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#mary and dean – @flyingfish1 on Tumblr
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something bordering on weird

@flyingfish1 / flyingfish1.tumblr.com

Fangirl. Fan of fandom. Recovering lurker. Introvert. She/her. Multifandom blog. SPN, Black Sails, OFMD, Good Omens, etc. Also contains sporadic meta, stuff about writing, recipes, and cats.
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12.14 | The Raid

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drsilverfish

I love the painful tension Berens creates here - because Dean’s right - instead of spending time with her sons, Mary ran off and worked with the BMOL, who’ve tortured Sam, and moreover she lied about it and almost got Cas killed.

But, also, of course when Dean thought she might be in serious danger nothing else mattered. He spent his whole life missing her. 

Dean’s already been conditioned, since childhood, to put his own needs second - loving one, often neglectful, and hunt-obsessed parent (John). He’s learned that you gotta roll with that. And  here, he is falling into that old pattern and rolling with it again (for now).

Mary is, of course, traumatised after being resurrected, clearly crushed with all sorts of guilt. But she’s making the classic Winchester mistake of failing to communicate and placing all her feelings into some imaginary other-place (a fantasy “world without monsters” where her sons no longer have to suffer the consequences of her death) instead of being emotionally present with them in the here and now. 

Sooner or later, this conflict is going to re-surface.

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reblogged

5x16 // 12x14

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floralmotif

Yeah, this was a long time coming. I’ve been waiting for this since 12.09. Not because I dislike Mary, but because s12 is a deconstructive beastie and Mary is a mirror for Cas. Dean has to tell her off at some point because that’s part of her purpose as a mirror. 

S12 also addresses the core elements of what drove the show to begin with and Mary was the core of all of those elements. Deconstructing her is the biggest check mark on the list. It’s a step in proving there is a better way, and a step in conveying to the Winchesters that there was never a “simpler time” It was all an illusion and if they want to continue, they have to address all the things they’ve been preaching.

S12 is also basically an entire season of the Break Into 3 sequence of a movie. (The start of the 3rd act) It’s the part of the movie where the journey loops back to “the real world” and all the elements from the first act get turned around and addressed with new knowledge. This is the “find a better way” sequence. The arc where the main characters find a new answer to old questions and make the decision to apply it. And once again, they’ve framed the entire season around the purpose of the arc: “Find a Better Way’ in a somewhat literal sense. They did this with Dark Night of the Soul as well…S11: “Darkness Before the Dawn” literally.

Excellent, the adherence of the story to Blake Snyder’s Beat Sheet continues…

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reblogged

Yes, this scene is sad–Dean is being sad and drinking beer sadly and looking at the pictures sadly, but let’s see it under a different point of view.

Dean here needs a moment to be alone with his pictures and his thoughts and his emotions. He needs to be in a safe place where he feels comfortable. Where do we go when we need a moment to be alone to deal with our sadness? Somewhere private that we feel a connection to, like our bedroom or a place that means a lot to us, right? Dean picks the kitchen.

Dean’s cocoon, Dean’s safe place, has become the kitchen. He goes there to be alone with his feelings. He goes there to be emotional.

We have discovered that Mary doesn’t use the kitchen, she doesn’t cook. But Dean does. Dean loves his kitchen. He feels safe and at home in his kitchen.

Dean needs a moment to be alone with his emotions and crouches against the kitchen cabinets, in front of the stove, a place where his legs fit just right, in fact. He feels at home in his kitchen, he kind of entrusts the kitchen with his feelings; he used to do that with the car, but the car means life on the road, and what Dean craves stability (which parallels him to Rowena, who calls the Ben guy “stable”). He feels home in the bunker now, he’s going to be pissed if the British Men of Letters try to get him out of it (which will likely happen, poor Dean).

Mary has “burst his bubble” about her meals; he has realized that Mary wasn’t the perfect housewife and mother he thought her to be. He assumed her to be; it’s not like Mary ever pretended that the meals were homecooked, she doesn’t say “sorry I lied to you”, she just says that reality was different than what Dean had assumed. Dean built the image of what a perfect housewife and mother is like–he assumed a mother homecooks, for instance. Something he loves to do for the people he loves. Basically, Dean projected his own nurturing instincts on her.

