@claranon guess what’s happennnning
patrick weekes [x] in general being a pretty excellent human being (via spicyshimmy)
you should totally go watch B Gata H Kei (Yamada's First Time) it's fucking hysterical and raunchy and yet also adorable and totally offputting to your average otaku so you know it's quality seriously I have never identified with any anime heroine more than awkward, self-absorbed, sex-obsessed, hypercompetitive, insecure yamada. I LOVE her. omg. Yamada is so ME when I was 15. and all the nakedness is geared toward the female perspective, not for titillating adult dudes and yamada never once apologizes or acts ashamed about wanting sex and she wants it so bad but has no idea how any of it works and she has such natural normal fears like "does everyone's vag look so weird?" and "what the hell is that thing?" (the first time she sees an erection) and i just UGH HELP
why are so many published short stories about manpain
an early morning terminator rant
You know the 45786th thing i really like about The Terminator? Kyle is a virgin, while Sarah definitely, definitely is not.
Usually in those kinds of situations the writer employs the 'whore with a heart of gold' trope, wherein a less-experienced man breaks through the woman's cynical veneer with his empathetic dick, and through his love he teaches her how to be innocent and trustful again -- in other words, he essentially re-virginizes her. And so the sex they have is somehow new and special because they're just so in love, and usually this is the first time she ever orgasms because love, and it all just reeks of internalized misogyny and slut shaming; the message is meant to be, "gosh, isn't it just so sad that a woman would have so many partners and never find true loooooove?"
And instead of that, in The Terminator it's KYLE'S situation that's presented as the sad one. His is a world too harsh and brutal for the luxury of sex or kisses or even tickling; his is a world of survival, not living; and Sarah pities this poor man who's never know the simple, wonderful pleasure of physical affection that she takes for granted every day; he appreciates every touch, every feeling; and it's no coincidence that the only time he smiles in the entire movie is right after they have sex--
And it's like, yeah, Sarah's blown off for her date at the beginning of the movie, the guy she was planning to sleep with that night; but she didn't really like him all that much anyway, and she shrugs it off like no big thang and goes to the movies by herself anyway (and like, how cool is she? when was the last time you went to the movies by yourself? ugh, sarah you are the BEST) and it's never presented like it's her fault for wanting to sleep with the guy and that's why he ditches her; there's really no sense of fault at all, just a demonstration of sexual desire.
And so in the love scene Sarah's the one with all the control -- at first Kyle climbs on top her and starting poking about haphazardly and she's like, nope, bro, let me show you how this is done. and so she rolls on top of him and puts his hands where she likes to be touched and moves her hips the way that she likes and she rides that cowboy into the sunset until she comes, and then he comes too--
Because it's always a partnership between them, Kyle and Sarah; they teach each other so much; but the lesson that really matters, in the grand scheme of things, isn't the one about how to make a bomb or how to shoot a shotgun; it's when Sarah teaches Kyle how to have sex, because that one night they share, the love they make, in the end that's literally what saves the world.
It isn't saved when Sarah destroys the Terminator--because that's merely about preserving the history that has already taken place, or will take place, or IDEK with these wibbly-wobbly timey-wimey bullshit tenses--but she and Kyle save it together by making a baby; they save it through the act of creation; finding love in darkness; affection in a blight; they save the world by doing the only thing humans can do that machines can't. Love, sex, affection -- in The Terminator this is presented as our one true advantage, our saving grace, the weapon of mass creation that will one day deliver the world from its perdition, and how the fuck do you not scream a message like that at the top of your lungs, love will save us all
maybe there's a message in naomi's windows?
Jerry Wanek tweeted earlier today that there was a certain pattern to Naomi’s windows that nobody had picked up on yet. At first, I thought it was just a visual reference to an old computer punch card, meaning that Naomi was Heaven’s “programmer”, so to speak.
But when Jim Michaels tweeted back, “Is it Morse Code”, that got me thinking — what if there were a hidden message in the pattern?
Thanks to jkateel for the screencaps
The official answer is crosses on the side wall?
So yeah, a lot less fun than it could have been.
Oh. Uh. Well. I guess that's cool too.