Eh, the billion dollar question. Which, thanks for sending because I’ve just been so overwhelmed with feels that I have simply given up on making something coherent out of it.
Let me make a little detour first and say how the show is making explicit some things that we were saying but have been made textual now - cosmic consequences doesn’t mean something neat and clearly visible as the direct consequence of a particular action. It’s a ripple effect, a butterfly effect. Playing with the castle of cards that the universe is… you end up rewriting fate. That’s what Billie keeps saying. To the people who accuse the show of belittling Billie because she warns the Winchesters that Terrible Things™ are coming if they do certain things, but then they do the things and Terrible Things™ don’t happen - this is the answer. There are no “obvious” Terrible Things™ coming, it’s the fabric of fate being changed in ways that Billie can see, but that the other characters - and us - can’t unless Billie tells them (and us).
In an episode where Michael discusses about God being a writer, of course (in a classic Dabb era move, I mean) eventually we come to see where the story is really being written. Just like Anubis said that God doesn’t decide whether a person goes to hell or heaven, but the person themselves decides with their actions – so the story of the world is not being written by God. There was a script, but it was revealed that following it was a choice (that Team Free Will rejected). There are, obviously, guidelines. But it’s fundamentally choices made by people that write the story. Billie had already shown us that there are many, many possible ways a person’s story can go, and now we learn explicitly that a person’s entire array of fate possibilities can be even rewritten, if that person messes up with the order of the cosmos enough.
Michael, the dark Dean double, says that God can be killed, and that he’ll destroy his “draft worlds” because he can. This is basically the dark equivalent of what Dean does - Dean, who metaphorically destroys God’s scripts, who metaphorically “kill gods”. Dean “Free Will” Winchester can destroy the stories who have been written so far, he can kill God, he can shape his own destiny and the destiny of the cosmos. Of course, right now things are probably going to take a difficult turn because this is Supernatural, but the point is that Dean does what Michael claims for himself - he “destroys worlds-stories” and “kills God” in this sense.
Now, I don’t know what the book Billie shows Dean says, and I’m not particularly interested in making speculations about it because we just don’t know, but what really interests me is Billie’s behavior in this episode.
She breaks the rules. She intervenes, she sends Sam, Cas, Jack and the Michael+Dean package to the bunker so Cas and Sam can enter Dean’s mind, return Dean to the control room of his body, and stuff Michael away for the time being.
Sam said that one of your reapers really came through with the assist. I’m thinking that was probably you.Don’t tell anyone.You broke the rules.I took a calculated risk.
She is interested in the world not being destroyed, and she is making an investment in Dean in the perspective of Dean possibly choosing that one path that doesn’t end with Michael destroying the world. Of course, she is not going to force Dean to choose, she is not going to arrange things in a way that Dean cannot but go in that direction. She is leaving him the fundamental choice. That’s up to you. But breaking the hands-off rule, letting Dean read out of a book from her office - that’s a big move. I’m supposing that Death revealing about the books back about Sam and Rowena wasn’t exactly orthodox already, but now she has handed a book to Dean, which I’m sure is just as unorthodox and the various other adventures Dean has had with Death.
*sound of the millions of Death Dean/Reaper Dean meta-spec written along the course of the show crying of emotion in the distance*
(Consider also Michael basically saying he plans to kill God - the original Death said he was going to reap God, and Michael is a mirror for Dean in this narrative; and now Billie basically puts Dean in a narrative position where he’s framed as Death, because reading those books, holding those books, is what Death does: Dean is consistently shown across the show as on equal footing with reapers and Death, and literally (s6) or metaphorically in their shoes.)
Billie is taking a big “calculated risk” in putting this much… responsibility? trust? in Dean, and I might add that she’s acknowledging Dean not really as an equal - obviously they’re not the same thing - but on an equal footing of sorts when it comes to this situation.
But no, I really don’t know what the book might say.
What are the alternatives to Michael running loose? Either keeping him locked up forever (a), or destroying him (b).
