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Flutiebear: Rambling My Way Through Thedas

@flutiebear / flutiebear.tumblr.com

I am become Flutie, Destroyer of Salads.
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bill-weasley

Dean Winchester in a nutshell

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flutiebear

I love how palpable Dean's self-hatred is in this snippet of dialogue; how quickly he answers Death's question, yet when he says Sam's name, he swallows it like a bitter pill; how cruel it is of Death to ask a man who values family above all else to choose between his brothers; and how ultimately Death always knew Dean would choose Sam, but he forces the decision anyway.

The thing is, I think if Dean had really forced the issue, Death may have relented and risen both Adam and Sam. Then again, Death also knew Dean wouldn't dare force the issue, not with Sam on the line.

The whole affair is so cruel and cold, and there's no kindness in it... which is why I think Death does it consciously, because asking Dean to choose is so at odds with the gesture he's offering to perform. Death will restore Sam's soul, despite what he tells Dean about losing, and it's something that Death's probably never done before (or if he has, only a handful of times). One might begin to think he's gone soft. But by forcing Sophie's Choice, then any possible sentimentality is mitigated.

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“It’s very easy for me to geek out when I’m talking about the show, because I am so enamoured by the process as a whole. I really feel like this is where I’m supposed to be, and I consider myself very fortunate. “
Mark Meloche, Supernatural VFX Supervisor

My interview with VFX Supervisor Mark Meloche is now live! Check it out here: Supernatural From Script to Screen: VFX Supervisor Mark Meloche

Not gonna lie, it was very awesome to be sitting at home talking to one of the SPN crew for an hour.  Mark is a geek, and so passionate about his job – it sort of felt like talking to another SPN fan. The interview was done over Skype, my main challenge was remembering that this was an interview and not just a chat!

I hope you enjoy it - coming soon is my interview with First Assistant Director Kevin Parks. Let me know of any other crew members you’d particularly like to see interviewed.

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flutiebear

An awesome behind-the-scenes look at Supernatural's VFX department, and what goes into making everything from black smoke to Levi tongue. Great interview, lots of meat here, fantastic job Jules!

Since you asked about who we'd like to see interview, holy gods would I love to see an interview with wardrobe! OMFG. I'm fangirling just thinking about it.

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flutiebear
Carry all those phantoms Through bitter wind and stormy skies: From the desert to the mountain, From the lowest low to the highest high, Like a ghost rider. Keep on riding north and west. Then circle south and east. Show me beauty-- but there is no peace.
- "Ghost Rider", Rush
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Anonymous asked:

Can you list your ten favorite Supernatural characters and why?

Excluding Team Free Will (because, please, that’s not even a contest), here they are, in no particular order:

Victor Henricksen

I have such a thing for Lawful Good characters. SUCH A THING. The sheriff in a lawless land is pretty much my favorite character archetype ever. And, well, Victor doesn’t just push every one of my buttons, he smashes them. Plus he’s really, really hot. *fans self*

Ronald Reznick

Also Flutie catnip: Conspiracy nuts. Those discoverers of Secret Truths, who keep the faith when nobody else does, and who of course never live to learn that what they believed was real. Cliff from Doctor Who, Emeric from Dragon Age II, and Ronald from Supernatural all fall into this category.

Bela Talbot

Bela Talbot is a fucking goddess. She’s clever, confident, cool under pressure, and she owns her choices, even the bad ones, in a way that I find personally inspiring. If I’m in a situation where I’m feeling nervous or out of sorts, I just think to myself: What Would Bela Do?

Kevin Tran

Ordinary people thrust into extraordinary circumstances, rising to the occasion, becoming heroes. This is what the first four seasons of Supernatural were all about. I’m glad that they returned to it with Kevin  and of course…

Jody Mills

I’ve written about why I love Jody in far greater detail elsewhere, but suffice to say, if you don’t like Jody, sorry, but you’re wrong.

