of Teeth (wlw, mlm, nonbinary) – An alternate history western where feral hippos have taken over the Southern US and the government hires a team to clear them out. It’s a quick read, the cast is wonderfully diverse, and no one blinks an eye at the lgbt characters.
  • All Out: The No-Longer-Secret Stories of Queer Teens Through the Ages (wlw, mlm, trans, ace) – A short story anthology set in different time periods and cultures. Imo the cutest wlw story was The Dresser and the Chambermaid, it was a snarky period romance and I am a sucker for all those things.
  • The Haunting of Hill House (wlw) – The book is very different from the Netflix series, but you might be surprised that the book also has a lesbian character! I couldn’t believe no one had ever mentioned that to me, so consider this my way of paying it forward. One of the powerhouses of horror and furthermore the lesbian doesn’t die y’all!!

graphic novels:

  • The One Hundred Nights of Hero (wlw) – I LOVED THIS BOOK. It’s a series of stories in the style of the Arabian Nights told by a lesbian couple. They’re so consistently scathing of trash men, it’s really got a streak of dark comedy and mythology that I dig.
  • Monstress (wlw) – This comic is like art deco meets steampunk meets the Warriors series, but with eldritch gods and set in a matriarchal 1900’s Asia. There are women and wlw everywhere, and it’s unapologetically not European. Very dark, very cool.
  • The Adventure Zone (wlw, mlm, trans) – Complete as a podcast, ongoing as a series of graphic novels, I’m not being hyperbolic when I say that The Adventure Zone is one of my favorite stories EVER. It’s got a large cast of lgbt characters, secret societies, plot twists, and a constant theme of compassion in the face of hardship. It starts off as a pretty screwball comedy so you may doubt how hard I cried over several plot points later on, but trust me it sneaks up on you. So worth it.
  • Lumberjanes (wlw and trans) – This one’s got puzzles and monsters and mystery and camping, plus it’s by Noelle Stevenson, wlw queen! In her own words, “assume all characters in my comics are gay unless stated otherwise.”
  • On a Sunbeam (wlw and nonbinary) – Ngl, I bought this book after I saw the first few pages. The art is stunning. The plot itself is pretty simple and jumps around chronologically following two (literal) star-crossed lovers.
  • Spinning (wlw) – The same author also wrote a coming of age story about wlw and figure skating. You could say it’s… yuri on ice [laugh track]
  • Prince and the Dressmaker (wlw and nonbinary) – There’s a point in this book where you’re going to think things are gonna go badly, but they don’t!
  • Em Carroll’s comics (wlw) – Em Carroll has several books (all of which are BEAUTIFUL, srsly she’s one of my favorite comic writers) and though none of her published books focus on wlw she is a queer author and wrote Anu-Anulan & Yir’s Daughter, which is about wlw and just as gorgeous. Check her out if you love horror or if you love yourself.
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More wlw recommendations, you ask? Alrighty then:

Fantasy (including urban fantasy) and Sci-Fi:

  • Down Among the Sticks and Bones by Seanan McGuire - If you like a creepy aesthetic and vampires in particular
  • The Telling by Ursula K. Le Guin - Sci-fi worldbuilding and wlw by the legendary writer herself
  • Thornfruit by Felicia Davin - Aka The Gardener’s Hand trilogy, which was entirely published in 2018 and is a wild ride from start to finish with top-notch worldbuilding. Ev and Alizhan are amazing. Thiyo is amazing. These books are amazing. Bonus creepy jellyfish. If I sound like I’m gushing about these books, it’s because I totally am and want more people to join me in my fangirling. The fandom is much too tiny for how good these books are.
  • A Faire Encounter by A.M. Valenza - Officially this is gonna be published by Less Than Three Press this year, but it’s an adorable short story and I love it. 
  • Otherbound by Corinne Duyvis - Neither quite sci-fi nor fantasy, but definitely has young adult wlw rep! 
  • The Brooklyn Brujas books by Zoraida Cordova - YA trope subversion in the name of wlw rep? Yes please! 
  • The Queen of Ieflaria by Effie Calvin - I’ve heard a lot of good things about this book and I just downloaded it so y’all are welcome to join me as I read it!
  • Deadline by Stephanie Ahn - Lesbian witches in an adult urban fantasy, yusss

Historical:

  • Daughter of Mystery by Heather Rose Jones - Admittedly I haven’t read this one yet but it is on my TBR and I trust the taste of the two people who recommended this book to me. Think Regency romances, but gayer!
  • The Privilege of the Sword by Ellen Kushner - I also haven’t read this one, but Sword Lesbians, y’all! (Also the first book in this series is very good if you’re looking for a mlm read.)