Dean is what he imagines a perfect housewife to be. Providing Sammy - whom he was a guardian for, aka a parent figure - food he makes on his own, more or less. Remember what he told Tina–“My Dad was always working, so I came up with about 101 different ways to make macaroni and cheese”… he invented recipes (within his skill range as a kid of course), he did his best to come up with personal recipes for the food he gave to Sam. He didn’t just buy food from the supermarket and place it in front of Sam, he made his own recipes and variations. Even in Something Wicked he’s shown mixing stuff in a pot, if I’m not mistaken.

Dean makes food for the people he loves and he gets all proud and happy about it. Dean made the airplane thing to Sammy. “First tooth, first crush”–we don’t really know about the teeth, but Dean gave Sam advice on how to talk with girls when he met Amy Pond.

Dean also gave John emotional comfort when he came home from hunts, something that one should get from a partner, not a child.

Dean is what he believes a perfect housewife and mother should be. The queen of the kitchen. The provider of emotional support.

The traditional gender roles assign to women the role of provider of housework labor and provider of emotional labor. And those are Dean’s roles in the family. He’s the angel of the hearth of the Winchester family. Now with Mary back, the dynamic between the actual mother figure and the “surrogate mother figure” will be interesting to see.

This is wonderful, but I have a few points to add.

Yes, Dean has adopted a lot of the traditional “mother” roles for himself while taking care of Sam, but he’d already adopted some of that even before Mary hand died. In that heaven memory from 5.16 it was Dean as a 4-year-old little boy that had offered comfort and reassurance to Mary after her argument with John on the phone. Dean had been the one to reach out and hug her and remind her that he still loved her. Like, HOW DID THIS JOB FALL TO THE 4-YEAR-OLD?!

It’s implied that Dean had done the same for John, even as a small child, and we know he tried to fill that role for Sam.

Also, in relation to Dean’s cocoon and happy place being the kitchen, it added another jarring layer to the Family Dinner scene actually taking place in the room they refer to as “The War Room” on the big map/strategy table, rather than in Dean’s safety zone in the kitchen.

There’s been a lot of outcry over why Cas was absent from that scene, and the fact that it didn’t really have a “family dinner” vibe. In almost every sense, they seemed to be trying to debunk the fact that it was any kind of a traditional family dinner. The food was all brought in from outside in a mockery of the fact that any member of the family actually prepared it, right down to the boxed pie.

The last family dinner that Cas shared with the Winchesters (and Charlie) in 10.18 had been a cozier affair in the kitchen, even though the pizza had been brought in from outside.

This family dinner had a lot of strategy and debunking and cardboard associated with it, because they’re still operating under a lot of concealed truths and a fundamental lack of understanding and intimacy. I mean, we have more “familial” associations surrounding BOBBY’S kitchen than we’ve ever had of Mary’s, aside from that one memory of Dean’s heaven. Which I also appreciated with the several nods to Bobby’s presence, both with Dean looking through his old pictures while cocooned in his kitchen, as well as the very different photo of Bobby in the endverse (in a much less domestic and familial setting) that Mary found in the journal.

They’re beginning to sort out some of these issues but there’s still a way to go for all of them.

No one’s mentioning that Cas’s safe place is the kitchen too? Admittedly off over at the table, but Dean is retreating to the exact same room Cas feels comfortable and safe in, for the reasons we gave for why it was so significant that Cas did it back in 11x18 back when we were meta-ing that moment.

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filleretive

Mary’s a Vonnegut and a Zeppelin fan too! Oh god, I’m gonna cry.

Dean wasn’t emulating his dad. He was trying to keep his mother alive.

Dean rattled off all those facts about Mary’s relationship with John like he’d been reciting them in his head over and over again for the last 33 years. He even had that calculated exactly when she asked how long she’d been gone.

I don’t even know that many details about how my parents met, you know? Dean spent his whole life carefully archiving that info in his head– not because of JOHN, but because of MARY. It’s how he’d kept her alive in his memory. These details were important to HER. No wonder he’d picked up Vonnegut books and loved Zep. We know that’s why he’s got a fondness for pie. How many more ways are we gonna learn that these “Dean things” were really Mary things? I am cry.

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