Ava Wilson

Talk about an actress far exceeding her material. Ava’s debut episode was mediocre, at best, and if you examine her lines on paper, she comes off as shrill and superficial. That Katharine Isabelle was able to take this whiny secretary and turn her into a sarcastic, charming Everywoman who was the Donna to Sam’s Doctor, well, it speaks volumes about the depth of her talent. Of all the many characters that have come and gone over the years, Ava is the one who has most left me wanting more.

Gordon Walker

The perfect counterpoint to Dean, Gordon's shadow lingers over the show even still. Gordon looked too long into the abyss, and the abyss looked back, and thus he became as the things he hunted. He represents what Dean could have become, and the inclinations Dean still fights against to this very day. Now that Dean is back topside, I expect to a return to these themes in Season 8.

Kubrick

Kubrick was probably the most colorful bit character we’ve ever had on this show. I loved his strange attachment to kitsch Jesus, and his mission from God, and the fact that he lived in an RV, and his ability to be easily swayed by the promise of fried onions, and god, that is how you write an awesome bit character.

Dick Roman

Unlike almost everyone else in the fandom, I thought the Leviathan were brilliant -- not just thematically appropriate but genuinely terrifying in a way that many of the other monsters on the show really aren’t, because personally, I find the idea of a faceless corporation turning me into a brainless, consent-less cow pretty goddamn terrifying. Dick was the perfect face for that efficient evil: Beautiful, charming, always smiling, always baring his teeth, never looking back because he's not a sheep, he's a shark, and sharks don't have necks.

Yep. Totally Dick Roman.

Meg Masters

She’s subversively powerful and unapologetically vile in ways you don’t often see afforded to female television characters, and I love how both Nicki Aycox and Rachel Miner have interpreted the character. I’m glad the writers kept Meg around, and let her kill off Jo and Ellen, and squeeze her way in between Dean and Cas, and just generally be as vile as she wants to be. Whenever she shows up, I know it’s gonna be good.

Just saying, nonny, this list was incredibly hard to come up with. Some of my other favorites that didn’t make the cut: Lisa Braeden; Tessa; Jeffrey; Dr. Corman; Frank Devereaux; Charlie Bradbury; Ed Zeddmore; Raphael; Crowley; Chuck Shurley; Lilith; Rachel; Fate; Layla Rourke; Molly McNamara; Azazel; Rufus Turner; Dr. Cora Roberts; Krissy Chambers; the Trickster (pre-Gabriel revelation); Uriel; Hester; Edgar; Becky Rosen; Demian and Barnes; oh, and that cute and flirty morgue assistant from “The Slice Girls”.

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Are Dean and Cas in love? a.k.a. The Great Season 7 Rewatch (Part 8.1)

I’ve often said that Season 7 convinced me of the canonicity of Dean/Cas, and to this day it boggles my mind that so many fans blame Sera Gamble for “ruining” the characters’ relationship. So I thought I’d step through my favorite season, episode by episode, and point out exactly why I’m so convinced their love is not only of the romantic sort, but also very, very canon.

Previously: Out With the Old

Author's Note: I'll be traveling for the next several days, so I won't be able to get to part 2 and beyond for some time, until at least mid next week. But this part's a little longer to make up for it. So settle in for a book, friends. Hopefully it will tide you over until I get back. :)

17: The Born Again Identity, Part 1 If “Death’s Door” is a masterpiece, then “The Born Again Identity” is Sera Gamble’s magnum opus, her crowning achievement, the one Supernatural episode for which she should be remembered forever. Fine; I’m being a little hyperbolic. But it’s also really that good.

Subtle and complex, darkly humorous and painfully cathartic, “The Born Again Identity” packs in enough content to last three episodes, yet somehow it never feels rushed or forced. Pop culture and literary references abound in equal measure, but it’s also highly self-referential, in that it calls back to almost every other Supernatural episode Gamble ever wrote. Those who’ve carefully watched and re-watched the series are thus rewarded with additional context and deeper meaning for the scenes now taking place. This is fangirl catnip at its most potent. I love it. 

“The Born Again Identity" is a love letter to Dean, to Cas, and to everything the Supernatural universe has come to represent. Yet I think it remains one of Gamble’s most misunderstood episodes, certainly one of her most overlooked. If I remember correctly, at the time of airing many fans were disappointed, and I’m not sure why, other than maybe the fact that the reconciliation between Dean and Cas is saved for another episode.