Contemporary romance:

  • Knit One, Girl Two by Shira Glassman - Short, artsy, and sweet :)
  • Swelter by Jules Kelley - If you want to read something short, but with a lot more sexual content ;)
  • Poppy Jenkins by Clare Ashton - Aka “If Pollyanna were a 30-something Welsh lesbian who runs a coffee shop” and yes this is basically a lesbian coffee shop romance and you’re welcome!
  • I Hate Everyone But You by Gaby Dunn - An experimental style of writing to match its contemporary vibe, but omg y’all need to know about the bisexual mess who’s in it and who’s constantly swooning over hot people

Graphic Novels/Artsy:

  • The Valor Anthology edited by Isabelle Melançon - basically a compilation of short stories, comics, and artwork that is female character-centric
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Just a heads up that the website collecting free fantasy, sci-fi, horror, dystopian, and paranormal Kindle books has updated for this week as of February 21st, 2018: [link]

Most of these are only temporarily free so get ‘em while you can!

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HOW TO SURVIVE A HEART ATTACK WHEN ALONE Let’s say it’s 6.15pm and you’re going home (alone of course), after an unusually hard day on the job. You’re really tired, upset and frustrated. Suddenly you start experiencing severe pain in your chest that starts to drag out into your arm and up into your jaw. You are only about five miles from the hospital nearest your home. Unfortunately you don’t know if you’ll be able to make it that far. You have been trained in CPR, but the guy that taught the course did not tell you how to perform it on yourself..!! NOW HOW TO SURVIVE A HEART ATTACK WHEN ALONE… Since many people are alone when they suffer a heart attack, without help, the person whose heart is beating improperly and who begins to feel faint, has only about 10 seconds left before losing consciousness. However, these victims can help themselves by coughing repeatedly and very vigorously. A deep breath should be taken before each cough, and the cough must be deep and prolonged, as when producing sputum from deep inside the chest. A breath and a cough must be repeated about every two seconds without let-up until help arrives, or until the heart is felt to be beating normally again. Deep breaths get oxygen into the lungs and coughing movements squeeze the heart and keep the blood circulating. The squeezing pressure on the heart also helps it regain normal rhythm. In this way, heart attack victims can perhaps buy precious time to get themselves to a phone and dial 911. Rather than sharing another joke please contribute by broadcasting this which can save a person’s life! Be prepared and become part of the solution. Get your free next-of-kin notification card today. Click here: https://www.InCaseOfEmergencyCard.com/

major signal boost

Reblogging cause this could save someone’s life

This could save many lives, reblog

Since I keep seeing this go around, I’d like to take a moment to remind everyone not to believe everything they see on tumblr and do to their own research because Cough CPR is generally NOT endorsed by actual health professionals, especially heart specialists, especially based on info in a tumblr post.

This is misinformation and Cough CPR could be very dangerous if attempted.

From Dr. Richard O. Cummins, Seattle’s director of emergency cardiac care:

Cough CPR raises the pressure in the chest just enough to maintain some circulation of oxygen-containing blood and help enough get to the brain to maintain consciousness for a prolonged period. But cough CPR should be used only by a person about to lose consciousness, an indication of cardiac arrest, he cautions. It can be dangerous for someone having a heart attack that does not result in cardiac arrest. Such a person should call for help and then sit quietly until help arrives, he says.
In other words, the procedure might be the right thing to attempt or it might be the very thing that would kill the afflicted depending on which sort of cardiac crisis is being experienced. Without a doctor there to judge the situation and, if cough CPR is indicated, to supervise the rhythmic coughing, the procedure is just far too risky for a layman to attempt.

From the American Heart Association: 

Why isn’t “cough CPR” appropriate in CPR training courses?
“Cough CPR” should not be taught in lay-rescuer CPR courses because it is generally not useful in the prehospital setting. In virtually all lay-rescuer CPR courses, the finding that signals an emergency is the victim’s unresponsiveness. Unresponsive victims will not be able to perform “cough CPR.”
Are there situations when “cough CPR” is appropriate?
“Cough” CPR may be considered in settings such as the cardiac catheterization laboratory where patients are conscious and constantly monitored (for example, with an ECG machine). A nurse or physician is also present who can instruct and coach the patients to cough forcefully every one to three seconds during the initial seconds of a sudden arrhythmia. However, as this is not effective in all patients, it should not delay definitive treatment.
AHA Recommendation
The best strategy is to be aware of the warning signs for cardiac arrest - sudden loss of responsiveness and no normal breathing - and respond to them by calling 9-1-1.