The former is… impossible, or just not really worth investing on. Even if Dean arranged some kind of send-me-to-outer-space-to-be-a-lock-forever situation - oh, wait, that has never worked. The Cage God built is not a very solid solution - Lucifer got out twice, Michael is still there but another Michael showed up, so, really, the purpose of it is basically bypassed. Basically, you lock one Michael up, another one takes his place on the cosmic chessboard, you know? I feel confident in saying locking up Michael doesn’t work.
In fact, locking up your problems doesn’t work. It’s not a coincidence that in this episode Michael mentions God: locking up things is God’s specialty. And it doesn’t work. The Cage is like Swiss cheese. Amara, the ultimate problem he locked up to get rid of, also escaped and almost killed God if it weren’t for Dean’s intervention. In this episode, there are several attempts to lock things up that don’t work in a way or another: in the hotel, they need to be teleported away because the door wasn’t going to hold; the shapeshifter pretending to be a hunter doesn’t lock the bunker… rule of three, the third locking up, Michael’s, succeeds for the time being, but we can’t expect it to last forever.
Unless Dean manages to find a way to mute Michael, to lock him up to well he doesn’t make any noise, literally and figuratively. But… well, no. For the simple extradiegetic reason that we can’t have Dean get to the end the show with Michael just locked inside and that’s it. In-story, it just doesn’t seem like a sustainable solution. And knowing that Dean has a neutralized archangel inside of him in a fridge? Not exactly the prettiest scenario.
Also, it’s probably early to really make statements about this, but all of this Michael, Michael vs God, Dean vs Michael situation is all a mirror for Dean’s dynamic with John, and we know something huge regarding Dean and John is coming, so… whatever the solution to the Michael problem is going to be, it’s going to be a mirror to whatever the resolution of Dean’s John-related trauma is going to be like. Stuffing the problem inside of you forever is not a solution to trauma, and it can’t be a solution to Michael.
And now we get to (b). And we have two possibilities: Dean manages to find a way to destroy Michael that allows him to live, or Dean destroys himself and Michael. But what does it mean to destroy an angel…? Well, we know what happens to dead angels. Is whatever the book says related to the Empty and the Shadow that rules it? That’s a possibility, and also a way the Michael/Dean storyline could merge with the Empty/Cas storyline, but I’m putting the carriage before the horses.
I really don’t like using the CW promo for the next episode to speculate on, because CW promos are notoriously not a reliable tool for speculation, and the Onwards trailer doesn’t seem to give anything away in this regard, so I’m not going to speculate on what Dean “acting strange” might be specifically an indicator of. (He’s planning to die soon? He’s attempting some kind of strategy like when he was trying to control the Mark of Cain? We just don’t know yet.)
This post has gotten long enough, so I’m ending it on with a note on Jensen’s acting. First of all: give this man all the prizes. He’s superb in every episode, but this episode allowed him to showcase his talents beautifully, both as Michael and as Dean.
In the final scene, Jensen initially plays Dean as half-heartedly trying to put on a façade of confidence in front of Billie - I think he’s purposely played it as Dean not really trying, because he does know there’s no point to it (I think he’s doing it more for himself than for Billie, if you get what I mean). The subtle horror when Billie says that ‘all the books’ end with Michael getting control, the wariness when she mentions an exception, the frown when he basically asks her silently if he can/should open it, the shock/surprise – I think then Dean’s expression reveals a sort of mixture of disorientation and understanding at the same time. He understands what what is written means - Billie doesn’t feel the need to explain more, after all - and that understanding leaves him lost and vulnerable. That’s eventually what Jensen plays - that almost childlike quality what Jensen gives Dean when he’s unguarded in his helplessness. It’s the way Jensen played Dean overwhelmed by the horror of losing his own sense of identity when he lost his memory under the witch’s spell…
Interestingly, he gives a quick glance to the book and he looks up at Billie wide-eyed and slack-mouthed, asking what he’s supposed to do with that knowledge - a sign that he’s understood the gist of what’s in the book - then he reads more and he seems to find some additional detail that further gets him shaken.
But then again, we just don’t know what’s in that book, so we just have to wait and see.
In the meanwhile I’m expecting the fandom to provide crack suggestions :3