As well it should be. Damage that big can’t be fixed in one go, and besides, this isn’t an episode about reconciliation. This is an episode about death, and fear, and facing both head on, only to come out the other side in one piece, stronger than you were before.

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hello! so, I had a question, and that is- did you like season seven of supernatural? as in, did you think it was a good season? because I know a lot of people say that seasons 6 and 7 were crap compared to the first 5. and that prompts another question: if you DID like season 7 (and/or 6 because I liked them both) could you briefly explain why in your magical and eloquent ways? I'm also sort of trying to prove a point ^^ thanks, have a lovely night!

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Season 7 is my favorite. By a large margin. In fact, I've actually already written a long analysis on why I love Season 7 so much (I wrote it right before the season finale -- you can start with Part One here), not to mention the on-going metasplosion I've been writing about whether Dean and Cas are in love. (Part One starts here.)

The short version is this: Seasons 1-5 were a coming of age story, about how boys become men. Seasons 6 and 7 are about what those men do once they get there. Coming-of-age stories are okay, but as an adult, I inherently find limited personal relevance in a story about growing up. I've already come of age. I've already found myself. Been there, done that.

The more adult storylines of Season 6 and 7 I find far more appealing, as they speak more closely to my current life experiences: redefining what family means, dealing with grief and loss, saying goodbye to the people who raised you, etc. That's what I'm going through right now. That's what I connect with best.

That's not to say that one story is better or more relevant than the other -- only that one speaks more loudly to me.

Hope that helps! (and I'm publishing this because several people have asked me the same question, so I'm killing seventeen birds with one stone. :D)

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Bob and Sera are being really sweet to each other in this commentary.

Like, you can tell there was probably some tension that happened between them behind the scenes, but they're putting their differences behind them now, and being extremely complimentary towards each others' writing and directing skills, and it's just really sweet and heartwarming. Whatever happened, it's in the past, and they've both moved on.

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Are Dean & Cas in love? a.k.a The Great Season 7 Rewatch (Part 1)

Author's note, April 2014: For many reasons, I am no longer in the Supernatural fandom, and I will never finish this meta series. While I leave the GS7R up for posterity's sake (and because I worked too hard on it to take it down), you probably shouldn't bother following me for more SPN meta, because it won't be coming. Ever.

Great question, lurea, although I suspect at the end of this, if you're still even reading, you're going to regret asking it :).

I’ve often said that Season 7 convinced me of the canonicity of Dean/Cas, and to this day it boggles my mind that so many fans blame Sera Gamble for ruining the characters' relationship. So I thought this would be a great opportunity to step through my favorite season, episode by episode, and point out exactly why I'm so convinced their love is not only of the romantic sort, but also very,verycanon.

Before we get started though, we should go over the basics of how serialized TV stories are structured, as this will become relevant once we get to “Girl Next Door” and later episodes.

Modern serialized TV shows follow a highly structured pattern. In each episode, there’s an “A plot” (the main plot), and generally up to two minor/side plots, or B and C plots. Usually, one of these – let’s call it the C plot for this analysis – is the overarching, season-long story arc.

Generally speaking, the A plot will serve as a mirror for whatever is going on in the B and C plots, and vice versa, both directly and thematically. So if, say, the A plot is about Sam and Dean hunting a demon who eats the faces of repentant murderers, then a B plot might be Sam struggling to reconcile his guilt over a murder he committed in the past (a direct mirror), and a C plot might be Dean struggling with issues of personal identity (his “face”) over the entire season (a thematic mirror).

Generally, whenever you see an episode that feels “off” and you can’t put your finger on why, it’s because the A and B/C plots don’t mirror each other like they’re supposed to. (“And Then There Were None”, imo, is a great example of how NOT to do serialized plotting – the B/C plots were all over the place, and the A plot was just stupid). The best episodes, like “Repo Man”, will have all the plots reflecting one another, and can thus tap into the fairly subtle and layered storytelling that  this structure offers.