From the British Heart Foundation:

A heart attack can lead to a cardiac arrest, when your heart stops pumping blood around your body. You would become unconscious, and without immediate CPR (chest compressions and rescue breaths), you would die.
If you are still conscious (and you would have to be to do ‘cough CPR’), then you are not in cardiac arrest and therefore CPR is not needed, but urgent medical help is vital.
The ‘cough CPR’ myth has been circulating the internet for a while now, especially on social media sites such as Facebook. If you come across it, please avoid spreading it any further and consider letting the person who posted it know that there’s no truth in it.

TL;DR: Don’t believe everything you read on the Internet. 

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Introduction

So I’ve recently had an influx of new followers (Hello!) and I thought I’d do one of those intro posts to bring people up to speed about this blog since the description isn’t entirely comprehensive.

Who am I?

I am a nerdy, bi/queer, exmormon fangirl who is figuring out how to survive grad school at breakneck speed. Y’all can call me folatefangirl, Cinnia, or Aheshke. I’m a fairly busy person so I have a lot of queued posts and I just pop on here in my free time to vent my endless fangirl energy and talk about my hobbies and other interests.

I have a lot of writing-focused posts because I do hope to be a writer someday and/or help other writers out on their journeys to publishing. I prefer to read/write in the science fiction/fantasy, horror, and humor genres with an emphasis on LGBT+ characters and/or subversive themes or satire.

If you PM me, send an ask, or tag me in something, I can’t promise I’ll get to you right away, but I’ll try to get back to you eventually. Although… if it’s a troll or something that I really don’t feel comfortable responding to, I hope y’all understand that I will probably just delete that stuff. If you’re having a personal crisis and message me about it, I will most likely try to refer you to a trained professional who can help you better than I can. Also I prefer not to give out too much personal information, at least not beyond what I’ve already said.

What’s this blog about?

It’s a personal blog, so it can get rather chaotic. However, the upshot of this is that I tag for just about everything so you are more than welcome to filter things you don’t wanna see.

Beyond rambling in the tags, I do post original content such as book reviews, thoughts, life advice, writing, rants, etc. My original content is usually posted with one of these tags: #cinnia says stuff, #my stuff, #my writing, #ocs

If I’m promo-ing another blog: #writers of tumblr, #other people’s ocs, #artblr

On the other hand, there are several major topics/fandoms that appear repeatedly if you’ve somehow found me because of that.

Topics: writing and writing advice, book recs and book quotes, study tips, languages, LGBT+-related content, medical stuff, mental health, art, crafts, cooking, dancing, figure skating, anecdotes, psychology, comics, cute animals, science, fashion, music, funny videos, mythology, folk/fairy tales, social commentary, various religions (in the sense of analyzing/commenting on them because I have exactly zero interest in being a part of them)

Fandoms that appear the most on my blog: Star Wars, Harry Potter, Discworld, Dungeons & Dragons, All For The Game, Tortall, Emelan, Graceling Realm, Six of Crows, Lord of the Rings, Pride and Prejudice, Star Trek, Welcome to Night Vale (and related podcasts), The Adventure Zone, Check Please!, Avatar: The Last Airbender, Legend of Korra, Crazy Ex-Girlfriend, Brooklyn Nine-Nine, The Good Place, Yuri On Ice, Fullmetal Alchemist: Brotherhood, Sharp Zero, Always Human, A Song of Ice and Fire, Marvel, Wonder Woman, Misfits, and dearly departed Netflix original shows (R.I.P.)

Things that seasonally appear on my blog*: Eurovision, The Glorious Twenty-Fifth of May, Pride Month, Halloween, and Christmas stuff because my family takes it rather seriously and I’m along for the ride due to my cooking know-how

Also I tag for sensitive things/content warnings etc. Since politics these days can be an understandable source of anxiety and negativity, my tag for that is #us politics and occasionally #uk politics in case you’d rather keep your dash more fandom/books and writing focused. Per any adult content that gets posted or reblogged, I have the tags #nsfw, #nsfw text, #nsfw audio, and #alcohol

If there’s something missing that you’d like me to tag so that you can block or filter it more easily, let me know.

Also I’m happy to hear any questions you might have.

*I’m only mentioning these because my blog tends to have a different vibe when this stuff is going on and I usually reblog more stuff related to it. It’s only temporary, but it can throw some people for a loop.

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