Okay, got it? Good. Strap on your seatbelts, because here we go.

Oh, and fair warning: This analysis has gotten way, way longer than I intended, and I’m going to have to break it into pieces. First installment, covering episodes 1-6, follows below the break.

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CASTIEL: I can’t help. You understand? I can’t. I destroyed… everything, and I will destroy everything again. Can we please just leave it at that? DEAN: No. [He gets up.] No, we can’t. SAM: Dean… DEAN: We can’t leave it. You let these friggin’ things in. So you don’t get to make a sandwich. You don’t get a damned cat. Nobody cares that you’re broken, Cas. Clean up your mess!

Dean and Cas // Survival of the Fittest (7x23)

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flutiebear

God I love this exchange. Because Dean's right: In real life, when you fuck up, nobody cares that you're broken. You take responsibility for your fuck ups anyway. That's what being an adult is all about.

It says a lot about Cas that the first time we see him truly feel guilty, he runs away from the feeling, like Anna did -- like a child would, really. This is how a child behaves. A child wants Mommy and Daddy to clean up his spilled juice for him. A child thinks that by giving Mommy and Daddy enough hugs, or telling them he loves them, he won’t have to clean up his juice. And a child whines that he feels bad when Mommy and Daddy get angry at him for throwing the juice in the first place. A lot of fans got upset when Dean accused Cas of being a “baby in a trenchcoat” in 6x19, but c’mon, that’s exactly what he’s acting like here at the end of Season 7: a child dressed in a superhero’s clothes.

Of course, it only makes sense that Cas would behave this way, because until opening the door to Purgatory, he’s never really made a mistake he felt was so large he needed to hide away from it. (Which, if nothing else, should confirm that no matter how passive aggressive he gets about it sometimes, Cas doesn't consider leaving his garrison for the Winchesters' sake a mistake. Unlike 2014!Cas, he doesn't feel guilt over the action, or remorse, or regret. But that's another discussion for another time.) 

But just because it makes sense doesn’t mean it’s gonna fly. I see a lot of fans getting angry at Dean for this exchange, and I don't get it, I really don’t, because Dean has every right to be angry. His best friend (and probably more) is acting like a spoiled brat. Cas does need to nut up. It doesn't matter that he’s broken. I'm broken. You're broken. We're all broken. We're all cursed. And that doesn't absolve of us our duty and responsibility to fix our messes and to make the world a better place than what we found it. Even though we hurt, even though we feel guilty, somehow we just have to figure out a way to function in the society anyway, and no, you don’t get to sit on the sidelines and make sandwiches and play board games with yourself while someone else does it for you. 

Earlier in the episode, Sam tries to coddle Cas into “getting better”, but the truth is, there's no "better" for Cas to get to; because there's no getting better from your own mistakes, and there’s no getting better from your own maturity. Part of growing up is being shattered and gluing yourself back together. Not having someone else do it. Not pretending that the broken bits are their own excuse. And unlike Sam, I think Dean accepts that this is just how Cas is going to be broken. He doesn’t try to backpedal or deny Cas’s pain; he merely asks Cas to own it, like a real man does, and move forward anyway.

That’s why this exchange is so important. Because like with everything else about being human, it once again falls to Dean to teach Cas about what it means to be an adult – a man—and that means taking responsibility for your actions. And this message has to be harsh and direct, because children don’t listen to anything else; and it to be Dean who says it, because Cas won’t listen any other way.

I actually honest-to-god pumped my fist in the air when I first saw this exchange, because this is just what Cas needed to hear, when he needed to hear it, and this show is just so, so good sometimes, and I really loved what it became under Sera Gamble’s reign. If the first five seasons are about becoming an adult, then Sera Gamble’s run is about how to behave once you’ve become one, and this is a conversation I’d been waiting for ever since Cas stepped into that lake. Because an adult doesn’t get to sacrifice himself to make things right when he makes a mistake, and he doesn’t get to shy away from his own guilt, either; an adult steps up and deals with the consequences, whatever they may be, and then lives anyway.

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